Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 14 works by Daniel Gran in our catalogue
In short
The Daniel Gran painting most people know is Allegory of the Dawn (1723). Right after it come Mary with Child and Saints, Enthroned on Clouds (1730) and Diana's Admission to Olympus (1732). Out of 14 works by Daniel Gran in our catalogue, these 14 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.
The 3 museums that hold the most of the paintings on this page.
| Museum | City | Works by Daniel Gran | Paintings from this list |
|---|---|---|---|
 National Museum in Warsaw |
Warsaw | 2 | Greeting of Venus at Mount Olympus, Bacchus and Ceres |
 Szépművészeti Múzeum |
Budapest | 2 | St Elizabeth Distributing Alms, The Day Driving away the Night |
 National Museum in Kraków |
Krakow | 1 | Apollo with the Muses – Project for a Plafond |
Pick a decade to see its standout piece.
Top of the list is Allegory of the Dawn (1723). Right behind it: Mary with Child and Saints, Enthroned on Clouds (1730) and Diana's Admission to Olympus (1732).
29 years old. Daniel Gran was born in 1694, and Allegory of the Dawn dates from 1723.
Allegory of the Dawn, Mary with Child and Saints, Enthroned on Clouds, Diana's Admission to Olympus, Apollo with the Muses – Project for a Plafond, Allegory of the Happy Government of Mähren, Allegory of the Morning, Instruction of Mary by Joachim and Anna, The Holy Family, Madonna and Child and unleserlich. You'll find the year and the museum of each in the list above.
We have 14 works by Daniel Gran in our catalogue, dated 1723 to 1747.
You'll find most of them in National Museum in Warsaw (Warsaw), Szépművészeti Múzeum (Budapest) and National Museum in Kraków (Krakow). The museum list above has the full breakdown.
In 1730s, more than any other time: 4 of the 14 pieces on this page date from then, Mary with Child and Saints, Enthroned on Clouds among them.
The earliest piece here is Allegory of the Dawn (1723); the most recent is Allegory of the Morning (1747).
You can see 2 of the pieces on this page at the National Museum in Warsaw, Warsaw, including Greeting of Venus at Mount Olympus and Bacchus and Ceres.
Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.
Daniel Gran (1694-1757) was a prominent Austrian Baroque painter who played a crucial role in the transition towards Classicism. His career spanned a period of significant artistic change, and he is remembered for his masterful frescoes, religious scenes, and illusionistic style.
Born in Vienna, Italy in 1694, Daniel Gran came from a family that valued its noble lineage. Successfully asserting his claim to this title was important during his time, as improper use of such distinctions could have severe social consequences. Details regarding his early artistic training remain somewhat scarce, but it is known he developed considerable skill and ambition.
Gran’s initial work firmly rooted in the Baroque tradition, characterized by dramatic compositions, rich colors, and a sense of movement. However, towards the end of his career, his paintings began to exhibit a shift away from purely Baroque aesthetics – particularly in terms of figural dimensions and illusionism. This evolution suggests an increasing interest in the emerging principles of Classicism, emphasizing clarity, balance, and restraint.
While specific influences are not extensively documented, it’s reasonable to assume Gran was impacted by contemporary Italian and Austrian Baroque masters. His later stylistic changes suggest a growing awareness of early Classical art and its emphasis on form and proportion.
Daniel Gran’s significance lies in his role as a bridge between the Baroque and Classical periods. He wasn't merely an imitator of earlier styles but actively contributed to the evolving artistic landscape of 18th-century Austria. His work demonstrates a conscious effort to move beyond the exuberance of the High Baroque towards a more restrained and balanced aesthetic.
Gran’s influence can be seen in the subsequent development of Austrian painting, paving the way for later Classicist artists. In 1894, Vienna honored his legacy by naming the Grangasse street in Rudolfsheim-Fünfhaus (the 15th district) after him. His self-portrait remains a treasured piece within the monastery of Herzogenburg.
Gran’s frescoes continue to captivate viewers with their beauty, technical skill, and historical importance, solidifying his place as a notable figure in Austrian art history.
