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Jan Gerritsz van Bronckhorst Most Popular Paintings

The 20 artworks by Jan Gerritsz van Bronckhorst our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 20 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Jan Gerritsz van Bronckhorst · 1603 – 1661

Merry Company with a Violinist

1640 · Hermitage Museum, Saint Petersburg · original 120 x 148 cm

Explore Jan Gerritsz van Bronckhorst's 'Merry Company with a Violinist,' a captivating Baroque masterpiece depicting a lively gathering and showcasing the artist’s masterful blend of drama and sensuality.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 1 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17535 × 29 cm Commission this artwork

Same size as the original$665148 × 120 cm Commission at original size

Bacchanal with Silenus

1600 · Museo de Arte de Ponce, Ponce · original 164 x 221 cm

Jan Gerritsz van Bronchorst’s Bacchanal with Silenus captures a lavish 17th-century Dutch family reveling in a Bacchus celebration, showcasing Mannerist style and opulent detail. Explore this dynamic scene and bring home a unique piece of art history.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17536 × 28 cm Commission this artwork

Same size as the original$1198221 × 164 cm Commission at original size

A Shepherd's Concert

1670 · Hermitage Museum, Saint Petersburg · original 96.0 x 124.0cm

This serene Baroque pastoral scene by Jan Gerritsz van Bronckhorst captures a musical moment. Shop this timeless masterpiece today.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$22536 × 28 cm Commission this artwork

Same size as the original$545124 × 96 cm Commission at original size

Portrait of Nicholaes Oetgens van Waveren (1622-1684)

1656 · Amsterdam Museum, Amsterdam · original 163.0 x 132.5cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17528 × 35 cm Commission this artwork

Same size as the original$776133 × 163 cm Commission at original size

Distribution of food

1657 · Amsterdam Museum, Amsterdam · original 262.0 x 157.0cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$35024 × 41 cm Commission this artwork

Young Man Playing a Theorbo

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17529 × 34 cm Commission this artwork

Sleeping Nymph and Shepherd

1645 · original 85 x 116 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17537 × 27 cm Commission this artwork

Same size as the original$435116 × 85 cm Commission at original size

Melchior

1650

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17528 × 36 cm Commission this artwork

Jethro advising Moses

1659 · original 465.0 x 450.0cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$60031 × 32 cm Commission this artwork

The three graces

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 10 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17532 × 31 cm Commission this artwork

Jupiter Gives Orders to Mercury to Kill Argus

1656 · original 275.0 x 168.0cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$40025 × 39 cm Commission this artwork

Fame

1656

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 12 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17532 × 31 cm Commission this artwork

Notoriety

1656

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 13 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17532 × 31 cm Commission this artwork

Time

1656

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17532 × 31 cm Commission this artwork

Musical company

1646 · original 115.0 x 154.0cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$30036 × 28 cm Commission this artwork

Same size as the original$788154 × 115 cm Commission at original size

The procuress.

Experience Jan Gerritsz van Bronchorst’s ‘The Procuress.’ A provocative 17th-century Dutch painting featuring a captivating scene of intrigue and desire. Commission a hand-painted replica today.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17535 × 28 cm Commission this artwork

Memorial Panel for Lubbert Bolle, Jan Gerritsz. van Bronckhorst (possibly), 1525 - 1574

View the most popular artwork of Jan Gerritsz van Bronckhorst ranked #17: Memorial Panel for Lubbert Bolle, Jan Gerritsz. van Bronckhorst (possibly), 1525 - 1574

1574 · original 75 x 51 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17526 × 38 cm Commission this artwork

Same size as the original$25951 × 75 cm Commission at original size

A Concert

original 120 x 154 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 18 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17536 × 28 cm Commission this artwork

Same size as the original$685154 × 120 cm Commission at original size

The Wine festival (Allegory of the Autumn).

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 19 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17543 × 23 cm Commission this artwork

landscape with bathing nymphs

original 27.5 x 36.0cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 20 of 20 artworks by Jan Gerritsz van Bronckhorst
Delivery: Worldwide, about 5 weeks

from$17533 × 31 cm Commission this artwork

The artist

Jan Gerritsz van Bronckhorst

1603 – 1661

Quick facts

Lifespan58 years
Art periodEarly Modern
Copyright statusPublic domain
Also known asJan Gerritsz. van Bronchorst, Jan van Bronchorst, Gerritsz. van Bronckhorst, Jan Gerritsz. van Bronkhorst, Jan Bronkhorst
Top-ranked workMerry Company with a Violinist
NationalityNetherlands
Typical colorsespresso

Biography

Santi di Tito: A Counterpoint to Mannerism

Santi di Tito (1603 – 1661) emerged from the vibrant, tumultuous artistic landscape of late Renaissance and early Baroque Rome, a period defined by intense stylistic debate. His life and career represent a fascinating case study in navigating evolving artistic conventions, ultimately forging a distinctive style that stands as a crucial bridge between Mannerism and the burgeoning naturalism of the Baroque. Born in Sansepolcro, a small town in Umbria, Santi’s early training remains somewhat shrouded in mystery, with accounts suggesting influences from figures like Bronzino and Baccio Bandinelli, though definitive proof is elusive. This lack of clear lineage contributed to his unique artistic trajectory – one that deliberately distanced itself from the established norms of the time.

Early Career and Roman Apprenticeship

Santi’s journey to Rome in 1558 marked a pivotal moment, placing him within the heart of the city's artistic ferment. He spent nearly a decade working alongside Giovanni de’ Vecchi and Niccolò Circignani on monumental frescoes within the Palazzo Salviati and the Sala Grande of the Belvedere at the Vatican – projects that showcased the grandeur and complexity of Mannerist painting. These early commissions exposed Santi to the prevailing stylistic trends, characterized by elongated figures, complex spatial arrangements, and a deliberate emphasis on elegance and refinement. However, rather than simply absorbing these influences, Santi began to subtly reshape them, introducing a greater sense of naturalism and a more restrained palette. The frescoes in the Belvedere, particularly *Homage of the People*, reveal his growing interest in classical forms and a desire for clarity and balance – qualities that would become hallmarks of his later work.

The Studiolo of Francesco I: A Defining Period

Santi’s most significant contribution to the Roman art scene occurred during his tenure at the Palazzo Vecchio, where he was commissioned to decorate the *Studiolo* (a private study) of Francesco I de' Medici, Grand Duke of Tuscany. This project proved transformative, solidifying Santi’s distinctive style and establishing him as a leading figure in the Counter-Mannerist movement. The two paintings created for this space – *Sisters of Phaeton* and *Hercules and Iole* – exemplify his innovative approach. Unlike the crowded, theatrical compositions typical of Mannerism, Santi's works are characterized by a remarkable clarity of form, a carefully considered use of light and shadow, and a focus on idealized beauty. He deliberately avoided the excessive ornamentation and artificiality that had become associated with Mannerist painting, opting instead for a more restrained and harmonious aesthetic. This shift was consciously intended as a reaction against the prevailing *maniera* of artists like Bronzino and Federico Zuccari, whom he viewed as overly elaborate and lacking in genuine naturalism.

A Reformist Style: Embracing Classical Ideals

Santi’s artistic philosophy can be understood within the broader context of the Counter-Reformation. The Catholic Church was actively seeking to reform its image and promote a more accessible form of religious art, one that emphasized clarity, piety, and emotional engagement. Santi's work reflects this desire for renewal, moving away from the complex intellectualism of Mannerism towards a more direct and emotionally resonant style. He drew inspiration from classical antiquity, particularly the works of Raphael, seeking to emulate his sense of grace, harmony, and balance. This commitment to classical ideals is evident in his careful attention to proportion, his use of idealized figures, and his avoidance of excessive detail. As S. J. Freedberg noted, Santi’s style was “Raphaelesque,” a deliberate attempt to recapture the perceived purity and elegance of Raphael's art.

Later Works and Legacy

Following his return to Florence in 1564, Santi continued to produce significant works throughout his career, including altarpieces for Santa Croce and frescoes for Volterra Cathedral. His *Resurrection of Lazarus* and *Supper at Emmaus*, particularly the latter, demonstrate his ability to convey profound emotion through subtle gestures and carefully rendered details. Despite his artistic achievements, Santi faced considerable financial difficulties, ultimately declaring bankruptcy in 1662. He died in poverty in 1661, largely unrecognized during his lifetime. However, his work gradually gained recognition in the 19th century, and today he is considered one of the most important figures in the Counter-Mannerist movement – a pivotal artist who helped to shape the course of European painting. His legacy lies not only in his individual masterpieces but also in his courageous challenge to established artistic conventions and his unwavering commitment to classical ideals.

Questions & Answers

In which movements did Jan Gerritsz van Bronckhorst work?

Jan Gerritsz van Bronckhorst's works can be browsed by movement on the artist's All Movements page.

What other names is Jan Gerritsz van Bronckhorst known by?

Jan Gerritsz van Bronckhorst is also known as Jan Gerritsz. van Bronchorst, Jan van Bronchorst, Gerritsz. van Bronckhorst, Jan Gerritsz. van Bronkhorst, Jan Bronkhorst.

Can I explore Jan Gerritsz van Bronckhorst's works by subject?

Jan Gerritsz van Bronckhorst's works can be explored by subject on the artist's Subject Atlas page.

By the ArtsDot.com Editorial Team Updated Sept. 1, 2026

Collector's quiz

In what year was Santi di Tito born?
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What was a key characteristic of Santi di Tito's style, as described by S.J. Freedberg?
What type of painting did Santi di Tito contribute to the Sala Grande of the Belvedere in Rome?
Which of the following best describes Aert van der Neer's primary subject matter?

one You choose the size

Standard formats or any custom dimension, matched to the proportions of the original.

two We paint and send a preview

A photo of the finished canvas for your approval before it is shipped.

three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

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