Er Josef Pögl's værker stadig beskyttet af ophavsret?

Nej, værker af denne kunstner er i det offentlige domæne.

Malerier – Galleri, tryk og oliemalerier i reproduktion

The Austrian Interior

The light in the Belvedere changes, shifting across the walls of the Gobelinzimmer. In 1920, Josef Pögl captures this specific atmosphere on canvas. He works with oil, translating the heavy textures of fabric and the quiet dignity of imperial spaces into a visual record. His brush moves through the interiors of Vienna, documenting the physical reality of the era's grandest rooms.

Born in 1867 in St. Peter/Graz, Pögl’s life follows the trajectory of a changing Austria. He moves toward the center of the empire, eventually settling in Vienna. His work focuses on the intersection of architecture and decoration, where the stillness of a room carries the weight of history.

A Record of Imperial Spaces

Pögl’s hand finds its purpose in the depiction of highly specific, historically significant locations. He does not merely paint rooms; he documents the precise arrangement of luxury and power. His subjects are often the grand salons and exhibition spaces that defined the aesthetic of the Habsburg era.

The Red Salon in the Vienna Hofburg, also known as the Boucher Room, within the Alexander Apartments.
The Gobelinzimmer in the Belvedere, captured during the 1920 exhibition.
Empress Maria Theresa, a subject of his earlier focus.

The Final Years in Vienna

The city of Vienna remains the constant backdrop to his life and his art. By the time he reaches the end of his life in 1945, the world he once painted—the world of the Red Salon and the imperial apartments—has undergone profound transformations. His oil paintings remain as fixed points, preserving the light and the layout of a vanished social order. He leaves behind a visual archive of the textures and colors that once filled the most prestigious halls of Austria.