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Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
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Floating a Boulder
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Kunstnerbiografi
Mary Mattingly: Sculpting Sympathy for a Warming World
Mary Mattingly (born September 8, 1978) is an American visual artist whose practice centers on exploring the intersection of ecology, technology, and social engagement. Rooted in her upbringing in Rockville, Connecticut, she honed her artistic vision through studies at Parsons School of Design and Pacific Northwest College of Art, establishing herself as a pioneering voice within contemporary art—one deeply attuned to pressing environmental concerns and committed to fostering collaborative creative endeavors.- Early Life & Education: Born in Rockville, Connecticut, Mattingly’s formative years instilled a profound appreciation for the natural world alongside an inquisitive spirit that propelled her toward formal artistic training. Her BFA from Pacific Northwest College of Art provided foundational skills in sculptural fabrication and photographic documentation—tools she would subsequently wield with remarkable precision to translate complex ideas into tangible artworks.
- The Rise of Wearable Architecture: Mattingly’s breakthrough came with “Wearable Home,” a series of photographs documenting nomadic dwellings designed as miniature ecosystems. This project, conceived in 2004-2006, wasn't merely aesthetic; it served as a conceptual meditation on displacement and resilience—a deliberate provocation to consider how human settlements could adapt to the challenges posed by climate change. The suits themselves were meticulously crafted from reclaimed materials, embodying Mattingly’s ethos of repurposing resources and reimagining possibilities.
- Opera & Collaborative Ecosystems: Her 2006 opera “Fore Cast” further solidified her commitment to interdisciplinary exploration. Collaborating with scientists and engineers, Mattingly created a theatrical experience that confronted the looming threat of ecological disaster—a stark reminder of Einstein’s prophetic assertion: "I don't know what World War III will be fought with, but I know World War IV will be fought with sticks and stones." The installation itself mirrored this sentiment, utilizing sand and tree stumps to symbolize vulnerability and emphasizing the importance of simple solutions.
- The Waterpod Project & Public Engagement: Perhaps Mattingly’s most iconic achievement is “The Waterpod,” a monumental sculptural habitat erected in New York City between June 2009 and September 2012. This ambitious undertaking brought together artists, designers, builders, civic activists, scientists, and environmentalists—a testament to Mattingly's belief in collective creativity as a catalyst for positive change. The Waterpod functioned as a self-sustaining microcosm of ecological principles, demonstrating how human ingenuity could address issues of water scarcity and promote sustainable living practices.
- Ongoing Exploration & Artistic Legacy: Since then, Mattingly has continued to push boundaries in her artistic explorations—creating Flock House structures that traverse the city’s park system, engaging audiences through immersive installations, and consistently advocating for environmental stewardship. Her work stands as a powerful reminder that art can serve not only as contemplation but also as active participation in shaping a more equitable and ecologically sound future.
Notable Works:
- Heading West (Photography): Captures the desolate beauty of a solitary figure against a muted landscape, symbolizing human connection amidst environmental challenges.
- Wearable Home (Sculpture Photography): Demonstrates resilience and adaptability in response to displacement—a conceptual exploration of sustainable living.
- Opera Fore Cast: Confronts ecological disaster through theatrical performance and sculptural installation.
- The Waterpod Project: A collaborative habitat showcasing innovative solutions for water scarcity and promoting eco-conscious practices.
Influences:
Mattingly’s artistic vision draws inspiration from thinkers like Albert Einstein—particularly his assertion about the future of conflict—and from ecological pioneers who champion the importance of interconnectedness within natural systems. Her work reflects a deep concern for social justice alongside an unwavering dedication to environmental sustainability.
Mary Mattingly
1978 - , United States of America
Kort om kunstneren
- Full Name: Mary Mattingly
- Nationality: American
- Date Of Birth: 1978
- Date Of Death: (Living)
- Place Of Birth: Rockville, Maryland, United States of America
- Notable Artworks:
- Heading West
- Church of St. Mary
- Mary Mattingly
- Artistic Movement Or Style: Ecological sculpture
- Artists Or Movements Influenced By This Artist: ['Wearable architecture']