On Reclusion

Dimensioner
41.0cm x 59.0cm

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Discover Sesson Yūbai’s ‘On Reclusion’ (301). A serene monochrome scroll showcasing minimalist calligraphy & Zen philosophy. Explore this classic Japanese artwork.

Kunstnerbiografi

Explore the serene world of Sesson Yubai, a pivotal Zen poet & monk (1290-1347). Master his minimalist calligraphy & profound insights into Buddhist philosophy.

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2 Trin to ud af fire

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Corner sample of the WhiteWrap canvas edge finish, stretched on massivt træ bars
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Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: massivt træ, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: massivt træ, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: massivt træ, 7 cm wide and 5 cm thick
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Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
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Corner sample of the H24-GOLD picture frame: udskåret træ med gesso, 10 cm wide and 6 cm thick
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Corner sample of the H24-SILVER picture frame: udskåret træ med gesso, 10 cm wide and 6 cm thick
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Corner sample of the H36-GOLD picture frame: udskåret træ med gesso, 15 cm wide and 6.5 cm thick
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Corner sample of the H36-SILVER picture frame: udskåret træ med gesso, 15 cm wide and 6.5 cm thick
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Et par forskellige efterbehandlingsmuligheder

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Hvem har malet det?

Verdensomspændende levering () på 3-4 uger i stedet for de standard 5 uger. (13 november). Ingen kompromiser med kvaliteten.

En navneplade, ligesom på et museum?

Detaljer om indgraveret bronzeskilt

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detaljer om gennemsigtig akrylplade

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detaljer om sort akrylplade

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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On Reclusion

Reproduktionsmetode

Størrelse på reproduktion

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Indramning af reproduktion

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For kunstværker eller reproduktioner, der er større end 105 cm (ca. 41 tommer) på en hvilken som helst side, vil rammen blive leveret som et adskilt sæt. Denne metode sikrer sikker levering og forhindrer skader under transport.

Professionel montering er påkrævet – dette er ikke et gør-det-selv produkt.
Sættet skal samles, og lærredet skal opspændes af en erfaren professionel indrammer ved brug af trælim (ikke medfølger), en lærredsspænder og klemmer til at holde blindrammen vinkelret, mens limen tørrer. Forkert samling eller ujævn spænding af lærredet kan beskadige kunstværket permanent og er ikke dækket af vores garanti.

  • Alle massive trælister er inkluderet, præcist tilpasset i størrelsen.

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Vigtigt:
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Navneskilt

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Beskyttende fernis

Blank lak (fremhæver farverne og beskytter mod lys og fugt)

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Tilpas mit kunstværk

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Hurtig levering

Verdensomspændende levering () på 3-4 uger i stedet for de standard 5 uger. (13 november). Ingen kompromiser med kvaliteten.

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Ekspreslevering

Verdensomspændende levering til inden for 5 uger. (20 november).

Inkluderet

Samlet pris

Dkr 1754

Samlet pris Dkr 1754

Glasmulighed er kun tilgængelig i størrelser under 110 cm

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A Hermit’s Retreat: Exploring Sesson Yūbai's *On Reclusion*

This exquisite calligraphy scroll by Sesson Yūbai (1290-1347) offers a profound glimpse into the heart of Zen Buddhism and the literati tradition. More than just beautiful writing, *On Reclusion* is a visual poem – a distillation of a life deliberately turned inward for spiritual cultivation. The artwork presents four carefully rendered Chinese characters arranged vertically on creamy washi paper, executed with masterful control of sumi ink. Notice how Yūbai doesn’t simply write the words; he *paints* them, imbuing each stroke with energy and intention. The generous space between the columns isn't emptiness but a deliberate compositional choice, allowing the dynamic diagonals and horizontal extensions to breathe and resonate.

Zen & Calligraphy: A Harmonious Union

Sesson Yūbai was uniquely positioned to bridge Japanese and Chinese artistic sensibilities. He spent twenty-three years in China, absorbing the latest calligraphic styles after initial training with Issan Ichinei in Japan. This experience is evident in the boldness and fluidity of his brushwork – a departure from earlier, more restrained Japanese calligraphy. The poem itself speaks to a humble existence: “My thatched hut is woven with disordered layers of clouds… Before my window, flowing waters; facing my pillow, books.” It’s an articulation of contentment found not in worldly possessions or ambitions, but in the simple rhythms of nature and the pursuit of knowledge. This theme – finding peace through detachment – is central to Zen philosophy and frequently appears in the writings of monks like Yūbai. The artwork isn't merely illustrative of the poem; it *embodies* its spirit.

Technique & Materials: The Essence of Sumi-e

Yūbai’s skill lies in his mastery of sumi-e, or ink wash painting. This technique demands absolute control over the ink's density and flow, achieved through varying pressure on the brush and careful dilution with water.
  • The monochrome palette focuses attention on the form and energy of each stroke.
  • The use of washi paper – traditionally made from long fibers – allows for subtle variations in ink absorption, creating a nuanced texture.
  • The seemingly spontaneous brushwork is actually the result of years of rigorous training and meditative practice.
The size of the scroll (40.6cm x 59.4cm) is intimate, inviting close contemplation. It’s a piece designed to be viewed slowly, allowing its subtle power to unfold over time.

Symbolism & Emotional Resonance

Beyond its aesthetic beauty, *On Reclusion* carries deep symbolic weight. The act of reclusion itself – withdrawing from society – was often seen as a path to enlightenment in Zen Buddhism. The poem suggests that true fulfillment isn't found in external pursuits but within oneself. The imagery of flowing water and books represents the continuous flow of life and the importance of learning. For collectors and interior designers, this artwork offers more than just visual appeal; it provides a focal point for contemplation and a reminder to embrace simplicity and mindfulness. Its understated elegance complements both traditional and contemporary spaces, adding a touch of serene sophistication. The work’s emotional impact is one of quietude, peace, and a gentle invitation to turn inward.

Spørgsmål og svar

Hvordan forenes kunstretning og epoke i "On Reclusion" af Sesson Yūbai?

I "On Reclusion" af Sesson Yūbai mødes Literati School-stilen med Late Medieval-æraen.

Hvilken kunstretning tilhører "On Reclusion" af Sesson Yūbai?

"On Reclusion" af Sesson Yūbai tilhører Literati School-bevægelsen. Denne bevægelse giver den stilistiske kontekst for værket.

Fremstår farverne i "On Reclusion" kraftige eller bløde?

Farverne i "On Reclusion" af Sesson Yūbai har en Balanced intensitet.

Sesson Yūbai

Sesson Yūbai

1290 - 1347, Japan

Kunstnerbiografi

Sesson Yūbai: The Poet of Quietude

Sesson Yūbai (雪村 友梅; 1290 – 14th day of the 1st month, 1347) stands as one of Japan’s most revered Zen Buddhist poets and monks—a figure inextricably linked to the profound aesthetic principles that define the Five Mountains School of Zen. Born in Tokyo during a period of significant cultural exchange between China and Japan, Yūbai's life was marked by rigorous monastic training under the guidance of Issan Ichinei, establishing him firmly within the Linji Ch’an tradition. This formative experience would profoundly shape his artistic vision and intellectual pursuits, propelling him to become a pivotal voice in Japanese literature and Zen art.
  • Early Life & Training: Yūbai's initial studies commenced under Issan Ichinei, a Chinese emigrant monk who championed the Linji sect’s radical approach to enlightenment—a method prioritizing direct experience over intellectual contemplation. Recognizing Yūbai’s exceptional aptitude, Issan entrusted him with overseeing the establishment of a temple in Kyoto, marking the beginning of his influential monastic career.
  • Journey to China: Driven by an unwavering commitment to Zen practice and scholarship, Yūbai embarked on a transformative journey to China around 1307. During this protracted period—spanning over two decades—he immersed himself in intensive study with numerous eminent masters, absorbing the nuances of Chinese Buddhist philosophy and calligraphy techniques. Notably, he endured imprisonment during the persecution of Buddhists under Kublai Khan’s rule, an ordeal that instilled within him a deep appreciation for resilience and simplicity.

The Art of Minimalist Calligraphy: Reflecting Zen Essence

Yūbai's poetic output is inextricably intertwined with his mastery of calligraphy—a practice considered paramount in Zen Buddhism. His work embodies the school’s core tenets: stillness, clarity, and an uncompromising devotion to capturing the essence of reality through sparse brushstrokes. The celebrated “Abiding Nowhere, The Awakened Mind Arises” (阿無所住處,悟心生), housed at the Tokugawa Art Museum, exemplifies this distinctive style. Characterized by expansive spaces between columns of text—allowing for deliberate pauses and fostering contemplation—the painting’s composition mirrors Yūbai's poetic sensibility. Each stroke is imbued with intention, reflecting Zen’s emphasis on mindful action and intuitive understanding.
  • Bingatshū: Yūbai’s magnum opus, Bingatshū (鏡沙樹), comprises 242 poems—a testament to his unwavering dedication to Zen practice and artistic expression. These verses eschew ornate embellishments, prioritizing directness and emotional resonance. They grapple with themes of impermanence, solitude, and the pursuit of enlightenment—mirroring the core concerns of Zen philosophy.
  • Influence on Zen Art: Yūbai’s aesthetic principles profoundly impacted subsequent generations of Zen artists. His insistence on simplicity and contemplation served as a guiding force in shaping the visual language of Zen monasteries and temples across Japan, fostering an enduring tradition of minimalist calligraphy and landscape painting that continues to inspire artistic creativity today.

Temple Foundations & Legacy: Shaping Buddhist Culture

Beyond his poetic achievements, Sesson Yūbai left an indelible mark on Japanese Buddhism through the establishment of several provincial temple-monasteries—most notably Hōun-ji and Hōrin-ji in Harima Prefecture. These temples were recognized as “jissatsu” by Muromachi shogunate, signifying their prestige and encouraging patronage for Zen monastic institutions. Yūbai’s disciples, including Akamatsu Norimura and Akamatsu Norisuke, diligently upheld his legacy—propagating Zen philosophy and artistic traditions throughout Japan. His influence extended beyond the visual arts, shaping the intellectual landscape of his time and cementing his place as a cornerstone of Japanese cultural heritage.

Concluding Reflections

Sesson Yūbai’s life embodies the spirit of Zen Buddhism—a pursuit of enlightenment through mindful contemplation and unwavering devotion to ethical conduct. His poetry transcends mere literary artistry, offering profound insights into the human condition and illuminating the path toward inner peace. As a master calligrapher and temple founder, Yūbai solidified his position as one of Japan’s most influential figures—a testament to the enduring power of Zen aesthetics and philosophy to inspire artistic creativity and spiritual contemplation for centuries to come.