William Sidney Mount Popularity & Visitor Statistics

1807 – 1868

What is this page?

This page shows how many people visit the pages of William Sidney Mount on this website. A visit means one person opened a page. Each chart below has its own short explanation.

Statistics were reset on 1 July 2026 — no data is available before that date.

William Sidney Mount at a glance

Over the last twelve months, The Bone Player was the most viewed piece by William Sidney Mount on ArtsDot.com: 400 visits, 8% of all views of the artist's work. It is followed by Eel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')'' and Saul and the Witch of Endor. In total, 5,200 visits went to William Sidney Mount: 700 to the artist page and 4,500 to the pages of individual pieces. Attention is growing: visits rose 600% from Aug 2026 to Sep 2026. The busiest month was Jul 2026, with 4,200 visits. People browse on computers (83%), phones (15%) and tablets (2%). Visitors lean towards Clear Color Presence (Color Saturation): 52% of the visits went to such pieces, which make up 30% of the artist's catalog.

The 10 most viewed William Sidney Mount pieces

These are the 10 pieces by William Sidney Mount that people opened most on ArtsDot.com over the last twelve months, most viewed first.

  1. The Bone Player 1 The Bone Player, 1856 400 visits · 8.0%
  2. Eel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')'' 2 Eel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')'', 1845 400 visits · 8.0%
  3. Saul and the Witch of Endor 3 Saul and the Witch of Endor, 1828 400 visits · 8.0%
  4. Dance of the Haymakers 4 Dance of the Haymakers, 1845 300 visits · 6.0%
  5. Coming to the Point 5 Coming to the Point, 1854 300 visits · 6.0%
  6. The Power of Music 6 The Power of Music, 1847 200 visits · 4.0%
  7. The Painter's Triuimph (also known as Artist Showing His Own Work) 7 The Painter's Triuimph (also known as Artist Showing His Own Work), 1838 200 visits · 4.0%
  8. The Long Story (also known as The Tough Story) 8 The Long Story (also known as The Tough Story), 1837 200 visits · 4.0%
  9. Ringing the Pig (also known as Scene in a Long Island Farm-Yard) 9 Ringing the Pig (also known as Scene in a Long Island Farm-Yard), 1842 200 visits · 4.0%
  10. Long Island Farmer Husking Corn 10 Long Island Farmer Husking Corn, 1833 200 visits · 4.0%

How many people visit the William Sidney Mount page each month?

Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.

See the numbers
MonthArtist pageArtwork pages
Oct 202500
Nov 202500
Dec 202500
Jan 202600
Feb 202600
Mar 202600
Apr 202600
May 202600
Jun 2026100100
Jul 20266003,600
Aug 20260100
Sep 20260700

How often are the pieces by William Sidney Mount viewed?

Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.

The monthly figures of both charts are in the first table, above.

Which William Sidney Mount pieces are viewed most, month by month?

Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.

See the numbers
ArtworkOct 2025Nov 2025Dec 2025Jan 2026Feb 2026Mar 2026Apr 2026May 2026Jun 2026Jul 2026Aug 2026Sep 2026
Great-Grand-Father's Tale o…00000000010000
The Bone Player000000001001000100
Raffling for the Goose (als…00000000010000
Martin Euclid Thompson00000000010000
Rustic Dance After a Sleigh…000000000000
Courtship (also known as Wi…00000000010000
Dancing on the Barn Floor000000000000
Right and Left000000000000
Catching the Tune000000000000
Catching Rabbits000000000000

Which devices do the visitors of William Sidney Mount use?

Each slice is one kind of device: phone, tablet or computer. The bigger the slice, the more visits came from that kind of device during the last twelve months.

See the numbers
DeviceVisitsShare
computers4,30082.7%
phones80015.4%
tablets1001.9%

Which languages do the visitors of William Sidney Mount use?

Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.

See the numbers
LanguageVisitsShare
English100100.0%

How many visits does William Sidney Mount get each day, and what comes next?

Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.

See the numbers
DayVisits
Tue 29 Sep0
Wed 30 Sep0
Thu 1 Oct0
Fri 2 Oct0
Sat 3 Oct0
Sun 4 Oct0
Mon 5 Oct0
Tue 6 Oct0
Wed 7 Oct0
Thu 8 Oct100
Fri 9 Oct0
Sat 10 Oct0
Sun 11 Oct0
Mon 12 Oct0
Tue 13 Oct0
Wed 14 Oct0
Thu 15 Oct0
Fri 16 Oct100
Sat 17 Oct0
Sun 18 Oct100
Mon 19 Oct0
Tue 20 Oct (forecast)0
Wed 21 Oct (forecast)0
Thu 22 Oct (forecast)100
Fri 23 Oct (forecast)100
Sat 24 Oct (forecast)0
Sun 25 Oct (forecast)100
Mon 26 Oct (forecast)0
Tue 27 Oct (forecast)0
Wed 28 Oct (forecast)0
Thu 29 Oct (forecast)100
Fri 30 Oct (forecast)100
Sat 31 Oct (forecast)0
Sun 1 Nov (forecast)100
Mon 2 Nov (forecast)0
Tue 3 Nov (forecast)0
Wed 4 Nov (forecast)0
Thu 5 Nov (forecast)100
Fri 6 Nov (forecast)100
Sat 7 Nov (forecast)0
Sun 8 Nov (forecast)100
Mon 9 Nov (forecast)0

Questions about William Sidney Mount on ArtsDot.com

Which William Sidney Mount pieces are the most popular?

The Bone Player is the most popular, with 400 visits (8% of all views of William Sidney Mount). The ranking above lists the 10 most viewed pieces.

How many people look at William Sidney Mount on ArtsDot.com?

Over the last twelve months William Sidney Mount received 5,200 visits: 700 on the artist page and 4,500 on the pages of individual pieces.

On which devices do the visitors of William Sidney Mount browse?

Mostly on computers (83%), phones (15%) and tablets (2%): 83% of the visits come from computers.

What kind of pieces do the visitors of William Sidney Mount prefer?

They prefer Clear Color Presence (Color Saturation): 52% of the visits, against 30% of the artist's catalog.