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StatistikA Grande Seca
Acrylic On Canvas- WallArt
- Brazilian Modernism
1976- 19th Century
121.0 x 151.0 cm
Serralves Foundation
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Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Bestil håndmalet reproduktion Skift til digitalt billede)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
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A Grande Seca
Giclée / Kunsttryk
Reproduktionsstørrelse
-
Samlet pris
$ 63
A Grande Seca by Vicente Do Rêgo Monteiro: A Chronicle of Resilience
Vicente Do Rêgo Monteiro’s “A Grande Seca” (The Great Drought), completed in 1976, is more than just a depiction of a Brazilian cityscape; it's a poignant meditation on hardship, community, and the enduring spirit of humanity. Measuring 121 x 151 cm, this large-scale acrylic on canvas work immediately commands attention with its dynamic composition and richly detailed figures. Monteiro, born in Recife in 1899, was a pivotal figure in Brazil’s modern art movement, deeply influenced by his time spent studying in Paris – a period that shaped his artistic sensibilities and exposed him to the burgeoning modernist currents of Europe.
Subject Matter and Composition
The painting's subject matter is strikingly direct: a Brazilian city grappling with the devastating effects of prolonged drought. The cityscape, rendered with a palpable sense of realism, features buildings, trees, and most importantly, people – thirteen individuals captured in various states of activity and emotion. Some stand close together, perhaps seeking solace or support; others are scattered across the canvas, suggesting the widespread impact of this environmental crisis. Monteiro’s masterful use of perspective creates a feeling of depth, drawing the viewer into the scene and emphasizing the scale of the challenge.
Technique and Style – A Fusion of Realism and Symbolism
Monteiro's technique is characterized by a robust realism tempered with symbolic elements. The brushwork is evident in the textured surfaces, particularly noticeable in the depiction of clothing and weathered faces. The inclusion of objects—a knife, bottles—adds layers of meaning, hinting at survival strategies and perhaps even desperation. The three birds, strategically placed within the composition – one soaring above, another grounded, and a third in flight – introduce an element of hope and transcendence amidst the bleakness. This blend of meticulous observation with symbolic representation aligns with Monteiro’s broader artistic concerns, particularly his exploration of Brazilian folklore and indigenous traditions, as evidenced by his illustrations for books on Amazonian tribes.
Historical Context and Emotional Resonance
"A Grande Seca" was created during a period of significant social and economic upheaval in Brazil. The 1970s witnessed recurring droughts across the Northeast region, exacerbating poverty and displacement. Monteiro’s painting serves as a powerful visual record of this hardship, capturing not just the physical consequences but also the emotional toll it took on individuals and communities. The artwork evokes a profound sense of empathy and invites contemplation about themes of resilience, adaptation, and the relationship between humanity and the natural world. It is a testament to Monteiro's ability to translate complex social realities into a deeply moving artistic statement.
Lignende kunstværker
![Baigneuses [bathers] — Vicente Do Rêgo Monteiro, Expressionism](/media/artworks/images-thumb/54/26/5426c642108a8e75b6d63c31e241207f.jpg)
Om kunstneren
tidligt liv og kunstnerisk karriere
vicente do rego monteiro, en anerkendt brasiliansk maler, billedhugger og digter, blev født den 19. december 1899 i recife, brasilien. Han var rundet af en velstående familie fra pernambuco og påbegyndte sin kunstneriske rejse allerede i en tidlig alder. I 1911 rejste han til paris, hvor han studerede ved académie julian samt ved akademierne colarossi og grande chaumiére.kunstneriske bedrifter
* deltagelse i semana de arte moderna-udstillingen, som var med til at forme den brasilianske modernisme * samarbejdet med léonce rosenbergs galérie de l'effort moderne fra 1922 til 1930, hvor han fremviste sine værker i adskillige soloudstillinger * illustration af to bøger, legendes, croyances et talismans des indiens de l'amazone (1923) og quelques visages de paris (1925), som præsenterede moderne kunst med fokus på det oprindelige brasilianske folk og deres traditionerbemærkelsesværdige værker og stil
* skildringen af legender, talismaner og troen hos amazonas flodindianere, et tema der gennemløb hans værker hele livet * kubistiske effekter og spændingen mellem universelle og lokale tilgange, karakteristisk for hans både indfødte og kosmopolitiske stilsenere liv og eftermæle
* deltagelse i kulturelle arrangementer og promovering af fransk kunst i brasilien (1930) * etableringen af forlaget renovação, som eksisterede fra 1939 til 1942 med fokus på arbejderklassens uddannelse * udgivelsen af lommedigte i 1941, som inspirerede den konkrete poesi-bevægelse i det følgende årti- se vicente do rego monteiros kunstværker på ArtsDot.com
- læs mere om vicente do rego monteiro på wikipedia
- udforsk museu de arte do rio grande do sul ado malagoli, et berømt kunstmuseum i brasilien med en imponerende samling på over 5.000 kunstværker: museu de arte do rio grande do sul ado malagoli
Vicente Do Rêgo Monteiro
1899 - 1970
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