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DiasshowLandscape
1918
32.0 x 93.0 cm
Llyfrgell Genedlaethol Cymru / The National Library of Wales
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Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Skift til håndmalet maleri Skift til billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en specifik ramme eller et bestemt område. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide billedet med en spejlet eller ensfarvet kant. En digital mockup vil blive sendt til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun mockuppen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er tilgængelige, anbefaler vi at vælge et mål fra den foruddefinerede liste for at bevare de originale proportioner.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (9 august)
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60 dages returret (kun ved fabrikationsfejl)
100% Tilfredshedsgaranti
Mængderabat tilgængelig
Glasmulighed er kun tilgængelig i størrelser under 110 cm
Landscape
Giclée / Kunsttryk
Størrelse på reproduktion
-
Samlet pris
$ 63
Kunstnerens biografi
Valerius de Saedeleer: A Pioneer of Symbolist Landscape Painting
Valerius de Saedeleer (1867-1941) stands as a pivotal figure in Belgian art history, particularly recognized for his contribution to the First School of Latem—a movement that irrevocably altered the trajectory of modernist painting within Belgium during its formative years. Born in Aalst, Belgium, into a modest family involved in soda and soap manufacturing, De Saedeleer’s early life was marked by familial discord and academic struggles, ultimately prompting him to abandon formal schooling at fifteen due to his father's insistence on a more practical vocation. Circumstances forced upon him by his parents steered him towards an apprenticeship at Ghent’s weaving workshop and subsequent studies in textile production—a path seemingly antithetical to artistic pursuits, yet one that inadvertently fostered a meticulous attention to detail crucial for his later artistic endeavors. Driven by an unwavering desire to pursue his passion independently, De Saedeleer defied convention by enrolling at the Academy of Fine Arts in Ghent, where he forged enduring friendships with Theo van Rysselberghe and George Minne—artists who would become instrumental in shaping his artistic vision. Dissatisfaction with the academic rigidity of Ghent’s curriculum spurred him to relocate to Brussels, where he honed his skills under the tutelage of Franz Courtens, a prominent Impressionist landscape painter. This formative period exposed him to the burgeoning influence of Emile Claus and cemented his initial stylistic inclinations—a tendency towards capturing serene landscapes imbued with subtle symbolic resonances reminiscent of the traditions upheld by Flemish painters of the sixteenth century. His artistic journey began in 1889 with marriage to Clementina ‘Clemmeke’ Limpens, a grocer's daughter from Ermbodegem near Aalst, securing him a substantial dowry—funds that he diligently invested in establishing a grocery business in Blankenberge. However, this venture proved disastrous, plunging the couple into financial hardship and forcing them onto nomadic existence across Belgium – traversing locations like Wenduine, Damme, and Ghent. These itinerant years profoundly impacted De Saedeleer’s artistic output, reflecting the anxieties and uncertainties inherent in a life perpetually adrift. Despite these challenges, De Saedeleer persevered, nurturing his artistic talent amidst adversity. His early works demonstrated an initial indebtedness to Courtens' Impressionistic style, yet swiftly evolved toward a distinctive aesthetic characterized by profound Symbolist sensibilities and a deep engagement with Shanshui painting—the Chinese landscape tradition emphasizing spiritual contemplation and tonal harmony. Notably, he welcomed Albijn van den Abeele into his life, fostering a collaborative relationship that enriched his artistic perspective. De Saedeleer’s legacy extends beyond his individual paintings; his daughter Elisabeth de Saedeleer followed in his footsteps as an artist, perpetuating the family's artistic heritage and ensuring that Valerius de Saedeleer’s contribution to Belgian art would endure for generations to come.
Valerius de Saedeleer
1867 - 1941
Kort om kunstneren
- Artistic Movement Or Style: Symbolist Landscape Painting
- Artists Or Movements Influenced By This Artist: ['First School of Latem']
- Artists Who Influenced This Artist:
- Franz Courtens
- George Minne
- Date Of Birth: 1867
- Date Of Death: 1941
- Full Name: Valerius de Saedeleer
- Nationality: Belgian
- Notable Artworks:
- Landscape with Apple Tree
- The Windmill
- Printemps
- Place Of Birth: Aalst, Belgium
