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Bulb-like hangings that spring back upon release; teepee tents with hanging mobiles suspended from within; textile birds flapping across trees... these are just some of the mesmerising objects that make up

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The Architecture of Experience

In the quiet intersections where the physical body meets the built environment, the work of Mary Bernadette Lee, known professionally as mrydette, finds its most profound resonance. A Singaporean artist whose practice is deeply rooted in the principles of phenomenology, Lee does not merely observe the world; she seeks to map the invisible threads connecting human sensation to the spaces we inhabit. Her art serves as a sensory bridge, translating the intangible nuances of Self, Identity, and Home into tangible, evocative forms. Through her lens, architecture is never just stone or steel, but a vessel for psychological states—an extension of our very being that shapes how we perceive memory and existence. By exploring the relationship between the exterior topography of place and the interior tapestry of the mind, she captures the essence of lived experience, turning fleeting sensations into lasting visual narratives.

Materiality and the Phenomenological Lens

Lee’s artistic journey is marked by a remarkable versatility, a testament to her belief that the medium itself informs the meaning of the message. Her technical repertoire spans a vast landscape, allowing her to navigate the complex dialectics between the physiological and the psychological through various tactile expressions:

The intimate, grounded textures of clay sculptures and textile installations;
The rhythmic, graphic precision of linocut and woodcut prints;
The fluid, expressive potential of ink, graphite, and acrylic painting;
The delicate, narrative-driven beauty of illustrations and publications.

This multidisciplinary approach is underpinned by a deep academic foundation, having honed her skills at Nanyang Technological University. Her work draws inspiration from the emotive power of artists like Ernst Ludwig Kirchner and Henri Matisse, as well as the philosophical depth found in the writings of Gaston Bachelard. By utilizing both traditional and man-made materials, she creates a dialogue between the natural and the constructed, inviting viewers to contemplate how the textures of our world shape our internal landscapes.

A Legacy of Engagement and Connection

Beyond the solitary act of creation, Lee’s practice is inherently communal and educational. She views art as a vital medium for engagement, often stepping into the roles of educator and co-creator to foster dialogue within the Singaporean art scene. Her collaborations with prestigious institutions such as the National Gallery Singapore and Apple Singapore highlight her commitment to making art accessible and participatory. Whether through large-scale installations at venues like The Substation or through her work as an adjunct lecturer at the Nanyang Academy of Fine Arts, Lee seeks to bridge the gap between the artist and the public. Her exhibitions, which have graced the Singapore Art Museum and Objectifs, do more than display objects; they create spaces for collective memory, encouraging audiences to explore their own connections to community, space, and the enduring power of human expression.

mary bernadette lee

1985 - , Singapore

Kort om kunstneren

Artistic Movement Or Style: Phenomenological art
Artists Or Movements Influenced By This Artist: ['Kirchnerism']
Artists Who Influenced This Artist:
- Ernst Ludwig Kirchner
- Paul Klee
- Max Ernst
- Henri Matisse
- Picasso
- Frida Kahlo
Date Of Birth: 1985
Full Name: Mary Bernadette Lee
Nationality: Singaporean
Notable Artworks: ['Wanderland']
Place Of Birth: Singapore

Wanderland

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Relaterte kunstverk

Kunstnerbiografi

The Architecture of Experience

Materiality and the Phenomenological Lens