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Cloud effect over Coniston Old Man.

  • Creation date1880
  • Dimensions24.0 x 39.0 cm
Ruskin was perennially interested in the appearance and action of clouds, recording in drawings unusual effects both at home and abroad. Part VII of Modern Painters, volume V (1860) is titled ‘Of Cloud Beauty,’ and in 1885 he reprinted these observations (as Cœli Enarrant) with the intention, never fulfilled, of a continuation. This is one of several studies of the often dramatic clouds over the Old Man at Coniston, directly opposite Brantwood across the lake. The effects of fading through exposure to light are most noticeable in the small touches of yellow, green and pink (probably rose madder, a very fugitive pigment) in the centre.

Questions & Answers

Is "Cloud effect over Coniston Old Man." by John Ruskin a light or a dark artwork?

"Cloud effect over Coniston Old Man." is brilliant overall, and its luminance is luminous.

Is John Ruskin, creator of "Cloud effect over Coniston Old Man.", known under other names?

Other names recorded for John Ruskin, creator of "Cloud effect over Coniston Old Man.", include Sir John Everett Millais, Ruskin, Revd. John Kinder, Reverend John Kinder, Rev. Kinder.

How many people view "Cloud effect over Coniston Old Man."?

Statistics about "Cloud effect over Coniston Old Man." by John Ruskin are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.

John Ruskin (1819 – 1900)

Explore the art & writings of John Ruskin (1819-1900), Victorian polymath, art critic, and social thinker. Discover his landscape paintings, architectural analyses, & influential essays on nature, beauty, & society.

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