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Fragment

Fragment przez Barbarę Hepworth – abstrakcyjna rzeźba papierowa z wycięciem przypominającym nowoczesną formę sztuki. Eksponat Tate Collection, reprezentujący modernistyczną estetykę angielskiej twórczości.

Poznaj modernistyczne rzeźby Barbary Hepworth (1903-1975). Pionierką sztuki abstrakcyjnej była Hepworth, której dzieła – w tym 'Oval Form' i 'Two Forms' – łączą surrealizm z abstrakcją. Odkryj jej dziedzictwo w Muzeum Hepworth Wakefield.

Dzieło sztuki prezentowane na tej stronie podlega ochronie prawem autorskim, co oznacza, że nie mamy prawa do tworzenia ani sprzedaży jego identycznej reprodukcji. Ochrona ta jest egzekwowana na mocy umów międzynarodowych, takich jak Konwencja berneńska oraz przez przepisy prawa krajowego, w tym te określone w Prawo autorskie USA – Tytuł 17.

Metoda ta jest w pełni zgodna z przepisami prawa autorskiego, ponieważ nie polega na kopiowaniu ani powielaniu chronionego dzieła. Stanowi ona kreatywną reinterpretację – nowy obraz, który czerpie inspirację z oryginału, ale nie jest z nim tożsamy.

Giclée / Wydruk artystyczny

Wydruki giclée lub płótna o jakości muzealnej, szybka realizacja i szeroki wybór opcji wykończenia. ( Kup ręcznie malowany obraz Przełącz na wersję cyfrową)

Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B zł10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H zł10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W zł10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z zł10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH zł12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH zł12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H zł10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z zł10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ zł10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G zł10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ zł10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH zł10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ zł12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C zł8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G zł10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH zł8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y zł10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ zł10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G zł10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ zł8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y zł10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ zł8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J zł10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY zł15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH zł15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G zł12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H zł8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG zł15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ zł8

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Cena całkowita

zł 231

Fragment

Giclée / Wydruk artystyczny

Rozmiar reprodukcji

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Suma do zapłaty

zł 231

Fragment – A Meditation on Form and Absence

“Fragment,” created in 1971 by Dame Barbara Hepworth, stands as a testament to the enduring power of minimalist sculpture and its ability to convey profound emotional resonance. This deceptively simple piece—a sheet of brown paper bearing a meticulously crafted cutout design—captures Hepworth’s signature approach: stripping away extraneous detail to reveal the essence of form itself.

Hepworth, born in Wakefield, Yorkshire, in 1903, emerged as one of Britain's foremost sculptors during the modernist movement. Her formative years at Leeds School of Art and her subsequent scholarship to the Royal College of Art instilled a dedication to abstraction that would define her artistic trajectory. Influenced by Surrealism and championed by movements like Abstraction-Création in Paris, Hepworth sought to express inner experience through geometric shapes and textures—a pursuit reflected powerfully in “Fragment.”

The Sculpture Within Paper

The artwork’s brilliance lies not merely in its visual appearance but in the conceptual framework underpinning it. Hepworth herself described her process as "finding a form," emphasizing that sculpture wasn't about representing something external but rather about embodying an internal state. The cutout design—resembling a stylized hemisphere—represents this core principle. It embodies the idea of wholeness disrupted, hinting at contemplation and perhaps even loss.

Hepworth’s technique involved painstakingly carving into alabaster and marble, achieving surfaces that appear to defy gravity and conveying an ethereal quality. This meticulous attention to detail is mirrored in the precision with which the paper cutout was executed. The subtle variations in tone and texture contribute to a sense of depth and dimensionality—a characteristic feature of Hepworth’s oeuvre.

Historical Context and Artistic Legacy

“Fragment” emerged during a period of significant artistic experimentation, mirroring broader trends within British sculpture of the time. Hepworth's collaboration with Ben Nicholson and Paul Nash in the Unit One movement solidified her position as a pioneer of abstraction and challenged conventional notions of representation. Her work continues to inspire artists today, demonstrating that beauty can reside in simplicity and that art possesses the capacity to evoke complex emotions.

Reproductions of “Fragment” offer an opportunity to appreciate Hepworth’s masterful vision—a captivating glimpse into a seminal moment in modern sculpture history. Bringing this iconic artwork into your home or studio elevates interior design with its understated elegance and invites contemplation on themes of form, absence, and the exploration of inner space.

Pytania i odpowiedzi

Czy kolory w "Fragment" wydają się intensywne czy łagodne?

„Fragment” autorstwa Barbara Hepworth charakteryzuje się Zrównoważony intensywnością kolorów.

Czy mogę obejrzeć "Fragment" w formie pełnoekranowej prezentacji slajdów?

Prezentację slajdów dzieła "Fragment" można obejrzeć na stronie Pokaz slajdów tego utworu.

Kiedy powstało i w jakim stylu utrzymane jest dzieło „Fragment” autorstwa Barbara Hepworth?

Dzieło "Fragment" powstało w 1971 roku, w ramach nurtu Modern Sculpture.

W którym roku powstało dzieło "Fragment"?

Dzieło "Fragment" pochodzi z 1971 roku. Data ta pozwala umiejscowić pracę w kontekście twórczości Barbara Hepworth oraz epoki, w której powstała.

Czy mogę zobaczyć „Fragment” autorstwa Barbara Hepworth w różnym oświetleniu?

Strona Prześwietlenie dzieła „Fragment” autorstwa Barbara Hepworth to interaktywny podgląd, który pozwala na przesuwanie jedenastu warstw optycznych obrazu, w tym widok w stylu rentgenowskim.

Ile lat miał(a) Barbara Hepworth, tworząc "Fragment" w 1971 roku?

Barbara Hepworth miał 68 lat, tworząc „Fragment” w 1971. Wiek ten został obliczony na podstawie roku urodzenia artysty, 1903.

Któremu artyście przypisuje się "Fragment"?

Autorem dzieła „Fragment” jest Barbara Hepworth. Praca ta figuruje w katalogu pod nazwiskiem Barbara Hepworth.


Biografia artysty

Barbara Hepworth: Pioneer of Organic Abstraction

Barbara Hepworth (1903–1975) stands as one of the most influential figures in British sculpture of the 20th century, a sculptor whose uncompromising vision reshaped artistic conventions and cemented her place among the foremost innovators of modernism. Born Jocelyn Barbara Hepworth on January 10, 1903, in Wakefield, Yorkshire—the eldest child of Herbert and Gertrude Johnson Hepworth—her formative years were steeped in the rugged beauty of the Pennines landscape, an environment that would profoundly inform her artistic sensibility for decades to come.Herbert Hepworth was a civil engineer for the West Riding County Council, who in 1921 advanced to the role of county surveyor.
  • Early Education: Hepworth attended Wakefield Girls’ High School where she excelled academically and musically.
  • Leeds School of Art: At Leeds School of Art from 1920, she encountered Henry Moore, forging a friendship that would endure throughout their careers—a relationship characterized by mutual respect and spirited debate about artistic direction.

Formal Training and Artistic Beginnings

Hepworth’s formal training culminated in her enrollment at the Royal College of Art (RCA) in London in 1921, where she honed her sculptural skills under the tutelage of Henry Moore and others. Her diploma in 1924 marked a pivotal moment, propelling her into the burgeoning avant-garde movement of the time—specifically Abstraction-Création—and establishing her connection with fellow artists like Ben Nicholson and Paul Nash.Together with Moore and other students at the College, makes occasional trips to Paris.
  • Early Style: Hepworth’s initial explorations embraced simplified forms inspired by Egyptian sculpture, reflecting a fascination with ancient art traditions.
  • Direct Carving Technique: She championed “direct carving,” prioritizing the tactile engagement between artist and material—a method that distinguished her work from more conventional modeling techniques.

Collaboration and Influence of Ben Nicholson

Hepworth’s artistic partnership with Ben Nicholson began in 1931, transforming into a deeply intertwined relationship both personally and professionally.She marries sculptor John Skeaping in 1925. Their shared studio in Hampstead became a crucible for experimentation—a space where they wrestled with questions of form, texture, and spatial relationships. Nicholson’s influence on Hepworth's aesthetic was undeniable, fostering her embrace of geometric abstraction and shaping her exploration of the interplay between mass and void.She would later relate this shift to having triplets with Nicholson in 1934, noting that after this ‘the work was more formal, and all traces of naturalism had disappeared, and for some years I was absorbed in the relationships in space, in size and texture and weight, as well as in the tensions between the forms.’
  • Unit One Movement: Hepworth’s involvement with Unit One—a collective dedicated to synthesizing Surrealist and Abstract Expressionist impulses—solidified her position at the forefront of British modernism.
  • Landscape Sculpture: Hepworth's artistic vision was profoundly shaped by her immersion in the Yorkshire landscape, which served as a constant source of inspiration for her sculptures—particularly those exploring the relationship between organic forms and geometric abstraction.“The main sources of my inspiration are the human figure and the landscape; also the one in relation to the other.” Barbara Hepworth

Mature Style and Legacy

Hepworth’s mature style—characterized by a sensual exploration of material and space—produced monumental sculptures that captivated audiences worldwide.She was made a Commander of the Order of the British Empire in 1958, and was later awarded the rank of Dame in 1965. Notable works include *Oval Form*, *Two Forms*, and *Totem*, which exemplify her unwavering commitment to abstraction while retaining an evocative connection to nature.“Carving to me is more interesting than modelling, because there is an unlimited variety of materials from which to draw inspiration.” Barbara Hepworth
  • Hepworth Wakefield: Her legacy continues to inspire artists and art enthusiasts alike, enshrined in the Hepworth Wakefield—a museum dedicated to showcasing her oeuvre and fostering dialogue about contemporary sculpture.
  • Notable Exhibitions: Hepworth’s sculptures graced prestigious venues such as the Kimbell Art Museum in Fort Worth, Texas, cementing her reputation as a globally recognized artist.The Hepworth Wakefield houses numerous masterpieces from renowned artists, including hepworth's own works.
Hepworth’s pioneering approach to sculpture—her insistence on exploring fundamental geometric principles while simultaneously honoring the tactile qualities of natural materials—established her as an enduring icon of modernist art. Her work remains a testament to her artistic genius and continues to resonate with audiences today.More about barbara hepworth on wikipedia
Barbara Hepworth

Barbara Hepworth

1903 - 1975 , Wielka Brytania

Najważniejsze informacje

  • Artistic Movement Or Style: Modernizm
  • Artists Or Movements Influenced By This Artist: ['Unit One']
  • Artists Who Influenced This Artist: ['Henry Moore']
  • Date Of Birth: 10 stycznia 1903
  • Full Name: Jocelyn Barbara Hepworth
  • Nationality: Angielka
  • Notable Artworks:
    • Oval Form
    • Two Forms
    • Totem
  • Place Of Birth: Wakefield, Anglia
Odkryj dzieła sztuki uporządkowane według tematów, stylów i cech charakterystycznych.