Updating Yamantaka

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Tenzing Rigdol's 'Updating Yamantaka' blends Tibetan tradition with modern commentary. Featuring Osama bin Laden, it confronts mortality & global conflict through a powerful thangka reimagining.

Kunstnerbiografi

Tenzing Rigdol is a Tibetan-American contemporary artist renowned for blending thangka art with modern expression. His thought-provoking installations explore cultural identity, displacement & dialogue, exhibited globally including the Metropolitan M

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1 Trin et af fire

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2 Trin to ud af fire

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Corner sample of the WhiteWrap canvas edge finish, stretched on massivt træ bars
Hvid kant Dkr1
Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt træ bars
Udvasket kant Dkr1
Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt træ bars
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Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118B Dkr10
Corner sample of the P118H picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118H Dkr10
Corner sample of the P118W picture frame: støbt polystyren, 5 cm wide and 3 cm thick
P118W Dkr10
Corner sample of the P438Z picture frame: støbt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Dkr10
Corner sample of the P508JH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508JH Dkr12
Corner sample of the P508YH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P508YH Dkr12
Corner sample of the P805H picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805H Dkr10
Corner sample of the P805Z picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
P805Z Dkr10
Corner sample of the P919BZ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
P919G Dkr10
Corner sample of the P919XJ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: massivt træ, 5 cm wide and 3 cm thick
W218Y Dkr10
Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
W307PJ Dkr10
Corner sample of the W316G picture frame: massivt træ, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: massivt træ, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
W398PJ Dkr8
Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: massivt træ, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: massivt træ, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
W953PJ Dkr8
Corner sample of the H24-GOLD picture frame: udskåret træ med gesso, 10 cm wide and 6 cm thick
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Corner sample of the H24-SILVER picture frame: udskåret træ med gesso, 10 cm wide and 6 cm thick
H24-SILVER Dkr30
Corner sample of the H36-GOLD picture frame: udskåret træ med gesso, 15 cm wide and 6.5 cm thick
H36-GOLD Dkr45
Corner sample of the H36-SILVER picture frame: udskåret træ med gesso, 15 cm wide and 6.5 cm thick
H36-SILVER Dkr45
Ramme-forhåndsvisning
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3 Trin tre ud af fire

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4 Trin fire ud af fire

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Hvem har malet det?

Verdensomspændende levering () på 3-4 uger i stedet for de standard 5 uger. (16 november). Ingen kompromiser med kvaliteten.

En navneplade, ligesom på et museum?

Detaljer om indgraveret bronzeskilt

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detaljer om gennemsigtig akrylplade

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detaljer om sort akrylplade

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Updating Yamantaka

Reproduktionsmetode

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For kunstværker eller reproduktioner, der er større end 105 cm (ca. 41 tommer) på en hvilken som helst side, vil rammen blive leveret som et adskilt sæt. Denne metode sikrer sikker levering og forhindrer skader under transport.

Professionel montering er påkrævet – dette er ikke et gør-det-selv produkt.
Sættet skal samles, og lærredet skal opspændes af en erfaren professionel indrammer ved brug af trælim (ikke medfølger), en lærredsspænder og klemmer til at holde blindrammen vinkelret, mens limen tørrer. Forkert samling eller ujævn spænding af lærredet kan beskadige kunstværket permanent og er ikke dækket af vores garanti.

  • Alle massive trælister er inkluderet, præcist tilpasset i størrelsen.

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Vigtigt:
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Navneskilt

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Hurtig levering

Verdensomspændende levering () på 3-4 uger i stedet for de standard 5 uger. (16 november). Ingen kompromiser med kvaliteten.

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Ekspreslevering

Verdensomspændende levering til inden for 5 uger. (23 november).

Inkluderet

Samlet pris

Dkr 1748

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The Weight of Mortality: Tenzing Rigdol’s “Updating Yamantaka”

Tenzing Rigdol's "Updating Yamantaka" isn't merely a painting; it’s an arresting collision of ancient Tibetan iconography and contemporary unease. Created in 2010, this work transcends the boundaries of traditional thangka art, forcing us to confront uncomfortable truths about power, death, and the unsettling ways they intersect within our world. At first glance, the composition appears deceptively serene – a vibrant tapestry woven with pastel hues, intricate textile patterns reminiscent of Tibetan prayer rugs, and the solemn script of sacred texts. However, a closer examination reveals a deliberate subversion of established artistic conventions, culminating in an image that is both profoundly unsettling and intellectually stimulating.

The central figure, Yamantaka – the Lord of Death and King of the Law within the Tibetan Buddhist tradition – dominates the canvas. Traditionally depicted astride a buffalo relentlessly pursuing a human victim, symbolizing the inescapable cycle of life and death, Rigdol’s interpretation diverges dramatically. The anonymous, everyman figure representing the sacrificed individual is replaced with the unmistakable face of Osama bin Laden. This jarring juxtaposition isn't gratuitous; it serves as a potent metaphor for the anxieties of the 21st century – a world grappling with global terrorism, political instability, and the pervasive sense that ancient philosophical concepts are suddenly rendered terrifyingly relevant.

A Dialogue Between Tradition and Modernity

Rigdol’s artistic approach is deeply rooted in his Tibetan heritage, yet he doesn't simply replicate traditional styles. He masterfully blends these established techniques with elements of contemporary art, incorporating influences from American Sign Language (ASL) – a subtle nod to his dual identity as a Tibetan-American artist – and personal iconography that speaks to his own experiences. The deliberate layering of sacred text alongside the unsettling image of bin Laden creates a dynamic tension, suggesting a critical engagement with both spiritual and secular realms. The use of pastel colors, typically associated with serenity and spirituality, is deliberately juxtaposed against the stark reality presented by the central figure, amplifying the work’s emotional impact.

Born in Kathmandu, Nepal, in 1982, Rigdol's upbringing was shaped by his family’s displacement from Tibet. This personal history profoundly informs his artistic practice, fueling a desire to explore themes of cultural identity, exile, and the enduring legacy of tradition. His work is not simply an aesthetic exercise; it’s a deeply considered meditation on the complexities of navigating multiple worlds and grappling with profound questions about mortality and morality.

Symbolism and its Shifting Meanings

The symbolism within “Updating Yamantaka” operates on multiple levels. The buffalo, traditionally representing relentless pursuit and destruction, embodies the forces of chaos and violence that threaten to overwhelm human existence. Yamantaka himself represents the inevitable cycle of death and rebirth, a concept central to Buddhist philosophy. However, by placing the face of Osama bin Laden upon this figure, Rigdol transforms the traditional symbolism into a commentary on contemporary global conflict. The image becomes a visual representation of how ancient philosophical concepts can be reinterpreted and applied to address modern challenges – suggesting that even seemingly immutable truths are subject to change and re-evaluation.

Furthermore, the inclusion of scripture alongside the unsettling imagery highlights the ongoing dialogue between faith and reason. Rigdol invites us to consider how traditional beliefs can be both comforting and challenging in a world increasingly defined by uncertainty and conflict. The work ultimately compels viewers to confront their own assumptions about power, death, and the role of violence in shaping human destiny.

A Reproduction Worth Considering

“Updating Yamantaka” is more than just a striking image; it’s a powerful statement about the interconnectedness of past and present. ArtsDot offers high-quality reproductions that faithfully capture the painting's intricate details and emotional depth. Whether you are an art collector, an interior designer seeking to infuse your space with thought-provoking imagery, or simply someone captivated by this unique work, a reproduction of “Updating Yamantaka” is a compelling addition to any collection – a reminder of the enduring relevance of ancient wisdom in our rapidly changing world.

Spørgsmål og svar

Findes der en guide til "Updating Yamantaka" af Tenzing Rigdol?

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Er "Updating Yamantaka" af Tenzing Rigdol i det offentlige domæne?

Ophavsretsstatus for "Updating Yamantaka" af Tenzing Rigdol: værket er stadig beskyttet af ophavsret. Dette afgør, om der frit må foretages reproduktioner af billedet.

Kan jeg bestille en oliereproduktion af "Updating Yamantaka"?

Du kan bestille en håndmalet reproduktion af "Updating Yamantaka" af Tenzing Rigdol direkte på dens Håndmalet reproduktion-side: en håndmalet oliereproduktion på lærred af hør, lavet efter bestilling.

Tenzing Rigdol

Tenzing Rigdol

1982 - , Nepal

Kunstnerbiografi

Early Life and Education

  • Born: Kathmandu, Nepal (1982)
  • Nationality: Tibetan-American
  • Education: University of Colorado Denver College of Arts & Media – Master's Degree in Philosophy, BA-BFA in Art and Art History. Honorary Doctorate in 2022.
  • Early life was marked by his parents fleeing occupied Tibet in the late 1960s.
  • Studied traditional Tibetan sand painting and butter sculpture at the Shekar Chorten monastery in India.
  • Studied thangka painting under Phenpo Tenthar at the Tibetan Thangka Art School in Kathmandu.

Artistic Development and Influences

  • Expertise: Primarily known for his expertise in thangka art, blending traditional techniques with modern artistic expressions.
  • Influences: Philosophy, ongoing human conflicts, political issues. His family's history as refugees significantly influenced his work.
  • Style: Combines Tibetan heritage with contemporary styles; incorporates elements of American Sign Language (ASL) and personal iconography.
  • Themes: Cultural identity, displacement, dialogue, environmental pollution, existentialism, ignorance, mindfulness.

Major Works and Projects

  • "Pin drop silence: Eleven-headed Avalokiteshvara": Acquired by the Metropolitan Museum of Art in 2014; a significant recognition of his contemporary Tibetan art.
  • 20,000 kg of Tibetan Soil Installation: A project involving transporting soil from Shigatse to Dharamshala symbolizing connection to Tibet for displaced Tibetans. Documented in the film "Bringing Tibet Home."
  • "Biography of a Thought": Site-specific installation at The Metropolitan Museum of Art, exploring Buddhist concepts and incorporating personal iconography.
  • Poetry Collections: Published three collections – “R”– the Frozen Ink (2008), Anatomy of Nights (2011) and Butterfly’s Wings (2011).

Dialogue Artist Residency (DAR) and Collaborative Efforts

  • Establishment of DAR: Founded the Dialogue Artist Residency to encourage collaboration between Tibetan and international artists.
  • Collaboration with Filmmakers: Contributed to the documentary "Bringing Tibet Home" (2013).
  • Focus on Cultural Exchange: Actively fosters cultural exchange through his residency program and collaborative projects.

Recognition and Historical Significance

  • Metropolitan Museum of Art Acquisition: His work being acquired by the Met signifies a growing recognition of contemporary Tibetan art within mainstream Western institutions.
  • Honorary Doctorate from CU Denver: The first Tibetan artist to receive this honor, highlighting his contribution to both artistic and intellectual fields.
  • Bridging Tradition and Modernity: Rigdol's work is significant for its ability to bridge traditional Tibetan art forms with contemporary concerns, making them accessible to a wider audience while retaining their cultural depth.
  • Addressing Social and Political Issues: His art serves as a platform for addressing social and political issues relevant to the Tibetan diaspora and beyond.