If you remember one Early Renaissance 아티스트, make it 산드로 보티첼리 (1445–1510), the name behind 산드로 보티첼리의 '비너스의 탄생'을 경험해 보세요! 고전적인 아름다움과 우아함을 보여주는 르네상스 걸작입니다. 이 상징적인 작품의 멋진 복제품을 소유하고 시대를 초월한 우아함을 만나보세요.
The Birth of Venus
artworks_database
/en/art/sandro-botticelli-the-birth-of-venus-5ZKBGL-en/
/media/artworks/images/thumbnails/17/7a/177a3bd7498 및 알레고리 - 봄 (Allegory - Primavera). After that come 마사초, 피에로 델라 프란체스카, 프라 안젤리코 및 안드레아 만테냐. Our 61 picks go from 우골리노 디 네리오 (born 1280) to 알루노 디 도메니코 (바르톨로메오 디 조반니) (born 1475), from 5 countries.
APicked by the ArtsDot.com team
How we picked them. We list the artists our catalogue links to Early Renaissance, from the most famous down. Artists born after 1955 that we cannot yet check on Wikidata are left out. The Wikipedia number shows in how many of our 32 languages Wikipedia writes about them.
VenetianFrom MuranoVenetian RenaissanceOn Wikipedia in 17 of 32 languages
Bartolommeo Vivarini, a name often whispered in the halls of Venetian art history, stands as a pivotal figure bridging the late Gothic and burgeoning Renaissance. Born around 1432 in Murano – a crucible of glassmaking artistry – and tragically dying circa 1499, his life coincided with a period of dramatic transformation for Venice itself.
His grandfather, Lorenzo di Bicci, was a pupil of Spinello Aretino, and his father, Bicci di Lorenzo, continued the family tradition. This familial artistic heritage profoundly shaped Neri’s early training and development.
Bernardo di Matteo del Borra Gamberelli, affectionately known as Bernardo Rossellino (1409–1464), stands as a cornerstone of Early Renaissance art and architecture in Florence. Born into a family rooted in Florentine stonemasonry—his uncle Jacopo di Domenico di Luca del Borra Gamberelli imparted foundational skills—Rossellino’s trajectory mirrored the burgeoning dynamism of his time. Early Life and Training: Little is known about Rossellino's formative years beyond his familial connection to stonemasonry.
ItalianFrom SienaEarly RenaissanceOn Wikipedia in 13 of 32 languages
In the golden twilight of the Trecento, as the medieval world began to stir toward the light of the Renaissance, Taddeo di Bartolo emerged as a transformative force within the Sienese School.
In the golden era of the Italian Renaissance, where the light of humanism began to illuminate the shadows of the Middle Ages, Sebastiano Mainardi emerged as a vital, though often understated, voice within the Florentine school. Born in the picturesque hilltop town of San Gimignano around 1460, Mainardi’s artistic journey was deeply rooted in the fertile soil of Tuscany.
ItalianFrom SienaEarly RenaissanceOn Wikipedia in 12 of 32 languages
Neroccio di Bartolomeo de' Landi, born in Siena in 1447, emerged from a distinguished patrician family at a pivotal moment for the city. The influence of Vecchietta is palpable in Neroccio’s early works, characterized by precise detail and a refined sense of form.
In the vibrant heart of Westphalia, during the turn of the 15th century, Konrad von Soest emerged as a transformative figure in Northern European painting. As the most significant artist of his region, he acted as a vital conduit for the International Gothic movement, bringing the refined elegance of the courtly style to the prosperous Hanseatic city of Dortmund.
FrenchFrom UzèsEarly Renaissance; Flemish StyleOn Wikipedia in 14 of 32 languages
Nicolas Froment (c. 1435 – c. 1486) stands as a pivotal figure within the Second School of Avignon, marking a crucial juncture between Gothic tradition and burgeoning Flemish naturalism in French art during the fifteenth century. The Avignon School & Flemish Influence: Froment’s involvement with the Second School of Avignon—a collective striving to revitalize artistic expression amidst papal exile—was instrumental in introducing Flemish painting techniques into France.
ItalianFrom 산조반니발다르노Early RenaissanceOn Wikipedia in 8 of 32 languages
While his brother Masaccio is celebrated as the pioneer of groundbreaking realism, Giovanni di Ser Giovanni —affectionately known to history as Lo Scheggia, or "the splinter"—carved out a legacy defined by a different, more delicate kind of mastery.
ItalianFrom PerugiaUmbrian RenaissanceOn Wikipedia in 9 of 32 languages
In the heart of the Umbrian Renaissance, a period defined by spiritual luminosity and the dawn of humanistic perspective, the name Benedetto Bonfigli emerges as a vital architect of visual devotion. Born in Perugia around 1420, Bonfigli operated within a landscape where the lingering elegance of the Late Gothic tradition began to merge with the burgeoning intellectual rigor of the Florentine masters.
In the shimmering atmosphere of the mid-15th century, amidst the legendary glassworks of Murano, Antonio Vivarini emerged as a pivotal figure in the Venetian artistic landscape. Working primarily within the Republic of Venice, Vivarini occupied a unique historical space, bridging the transition between the ornate elegance of the late Gothic period and the burgeoning humanism of the early Renaissance.
Nanni di Banco, born in Florence around 1380, occupies a fascinating and pivotal position within the early Italian Renaissance. His father, Antonio di Banco, was himself a respected sculptor and stonemason involved in the construction of the Florence Cathedral, providing Nanni with both familial guidance and access to the heart of Florentine artistic production.
In the vibrant, competitive atmosphere of the early 15th-century Italian Renaissance, few figures possess a legacy as intriguing yet enigmatic as Nanni di Bartolo. He honed his skills under the tutelage of Giovanni di Pietro Sculorso, a sculptor who had himself been shaped by Donatello's pioneering spirit.
ItalianFrom SienaRenaissance artOn Wikipedia in 6 of 32 languages
Born in Siena around 1410 and tragically passing away in 1449, this painter stands as a pivotal figure bridging the gap between the late Gothic traditions of his predecessors and the burgeoning innovations of the early Renaissance.
ItalianLate GothicOn Wikipedia in 8 of 32 languages
He was born around 1405 in Siena, likely into a family involved in the production of dyes—a profession reflected in his surname, “ di Pietro ” (of Peter).
ItalianProto-RenaissanceOn Wikipedia in 4 of 32 languages
What we do know is that his work, primarily devotional scenes centered around the Virgin Mary and the infant Jesus, offers a fascinating glimpse into the burgeoning artistic landscape of Italy during this pivotal period. His origins are largely speculative, though most scholars believe him to have been associated with the workshop of Fra’ Filippo Lippi in Prato.