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StatistikkerReservoir
- 155.0 x 166.0 cm
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Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. (
Køb håndmalet maleri Skift til digitalt billede)
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Indtast den bredde og højde, du har brug for, så det passer til din ramme eller din væg. Et print kan kun beskæres, aldrig gøres større end selve billedet, så en størrelse med et andet format vil medføre, at dele af motivet går tabt. Vi sender dig en digital mockup til godkendelse, før vi printer noget. Billedet vist på denne side viser ikke den faktiske beskæring — det er kun mockuppen, der gør.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (7 november)
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Reservoir
Giclée / Kunsttryk
Størrelse på reproduktion
-
Samlet pris
Dkr 420
Lignende kunstværker
Kunstnerbiografi
The Convergence of Form and Conscience
Irving Petlin was far more than a mere practitioner of fine art; he was a profound witness to the turbulent shifts of the twentieth century, a painter whose brush was moved by both aesthetic innovation and an unwavering political pulse. Born in Chicago in 1934, his early years were steeped in the energetic and often surreal currents of Chicago Imagism, a movement that would later inform his deep engagement with the complexities of reality. His formal journey through the Art Institute of China and eventually to Yale University, where he studied under the legendary Josef Albers, provided him with a rigorous foundation in abstraction and perceptual exploration. Yet, for Petlin, these academic disciplines were never ends in themselves; they were tools used to navigate the profound tensions between the seen and the felt, the abstract and the human.The Alchemy of the Series Form
At the heart of Petlin’s practice lay a revolutionary approach known as the series form, a method that allowed him to move beyond the singular, static image to create a rhythmic, unfolding dialogue across multiple works. He became a master of the delicate and the raw, manipulating materials such as pastel, oil paint, and unprimed linen to evoke textures that felt both ancient and immediate. His canvases were not merely surfaces for pigment but landscapes of memory and intellect, heavily influenced by the haunting voices of literature. The shadows of Primo Levi, the surrealist echoes of Bruno Schulz, and the stark, poetic weight of Paul Celan permeated his brushstrokes, weaving a tapestry where the boundaries between word and image dissolved into a singular, emotive experience. This mastery of the pastel medium allowed him to capture a sense of ephemeral light and profound sorrow, making his work a bridge between the tactile world and the literary imagination.A Legacy of Artistic Resistance
Petlin’s career was inextricably linked to his commitment to social justice, as he emerged as a pivotal figure in the Artist’s Protest Movement during the height of the Vietnam War era. He possessed a rare ability to transform the gallery space into a forum for political urgency, organizing public gatherings at the Dwan Gallery and establishing the Artists’ Protest Committee to confront the injustices of his time. His collaborative spirit was perhaps most vividly realized in ambitious, large-scale projects like The Artist's Tower, a monumental undertaking conceived alongside luminaries such as Mark di Suvero, Judy Chicago, and Leon Golub. Through these endeavors, Petlin demonstrated that art could serve as a powerful catalyst for societal change, cementing his legacy not only as a master of the Nouvelle Figuration movement but as a painter whose soul was forever entwined with the struggle for peace, dignity, and the preservation of human truth.
Irving Petlin
1934 - , United States of America
Kort om kunstneren
- Full Name: Irving Petlin
- Nationality: American
- Date Of Birth: 1934
- Date Of Death: September 1, 2018
- Place Of Birth: Chicago, United States of America
- Notable Artworks:
- Reservoir
- Rubbings from the Calcium Garden
- Artistic Movement Or Style: Pastel painting; Series form
- Artists Who Influenced This Artist:
- Josep Albers
- Mark di Suvero
- Artists Or Movements Influenced By This Artist:
- Chicago Imagism
- Nouvelle Figuration