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EstatísticasReservoir
- 155.0 x 166.0 cm
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A obra de arte exibida nesta página é protegida por leis de direitos autorais, o que significa que não podemos criar ou vender legalmente uma reprodução idêntica. Esta proteção é aplicada por meio de acordos internacionais, tais como a Convenção de Berna e pelas leis nacionais, incluindo as estabelecidas por Lei de Direitos Autorais dos EUA - Título 17.
Este método cumpre plenamente as regulamentações de direitos autorais, pois não envolve a cópia ou duplicação da obra protegida. Em vez disso, trata-se de uma reinterpretação criativa — uma nova pintura que é influenciada pela original, mas não idêntica a ela.
Giclée / Impressão de Arte
Impressão giclée ou em tela de qualidade de museu, com produção rápida e opções flexíveis de acabamento. (
Comprar pintura feita à mão Alternar para Imagem Digital)
Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.
Insira a largura e a altura desejadas para se ajustarem à sua moldura ou parede. Uma impressão pode ser apenas cortada, nunca ampliada além da imagem original; portanto, um tamanho com proporções diferentes resultará na perda de parte da imagem. Enviamos uma maquete digital para sua aprovação antes de realizarmos a impressão. A imagem exibida nesta página não mostra o corte real — apenas a maquete o faz.
Entrega mundial () em 2 semanas, em vez das 4/5 semanas padrão. (8 Novembro)
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Tela de Linho de Alta Qualidade
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Garantia de Reembolso de Impostos Alfandegários
Garantia de Fidelidade Cromática
Política de Devolução em 100 Dias (Apenas para Defeitos)
Garantia de reembolso de 100%
Oferta de desconto por quantidade
A opção de vidro está disponível apenas para tamanhos inferiores a 110 cm
Reservoir
Giclée / Impressão de Arte
Tamanho da Reprodução
-
Preço Total
€ 56
Obras Relacionadas
Biografia do Artista
The Convergence of Form and Conscience
Irving Petlin was far more than a mere practitioner of fine art; he was a profound witness to the turbulent shifts of the twentieth century, a painter whose brush was moved by both aesthetic innovation and an unwavering political pulse. Born in Chicago in 1934, his early years were steeped in the energetic and often surreal currents of Chicago Imagism, a movement that would later inform his deep engagement with the complexities of reality. His formal journey through the Art Institute of China and eventually to Yale University, where he studied under the legendary Josef Albers, provided him with a rigorous foundation in abstraction and perceptual exploration. Yet, for Petlin, these academic disciplines were never ends in themselves; they were tools used to navigate the profound tensions between the seen and the felt, the abstract and the human.The Alchemy of the Series Form
At the heart of Petlin’s practice lay a revolutionary approach known as the series form, a method that allowed him to move beyond the singular, static image to create a rhythmic, unfolding dialogue across multiple works. He became a master of the delicate and the raw, manipulating materials such as pastel, oil paint, and unprimed linen to evoke textures that felt both ancient and immediate. His canvases were not merely surfaces for pigment but landscapes of memory and intellect, heavily influenced by the haunting voices of literature. The shadows of Primo Levi, the surrealist echoes of Bruno Schulz, and the stark, poetic weight of Paul Celan permeated his brushstrokes, weaving a tapestry where the boundaries between word and image dissolved into a singular, emotive experience. This mastery of the pastel medium allowed him to capture a sense of ephemeral light and profound sorrow, making his work a bridge between the tactile world and the literary imagination.A Legacy of Artistic Resistance
Petlin’s career was inextricably linked to his commitment to social justice, as he emerged as a pivotal figure in the Artist’s Protest Movement during the height of the Vietnam War era. He possessed a rare ability to transform the gallery space into a forum for political urgency, organizing public gatherings at the Dwan Gallery and establishing the Artists’ Protest Committee to confront the injustices of his time. His collaborative spirit was perhaps most vividly realized in ambitious, large-scale projects like The Artist's Tower, a monumental undertaking conceived alongside luminaries such as Mark di Suvero, Judy Chicago, and Leon Golub. Through these endeavors, Petlin demonstrated that art could serve as a powerful catalyst for societal change, cementing his legacy not only as a master of the Nouvelle Figuration movement but as a painter whose soul was forever entwined with the struggle for peace, dignity, and the preservation of human truth.
Irving Petlin
1934 - , United States of America
Dados Rápidos
- Full Name: Irving Petlin
- Nationality: American
- Date Of Birth: 1934
- Date Of Death: September 1, 2018
- Place Of Birth: Chicago, United States of America
- Notable Artworks:
- Reservoir
- Rubbings from the Calcium Garden
- Artistic Movement Or Style: Pastel painting; Series form
- Artists Who Influenced This Artist:
- Josep Albers
- Mark di Suvero
- Artists Or Movements Influenced By This Artist:
- Chicago Imagism
- Nouvelle Figuration
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