Disc with Strings (Moon)
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Disc with Strings (Moon)
Giclée / Wydruk artystyczny
Wymiary reprodukcji
-
Cena całkowita
$ 62
Opis kolekcjonerski
Disc with Strings (Moon): An Exploration of Serenity and Geometric Harmony
Dame Barbara Hepworth’s “Disc with Strings (Moon),” created in 1969, stands as a testament to the enduring power of abstract sculpture—a medium that prioritizes form, texture, and spatial relationships over representational imagery. This striking piece embodies Hepworth's signature style: monumental forms crafted from polished silver plate and black stone, meticulously arranged to evoke profound contemplation and visual delight. The sculpture’s genesis lies in Hepworth’s pioneering role within the Unit One art movement alongside fellow artists Ben Nicholson, Paul Nash, and Michael Harrison—a collective dedicated to forging a new path for British art by merging Surrealist influences with Geometric abstraction.Form and Composition: A Dialogue Between Circles and Lines
The sculpture's dominant element is a large circular plate resting upon a rectangular black stone base. This foundational structure provides stability while simultaneously framing the central focus—a series of horizontal lines radiating outwards from the center, intersecting with several smaller circular voids. These voids are filled with darker shades of grey, creating an illusion of depth and subtly disrupting the otherwise serene surface. The arrangement isn’t merely decorative; it's a deliberate exploration of geometric principles – circles representing wholeness and unity, while lines convey movement and interconnectedness. Hepworth skillfully utilizes these elements to generate visual tension and balance, mirroring the complexities inherent in human experience.Materiality and Technique: Precision Meets Tactile Texture
Hepworth’s masterful technique involved employing a combination of metal fabrication and careful consideration of material texture. The polished silver plate reflects light with remarkable brilliance, highlighting the lines and voids and contributing to an overall sense of luminosity. Simultaneously, the black stone base anchors the sculpture and provides a grounding counterpoint to the ethereal quality of the metal surface. Hepworth’s meticulous attention to detail—evident in the precise positioning of each line and hole—underscores her commitment to conveying both intellectual rigor and visceral sensation. The resulting texture is simultaneously smooth and subtly textured, inviting viewers to engage with the sculpture on an emotional level.Symbolism and Emotional Resonance: Reflections of Lunar Calm
The title "Disc with Strings (Moon)" hints at a deeper symbolic significance—the moon representing tranquility, introspection, and cyclical change. Hepworth’s work consistently seeks to capture these intangible qualities through geometric abstraction. The voids within the sculpture can be interpreted as spaces for contemplation, mirroring the stillness associated with lunar illumination. Furthermore, the interplay of light and shadow enhances this emotional impact, creating a dynamic visual experience that transcends mere aesthetic pleasure. “Disc with Strings (Moon)” invites viewers to consider themes of balance, harmony, and the beauty found in simplicity—a timeless message conveyed through masterful sculptural form.Legacy and Context: Hepworth's Contribution to Modern Art
Barbara Hepworth’s influence extends far beyond her own lifetime. Her pioneering approach to abstract sculpture established a precedent for subsequent generations of artists, demonstrating that profound artistic expression could be achieved without resorting to representational depiction. Pieces like “Oval Form” and “Two Forms,” housed in prestigious institutions worldwide—including the Kimbell Art Museum—continue to inspire admiration and scholarly debate. Hepworth’s unwavering dedication to exploring the relationship between form, space, and human emotion solidified her place as one of Britain's most celebrated sculptors, ensuring that "Disc with Strings (Moon)" – and her broader artistic vision – would endure as symbols of modernist innovation and enduring beauty.Podobne dzieła
O artyście
Barbara Hepworth: Pioneer of Organic Abstraction
Barbara Hepworth (1903–1975) stands as one of the most influential figures in British sculpture of the 20th century, a sculptor whose uncompromising vision reshaped artistic conventions and cemented her place among the foremost innovators of modernism. Born Jocelyn Barbara Hepworth on January 10, 1903, in Wakefield, Yorkshire—the eldest child of Herbert and Gertrude Johnson Hepworth—her formative years were steeped in the rugged beauty of the Pennines landscape, an environment that would profoundly inform her artistic sensibility for decades to come.Herbert Hepworth was a civil engineer for the West Riding County Council, who in 1921 advanced to the role of county surveyor.- Early Education: Hepworth attended Wakefield Girls’ High School where she excelled academically and musically.
- Leeds School of Art: At Leeds School of Art from 1920, she encountered Henry Moore, forging a friendship that would endure throughout their careers—a relationship characterized by mutual respect and spirited debate about artistic direction.
Formal Training and Artistic Beginnings
Hepworth’s formal training culminated in her enrollment at the Royal College of Art (RCA) in London in 1921, where she honed her sculptural skills under the tutelage of Henry Moore and others. Her diploma in 1924 marked a pivotal moment, propelling her into the burgeoning avant-garde movement of the time—specifically Abstraction-Création—and establishing her connection with fellow artists like Ben Nicholson and Paul Nash.Together with Moore and other students at the College, makes occasional trips to Paris.- Early Style: Hepworth’s initial explorations embraced simplified forms inspired by Egyptian sculpture, reflecting a fascination with ancient art traditions.
- Direct Carving Technique: She championed “direct carving,” prioritizing the tactile engagement between artist and material—a method that distinguished her work from more conventional modeling techniques.
Collaboration and Influence of Ben Nicholson
Hepworth’s artistic partnership with Ben Nicholson began in 1931, transforming into a deeply intertwined relationship both personally and professionally.She marries sculptor John Skeaping in 1925. Their shared studio in Hampstead became a crucible for experimentation—a space where they wrestled with questions of form, texture, and spatial relationships. Nicholson’s influence on Hepworth's aesthetic was undeniable, fostering her embrace of geometric abstraction and shaping her exploration of the interplay between mass and void.She would later relate this shift to having triplets with Nicholson in 1934, noting that after this ‘the work was more formal, and all traces of naturalism had disappeared, and for some years I was absorbed in the relationships in space, in size and texture and weight, as well as in the tensions between the forms.’- Unit One Movement: Hepworth’s involvement with Unit One—a collective dedicated to synthesizing Surrealist and Abstract Expressionist impulses—solidified her position at the forefront of British modernism.
- Landscape Sculpture: Hepworth's artistic vision was profoundly shaped by her immersion in the Yorkshire landscape, which served as a constant source of inspiration for her sculptures—particularly those exploring the relationship between organic forms and geometric abstraction.“The main sources of my inspiration are the human figure and the landscape; also the one in relation to the other.” Barbara Hepworth
Mature Style and Legacy
Hepworth’s mature style—characterized by a sensual exploration of material and space—produced monumental sculptures that captivated audiences worldwide.She was made a Commander of the Order of the British Empire in 1958, and was later awarded the rank of Dame in 1965. Notable works include *Oval Form*, *Two Forms*, and *Totem*, which exemplify her unwavering commitment to abstraction while retaining an evocative connection to nature.“Carving to me is more interesting than modelling, because there is an unlimited variety of materials from which to draw inspiration.” Barbara Hepworth- Hepworth Wakefield: Her legacy continues to inspire artists and art enthusiasts alike, enshrined in the Hepworth Wakefield—a museum dedicated to showcasing her oeuvre and fostering dialogue about contemporary sculpture.
- Notable Exhibitions: Hepworth’s sculptures graced prestigious venues such as the Kimbell Art Museum in Fort Worth, Texas, cementing her reputation as a globally recognized artist.The Hepworth Wakefield houses numerous masterpieces from renowned artists, including hepworth's own works.
Barbara Hepworth
1903 - 1975 , Wielka Brytania
Krótka nota
- Artistic Movement Or Style: Modernizm
- Artists Or Movements Influenced By This Artist: ['Unit One']
- Artists Who Influenced This Artist: ['Henry Moore']
- Date Of Birth: 10 stycznia 1903
- Full Name: Jocelyn Barbara Hepworth
- Nationality: Angielka
- Notable Artworks:
- Oval Form
- Two Forms
- Totem
- Place Of Birth: Wakefield, Anglia





Opcja ze szkłem jest dostępna wyłącznie w rozmiarach poniżej 110 cm
