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DiasshowServant's Clock
1939
50.0 x 65.0 cm
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Håndlavet oliereproduktion
Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. (
Køb print Køb billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en bestemt ramme eller plads. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide maleriet med yderligere håndmalede elementer. En digital skitse sendes til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun skitsen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er mulige, anbefaler vi at vælge en dimension fra den foruddefinerede liste for at bevare de originale proportioner.
Efter bestilling vil ArtsDot.com team sende en e-mail til kunden for at få instruktioner og levere et udkast til en skitse.
Levering i hele verden () på 3/4 uger i stedet for de standard 5 uger. (23 august). Ingen kompromiser med kvaliteten.
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60 dages returret (kun ved fabrikationsfejl)
100% Tilfredshedsgaranti
Mængderabat tilgængelig
Glasmulighed er kun tilgængelig i størrelser under 110 cm
Servant's Clock
Reproduktionsmetode
Størrelse på reproduktion
-
Samlet pris
$ 263
Lignende kunstværker
Kunstnerens biografi
Louis Soutter: The Silent Mask Maker
Louis Soutter (1871 – 1942) was a Swiss artist whose singular vision—characterized by hauntingly expressive “masks”—earned him belated recognition as a pivotal figure in the Art Brut movement. Born in Lausanne, Switzerland, Soutter’s life unfolded amidst a backdrop of intellectual curiosity and personal struggle, shaping his artistic output into a deeply introspective exploration of human emotion and psychological complexity. Despite facing significant mental health challenges throughout his adult years, Soutter persevered in pursuing his creative passions, leaving behind an astonishing body of work that continues to fascinate scholars and artists alike.Early Life & Education
Soutter’s formative years were marked by a fascination with engineering and architecture—disciplines he pursued diligently at Lausanne Polytechnic. However, it was music that truly captivated him; he mastered the violin in Brussels, honing his skills under renowned pedagogue Eugène Ysaÿe, whose influence profoundly shaped Soutter's musical sensibilities. Simultaneously, he cultivated an interest in painting, studying primarily in Lausanne and Paris, absorbing stylistic cues from Impressionism and Post-Impressionism. These diverse influences would coalesce into a distinctive artistic style—one defined by meticulous detail and symbolic imagery.The Emergence of “Masks”
Soutter’s artistic breakthrough arrived in the early 1920s when he began producing his iconic “masks”—large, intricately rendered drawings featuring stylized faces that conveyed profound psychological states. These masks weren't mere representations; they were embodiments of inner turmoil and contemplation, imbued with a palpable sense of sorrow and vulnerability. Soutter’s technique—characterized by painstaking layering of graphite and pastel—created surfaces rich in texture and tonal variation, mirroring the emotional depth of his subjects. The masks became his signature motif, appearing repeatedly throughout his oeuvre and establishing him as an unparalleled innovator within the burgeoning Art Brut movement.Influences & Artistic Development
Soutter’s artistic trajectory was significantly impacted by encounters with fellow artists who championed his work—most notably Roberto Matta (1911-2002), Julian Schnabel, Arnulf Rainer and Elmar Trenkwalder. These collaborations fostered a dialogue about the expressive potential of unconventional materials and techniques, propelling Soutter’s artistic exploration into uncharted territory. His unwavering dedication to his craft persisted despite institutionalization in 1922 and subsequent relocation to Ballaigues, where he continued to produce drawings until his death in 1942.Legacy & Recognition
Though largely unrecognized during his lifetime, Soutter's work gained considerable acclaim posthumously—primarily due to the efforts of his cousin Le Corbusier who championed Soutter’s artistic vision and brought him to the attention of contemporary artists. Critics lauded Soutter’s masterful use of drawing as a medium for conveying psychological experience, recognizing him as a visionary artist whose oeuvre transcends conventional stylistic boundaries. Today, Louis Soutter stands as an exemplar of Art Brut—a testament to the transformative power of creativity born outside the confines of academic art institutions and a poignant reminder that profound artistic expression can emerge from unexpected sources.
louis soutter
1871 - 1942
Kort om kunstneren
- Artistic Movement Or Style: Art Brut
- Artists Or Movements Influenced By This Artist: ['Roberto Matta']
- Artists Who Influenced This Artist: ['']
- Date Of Birth: 1871
- Date Of Death: 1942
- Full Name: Louis Adolphe Soutter
- Nationality: Swiss
- Notable Artworks: ['Masks']
- Place Of Birth: Lausanne, Switzerland
