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Georges de la Tour Most Popular Paintings

The 25 artworks by Georges de la Tour our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Georges de la Tour · 1593 – 1652

The Fortune-Teller

1635

Discover Georges de La Tour’s ‘The Fortune-Teller’ (1635). A Baroque masterpiece of dramatic light & shadow, capturing intimate social scenes. Explore its symbolism & timeless beauty.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 1 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$25035 × 29 cm Commission this artwork

The Dream of St Joseph

1640 · Musée d'Arts de Nantes, Nantes · original 93 x 81 cm

Discover Georges de La Tour’s ‘The Dream of St Joseph’ (1640). A Baroque masterpiece featuring dramatic chiaroscuro, rich symbolism & spiritual depth. Explore this iconic oil painting's timeless beauty.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$20030 × 33 cm Commission this artwork

Same size as the original$39281 × 93 cm Commission at original size

Fortune Teller

1632 · Metropolitan Museum of Art, new york · original 102 x 123 cm

Explore Georges de la Tour's 'Fortune Teller' (1632). This Baroque masterpiece showcases dramatic chiaroscuro & intimate realism in a captivating family portrait. Own a hand-painted reproduction today!

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17535 × 29 cm Commission this artwork

Same size as the original$513123 × 102 cm Commission at original size

Adoration of the Shepherds

1644 · The Louvre, Paris · original 107 x 131 cm

Experience the dramatic tenebrism of Georges de La Tour's Adoration of the Shepherds, a French Baroque masterpiece where candlelight illuminates divine grace, inviting you to bring this spiritual glow into your collection.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17537 × 27 cm Commission this artwork

Same size as the original$556131 × 107 cm Commission at original size

Cheater with the Ace of Diamonds

1635 · The Louvre, Paris · original 106 x 146 cm

The painting is housed in the Louvre Museum in Paris. It's considered one of De La Tour's most iconic works and a testament to his artistic prowess.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17537 × 27 cm Commission this artwork

Same size as the original$598146 × 106 cm Commission at original size

St Sebastien Attended by St Irene

1649 · The Louvre, Paris · original 167 x 130 cm

A dramatic display of tenebrism captures the tender moment between St Sebastian and St Irene in this 1649 Baroque masterpiece by Georges de La Tour, inviting you to explore the profound beauty of his sacred shadows.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17528 × 36 cm Commission this artwork

Same size as the original$779130 × 167 cm Commission at original size

Magdalen of Night Light

1640 · The Louvre, Paris · original 128 x 94 cm

A hauntingly beautiful Baroque meditation on mortality, Georges de La Tour's Magdalen of Night Light uses dramatic chiaroscuro to illuminate faith and invites you to bring this masterpiece of light into your collection.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17527 × 37 cm Commission this artwork

Same size as the original$49894 × 128 cm Commission at original size

The Repentant Magdalen

1635 · National Gallery of Art, Washington · original 113 x 93 cm

Delve into Georges de La Tour’s evocative depiction of Mary Magdalene, rendered in exquisite Baroque style. Explore its symbolism—death, faith, and repentance—expressed through masterful chiaroscuro lighting and serene composition.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17529 × 34 cm Commission this artwork

Same size as the original$45493 × 113 cm Commission at original size

The Tears of St. Peter, also called Repentant St. Peter

1645 · Cleveland Museum of Art, Cleveland · original 114 x 95 cm

Experience the profound emotional intensity of Georges de La Tour's Baroque masterpiece The Tears of St. Peter, where dramatic tenebrism illuminates a moment of divine repentance and invites you to explore its spiritual depth.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17528 × 35 cm Commission this artwork

Same size as the original$46395 × 114 cm Commission at original size

Magdalen with the Smoking Flame

1640 · Los Angeles County Museum of Art, Los Angeles · original 117 x 92 cm

Georges de La Tour's 'Magdalene with the Smoking Flame' (1640) is a haunting Baroque masterpiece exploring faith, repentance, and mortality through dramatic light & shadow. A poignant reflection on Mary Magdalene’s spiritual journey.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 10 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17528 × 36 cm Commission this artwork

Same size as the original$46192 × 117 cm Commission at original size

The Cheat with the Ace of Diamonds

Grand Palais, Paris · original 106 x 146 cm

Explore Georges de La Tour's masterpiece 'The Cheat with the Ace of Diamonds,' a dramatic Baroque painting capturing a clandestine card game illuminated by masterful chiaroscuro and spiritual depth.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17537 × 27 cm Commission this artwork

Same size as the original$598146 × 106 cm Commission at original size

Penitent St Jerome

1620 · Nationalmuseum, Stockholm · original 152 x 109 cm

Explore Georges de la Tour’s ‘Penitent St Jerome,’ a dramatic Baroque masterpiece showcasing intense emotion & realism through chiaroscuro. A poignant study of faith and suffering.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 12 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17526 × 38 cm Commission this artwork

Same size as the original$630109 × 152 cm Commission at original size

Christ in the Carpenter's Shop (detail)

1645 · The Louvre, Paris

Experience Georges de la Tour’s ‘Christ in the Carpenter’s Shop.’ A dramatic Baroque masterpiece featuring intense chiaroscuro & a solitary figure bathed in candlelight. Explore religious devotion and masterful technique.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 13 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17528 × 36 cm Commission this artwork

The Adoration of the Shepherds

1644

Bathed in dramatic chiaroscuro, Georges de La Tour’s ‘The Adoration of the Shepherds’ captures a profound spiritual moment within the Baroque period. This evocative painting depicts Mary cradling Jesus in a manger, illuminated by ethereal light against deep shadows—a timeless depiction inviting contemplation and artistic appreciation.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17535 × 28 cm Commission this artwork

St.Jerome reading

1638 · The Louvre, Paris · original 93 x 122 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17528 × 36 cm Commission this artwork

Same size as the original$47893 × 122 cm Commission at original size

The Hurdy-gurdy Player

1631 · Musée d'Arts de Nantes, Nantes · original 162 x 105 cm

Delve into the mesmerizing world of Georges de La Tour’s ‘The Hurdy-gurdy Player,’ a Baroque masterpiece illuminated by dramatic chiaroscuro and imbued with spiritual contemplation. Explore its symbolism, technique & historical context.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17526 × 38 cm Commission this artwork

Same size as the original$643105 × 162 cm Commission at original size

Education of the Virgin

1640

A profound meditation on faith captured through dramatic chiaroscuro, Georges de La Tour's Baroque masterpiece The Education of the Virgin invites you to experience the luminous beauty of candlelight and spiritual devotion.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17533 × 30 cm Commission this artwork

The Dream of St Joseph

A profound study of chiaroscuro captures St Joseph in divine repose within this evocative Baroque masterpiece by Georges de La Tour, inviting you to experience the luminous beauty of his spiritual vision.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 18 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17531 × 33 cm Commission this artwork

Blind Musician

Museo del Prado, Madrid · original 84 x 61 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 19 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17527 × 37 cm Commission this artwork

Same size as the original$29761 × 84 cm Commission at original size

The New-born

Grand Palais, Paris · original 76 x 91 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 20 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17535 × 29 cm Commission this artwork

Same size as the original$34991 × 76 cm Commission at original size

The Beggars' Brawl

1620 · original 33 x 55 cm

Georges de La Tour's 'The Beggars’ Brawl' (1620) captures a tense scene of urban conflict with dramatic chiaroscuro lighting. Explore this Baroque masterpiece depicting poverty, dispute, and human drama – a captivating work of art.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 21 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17541 × 24 cm Commission this artwork

Same size as the original$19955 × 33 cm Commission at original size

The Cheat with the Ace of Clubs

1630 · Kimbell Art Museum, Fort Worth · original 97 x 156 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 22 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17540 × 25 cm Commission this artwork

Same size as the original$588156 × 97 cm Commission at original size

Magdalene with the Smoking Flame - Georges de La Tour

2026

Discover the haunting beauty of Magdalene with the Smoking Flame by Georges de La Tour, a hand‑painted acrylic masterpiece that captures Baroque intensity and spiritual reflection. Own this timeless piece today.

View the artwork

Christ in the Carpenter's Shop

1645 · The Louvre, Paris · original 137 x 101 cm

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 24 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17527 × 37 cm Commission this artwork

Same size as the original$551101 × 137 cm Commission at original size

St. Joseph, the Carpenter

1640 · original 80 x 120 cm

Witness Georges de La Tour’s masterpiece, ‘St. Joseph, the Carpenter’! This Baroque painting showcases Tenebrism's dramatic light & shadow, depicting faith, humility, and divine grace. A stunning 80x120cm hand-painted reproduction.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 25 of 98 artworks by Georges de la Tour
Delivery: Worldwide, about 5 weeks

from$17527 × 37 cm Commission this artwork

Same size as the original$42880 × 120 cm Commission at original size

The artist

Georges de la Tour

1593 – 1652

Quick facts

Mediumsoil on canvas, acrylic on canvas
Room fitliving room
Emotional tonemelancholic
Vibedramatic
Copyright statusPublic domain
Topics exploredcandlelight, chiaroscuro, religious scene, light and shadow, baroque
NationalityFrance
Art periodEarly Modern

Biography

The Life of Georges de La Tour

Born in 1593 in Vic-sur-Seille, a town within the Diocese of Metz, Georges de La Tour entered a world shaped by the shifting borders of the Duchy of Lorraine. He was the second of seven children born to Jean de La Tour, a baker, and Sybille de La Tour, née Molian. His early years were rooted in this provincial landscape, far from the grand centers of the French Baroque, yet his origins provided the foundation for a life spent navigating the complexities of both religious fervor and political change.

His existence was defined by a steady movement through the social and political structures of his time. After establishing himself, he eventually settled in Lunéville, where he would remain for much of his professional life. This stability allowed him to develop a distinct presence in the region, eventually earning the title of "Painter to the King" under Louis XIII. He lived through an era of profound transformation, moving between the service of the French court and the Dukes of Lorraine, maintaining a presence in the local community even as his reputation grew.

The end of his life arrived in 1652 in Lunéville. He passed away shortly after his wife, leaving behind a body of work that reflected the quiet, often nocturnal, realities of the seventeenth century. His life followed the arc of a man deeply embedded in the local fabric of Lorraine, a painter whose presence was felt in the courts and the chapels of his home region.

Early Life and Artistic Training

The origins of Georges de La Tour remain partially obscured by the shadows of the early seventeenth century. Born in 1593 in Vic-sur-Seille, he emerged from a family of modest means, the son of a baker. While the specific details of his formative years are elusive, the trajectory of his talent suggests a rapid and disciplined development. By 1616, he had already established himself as a fully trained painter, possessing a technical maturity that would define his subsequent career.

Scholars continue to debate the specific influences that shaped his early vision. There is significant speculation regarding potential travels to Italy, a common path for ambitious painters of the era seeking to master the nuances of light. Other theories suggest he may have sought instruction under Jacques Bellange in Nancy, or perhaps traveled to the Netherlands during the early stages of his professional life. These possible movements would have exposed him to the diverse stylistic currents circulating through Europe, helping to refine the quiet, geometric precision that would eventually become his signature.

Marriage and Life in Lunéville

In 1617, Georges de La Tour married Diane Le Nerf, a union that brought both stability and social standing to his developing career. His wife arrived from a wealthy family, providing a foundation of security that allowed him to focus on his craft. By 1620, he had established himself as a resident of Lunéville, where he set up his studio and began to navigate the complexities of local life. He lived the life of a prosperous local gentleman, moving within the social circles of the Duchy of Lorraine.

This period of settlement provided the quietude necessary for his artistic evolution. The domestic stability of his Lunéville years offered a stark contrast to the political upheavals occurring across the region. While his social position grew, his focus remained on the intimate details of his surroundings. His studio became a place of steady production, supported by the resources of his marriage and his rising status in the community.

Patrons and Royal Recognition

The stability of De La Tour's career was anchored by the patronage of the powerful figures who governed the Duchy of Lorraine. Between 1623 and 1624, he provided works for the Dukes of Lorraine, a period that helped establish his reputation within the region. His reach extended beyond the local nobility to the highest echelons of the French state. He was appointed "Painter to the King" by Louis XIII in 1638, a distinction that signaled his acceptance into the inner circles of the French court.

His influence was felt in the private collections of the era's most significant administrators and architects. He painted for Cardinal Richelieu and the superintendent of finances, Claude de Bullion. Even the architect Le Nôtre was among those for whom he produced work. This network of support was not limited to the capital; he also provided paintings for the governor of Lorraine, the maréchal de La Ferté. These connections ensured that his quiet, candlelit compositions found their way into the most influential households of the seventeenth century.

Technique and Mastery of Light

The essence of his method lay in a profound command of chiaroscuro. He did not merely use light to illuminate a scene; he used it to define the very boundaries of existence. Through the application of tenebrism, he plunged his subjects into a deep, heavy gloom, allowing intense beams of light to carve out forms against an impenetrable void. This was particularly evident in his nocturnal scenes, where the flickering glow of a single candle became the primary architect of the composition. In these dark interiors, his color palette was intentionally restrained, often narrowing to a dialogue between earthy grey-brown tones and sharp vermillion.

As his career progressed, his approach underwent a quiet transformation. His later phase moved away from the dynamic energy of his youth toward a more meditative stillness. He began to favor simplified forms and careful geometrical compositions, stripping away unnecessary detail to focus on the essential. This economy of means lent his work a sense of profound introspection. The light in these later pieces often felt metaphysical, casting a soft, diffused glow that emphasized the quiet dignity of the human figure. He achieved a sense of permanence through this reduction, turning a fleeting moment of candlelight into a study of stillness.

Key Religious and Genre Works

The artist’s early output often focused on the social frictions of daily life. Around 1630, he produced The Fortune-Teller, a work that captures a moment of deception. This interest in human vulnerability and trickery continued with The Cheat with the Ace of Clubs, currently held in the Kimbell Art Museum. These genre scenes rely on sharp observation to depict the quiet, often unsettling, interactions of ordinary people.

As his focus shifted toward the spiritual, his compositions grew more restrained. He turned his attention to the lives of saints, using candlelight to define the contours of faith. Adoration of the Shepherds was created around 1640, presenting a scene of quiet devotion. During this same period, he painted Magdalene with the Smoking Flame, an oil-on-canvas work that uses a single light source to pull the subject from the surrounding gloom. His later years saw a move toward even greater simplicity, as seen in Saint Joseph the Carpenter.

The weight of human emotion became more pronounced in his final decade. He captured the profound grief of the apostle in The Tears of Saint Peter, painted in the 1650s. This psychological depth was also present in The Denial of Saint Peter, which he completed in 1650. In these works, the darkness is not merely a background but a presence that emphasizes the solitude of the figures.

Legacy and Historical Rediscovery

The quietude that defines his canvases eventually extended to his reputation. Following his death in 1652, the artist fell into a long period of relative obscurity. For centuries, his identity was obscured by time and misattribution, as many of his works were credited to other hands. The specific nuances of his style—the way he used light to bridge the gap between Caravaggism and French Classicism—were largely lost to the broader historical memory.

This silence was broken in the early 20th century. A concerted effort to re-evaluate his oeuvre led to a significant rediscovery, bringing his name back into the light of art history. This resurgence allowed scholars to recognize the originality of his compositions and his unique ability to handle shadow. His work moved from the margins of forgotten collections back into the center of study, revealing a painter of profound psychological depth.

The Fortune-Teller (about 1630)
Adoration of the Shepherds (about 1640)
The Tears of Saint Peter (1650s)

Where to See His Works Today

The presence of his canvases is felt across several major institutions, scattered between the quiet halls of Europe and the expansive galleries of the Americas. In France, the Louvre in Paris maintains a significant collection of his paintings. The Musée d'Arts de Nantes also holds several of his works, while the Musée Départemental des Vosges preserves Job Mocked by his Wife. These pieces offer a chance to observe his specific handling of light within a controlled, historical setting.

Across the Atlantic, his influence is preserved in the collections of the Metropolitan Museum of Art in New York. In the United States, the Cleveland Museum of Art holds The Tears of St. Peter, a work that captures the psychological weight of his later years. Further west, the Los Angeles County Museum of Art contains a version of Magdalene with the Smoking Flame, allowing viewers to encounter his nocturnal themes in a different light.

Beyond these primary locations, other significant holdings can be found in Germany and elsewhere. The Staatliche Museen zu Berlin maintains works that reflect his distinctive approach to shadow and form. To see his output in its entirety requires a pilgrimage through these diverse institutions, each offering a different perspective on his quiet, candlelit compositions.

Questions & Answers

How is Georges de la Tour's career divided into periods?

Georges de la Tour's career unfolds period by period on the artist's Chronicle page: a horizontal timeline of the artworks, grouped into career-period chapters.

What are the birth city and country of Georges de la Tour?

Georges de la Tour was born in Vic-sur-Seille, in France.

How can I follow Georges de la Tour's work year by year?

Georges de la Tour's artworks can be seen in chronological order on the artist's Artwork Timeline page.

By the ArtsDot.com Editorial Team Updated Oct. 13, 2026

Collector's quiz

In which town was Georges de La Tour born?
What was the profession of Georges de La Tour's father?
Which Italian master's dramatic chiaroscuro influenced De La Tour's style?
To which French king was De La Tour appointed 'Painter to the King' in 1638?
Who was the German art historian responsible for the rediscovery of De La Tour's work in the early 20th century?

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