Eelvaade AR-eelvaade Osta käsitsi maalatud teos Lülita digitaalse pildi juurde Saada
Teave teose kohta Juhend Lisa lemmikutesse Laadi alla Sarnased teosed Röntgenuuring Slaidietendus KÜSIMUSED JA VASTUSID Statistika
Nishikawa Sukenobu

Three Girls Having Tea

Mõõtmed
55.0 x 64.0 cm

Discover Nishikawa Sukenobu, a Kyoto printmaker famed for his evocative depictions of women & samurai. Explore his Hyakunin Joro series & influence on Japanese art.
Loe lähemalt

Giclée / Kunstiprint

Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos Lülita digitaalse pildi juurde)

Loe lähemalt

Standardne suurus
kohandatud
CM
INCH

Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.

laius
kõrgus

Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka erineva mustega suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojektsioon.

Loe lähemalt

Loe lähemalt

Loe lähemalt

Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (12 november)

Loe lähemalt

Tasuta ekspresssaatmine üle maailma
Kõrgekvaliteediline lina-kangas
Täielik transpordikindlustus
Tollimaksude tagastamise garantii
Värvitoime täpsuse garantii
100 päeva tagastusõigus (ainult valmistusdefektide korral)
100% raha tagasi garantii
Hulgusoodustus
Loe lähemalt

Kogu summa

€ 56

Three Girls Having Tea

Giclée / Kunstiprint

Reproduktsiooni suurus

-

Koguhind

€ 56

Sarnased teosed

Madame Josette Gris Portree — Juan Gris, Synthetic Cubism
Juan Gris Madame Josette Gris portree
Nine Women Playing The Game Of Fox — Katsushika Hokusai, Ukiyo-e
Katsushika Hokusai Nine women playing the game of fox
Portrait Of Chino Hyogo Seated At His Writing Desk — Katsushika Hokusai, Ukiyo-e
Katsushika Hokusai Portrait of Chino Hyogo seated at his writing desk
Moses Is Saved From The Waters Of Nile By Pharaoh's Daughter (exodus Ii, 5 6) — Marc Chagall, Expressionism
Marc Chagall Moses is saved from the waters of Nile by Pharaoh's daughter (Exodus II, 5 6)
Young Lovers With A Clock — Suzuki Harunobu
Suzuki Harunobu Young Lovers With A Clock
Untitled — Pablo Picasso, Expressionism
Pablo Picasso Untitled
The Woodcutter 1 — Kazimir Malevitš, Cubism
Kazimir Malevitš The Woodcutter 1
Starry Night Over The Rhône, Pen Sketch (1888) — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Starry Night over the Rhône, Pen Sketch (1888)
Potato Field Behind The Dunes — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Potato field behind the dunes
Fish-drying Barn In Scheveningen — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Fish-Drying Barn in Scheveningen

Kunstniku elulugu

Nishikawa Sukenobu: A Kyoto Master of Female Beauty

Nishikawa Sukenobu (西川祐信; 1671 – August 20, 1750), often referred to simply as “sukenobu,” stands apart from many of his contemporaries in the Ukiyo-e movement. Unlike most artists who flocked to Edo (modern Tokyo), sukenobu remained rooted in Kyoto—the imperial capital—a distinction that profoundly shaped his artistic vision and enduring legacy. He wasn’t merely a printmaker; he was a meticulous book designer, capturing the essence of Japanese culture through exquisitely rendered images. His fame rests primarily on his captivating depictions of women, particularly those portraying them in everyday life – a subject rarely explored with such sensitivity and nuance during his era.
  • Early Life & Training: Sukenobu’s formative years were spent studying painting under the tutelage of prominent masters from two influential schools: Kanō Einō, championing Chinese artistic traditions and techniques emphasizing grandeur and symbolism, and Tosa Mitsusuke, who favored a more humanist approach rooted in Japanese aesthetics. This dual training instilled in him a sophisticated understanding of both Eastern and Western artistic principles.
  • Early Works & Style: Sukenobu’s artistic journey commenced around 1699 with book illustrations—a hallmark of his style—demonstrating an early mastery of composition and color palettes. Notably, his signed print “Seven-Volume Shin Kanninki” (“New Patience Story”) exemplifies his distinctive aesthetic: serene landscapes interwoven with graceful figures, reflecting a profound appreciation for natural beauty.

The Hyakunin Joro Series & Its Impact

Sukenobu’s magnum opus—the Hyakunin Joro shinasadame (appreciating 100 women)—published in two volumes in 1723, cemented his reputation as a pioneer in portraying female subjects. This ambitious project aimed to celebrate the diversity of femininity across social strata, ranging from empresses to courtesans. The series’ remarkable success underscored the public's fascination with depictions of women and established sukenobu as a pivotal figure in shaping Ukiyo-e conventions concerning female representation. It showcased his ability to convey emotion and psychological depth—a rare accomplishment for printmakers of his time.
  • Technique & Aesthetic Considerations: Sukenobu’s technique involved meticulous attention to detail, utilizing subtle gradations of color and masterful brushwork to achieve unparalleled realism. He skillfully employed perspective and shading to create immersive scenes that captured the atmosphere of daily life—a stylistic hallmark distinguishing him from many other artists.
  • Influence on Subsequent Artists: Sukenobu’s influence extended far beyond his own lifetime, inspiring subsequent generations of printmakers like Suzuki Harunobu and Kitao Shigemasa. His approach to portraying women – prioritizing psychological realism and capturing the nuances of human emotion—became a cornerstone of Japanese art history.

Notable Paintings & Beyond Printmaking

Beyond his celebrated prints, Sukenobu produced an impressive array of paintings encompassing kimono patterns, samurai portraits, illustrations of classical literature, and landscapes. These works demonstrate his versatility as an artist and underscore his commitment to exploring diverse artistic mediums—a testament to his intellectual curiosity and artistic ambition.
  • Legacy & Recognition: Nishikawa Sukenobu’s enduring legacy resides in his contribution to Japanese art history, particularly his groundbreaking portrayal of women. His Hyakunin Joro series continues to captivate audiences today, serving as a poignant reflection on the beauty and complexity of human experience.

Concluding Thoughts

Nishikawa Sukenobu’s unwavering dedication to capturing the essence of Japanese culture through his art—particularly his masterful depictions of women—solidifies his position as one of Ukiyo-e's most influential and aesthetically profound figures. His work transcends mere visual representation; it embodies a deep understanding of human psychology and an exquisite appreciation for the subtleties of natural beauty, ensuring his place in the annals of Japanese artistic achievement.
Nishikawa Sukenobu

Nishikawa Sukenobu

1671 - 1750 , Japan

Lühikest infot

  • Full Name: Nishikawa Sukenobu
  • Nationality: Japanese
  • Date Of Birth: 1671
  • Date Of Death: 1750
  • Place Of Birth: Kyoto
  • Notable Artworks:
    • Woman and Attendant
    • The God Izanagi and Goddess Izanami
  • Artistic Movement Or Style: Ukiyo-e
  • Artists Who Influenced This Artist:
    • Kanō Einō
    • Tosa Mitsusuke
  • Artists Or Movements Influenced By This Artist:
    • Suzuki Harunobu
    • Kitao Shigemasa