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Apollo and Cupid

François Duquesnoy (1597-1643): Flemish Baroque sculptor famed for his idealized Roman works, contrasting with Bernini's drama. Explore his art!

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Apollo and Cupid

Giclée / Kunsttryk

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Samlet pris

Dkr 413


Om kunstneren

François Duquesnoy: A Flemish Sculptor in Rome

  • Born: Nettuno, Italy (1597)
  • Died: 1643

Early Life and Training

  • François duquesnoy, also known as Frans Duquesnoy, was born in Brussels. His father, Jérôme duquesnoy the elder, served as the court sculptor to Archduchess Isabella and Archduke Albert.
  • Duquesnoy received his early training in Brussels, demonstrating talent that attracted the attention of the archduke.
  • The archduke provided financial support for Duquesnoy to study in Rome, where he would spend the majority of his career.
  • Upon arriving in Rome around 1618, Duquesnoy meticulously studied antique sculpture, famously climbing over the equestrian Marcus Aurelius to understand its construction.

Artistic Style and Influences

  • Duquesnoy's style is characterized by a classicized approach, often contrasted with the more emotional and theatrical works of Gian Lorenzo Bernini.
  • He showed greater affinity for Alessandro Algardi’s sculptures.
  • Contemporary critics, like Giovanni Bellori, praised Duquesnoy's ability to restore contemporary sculpture to the quality of ancient Roman sculpture.
  • Nicolas Poussin, a fellow expatriate artist, shared Duquesnoy's classicized and emotionally detached style, and they lived together in Rome for a time.
  • Duquesnoy collaborated with Bernini on several projects, including designs for angels offering garlands at St. Peter’s Basilica.

Major Works and Achievements

  • Santa Susanna (1629): Considered one of Duquesnoy's masterpieces, this sculpture depicts the saint with a balance of modesty and revealing draperies, earning high praise from Bellori. A marble copy resides in the Louvre.
  • St. Andrew (1629-33): This larger-than-life statue adorns St. Peter’s Basilica, showcasing Duquesnoy's restrained style compared to Bernini and Francesco Mochi's contributions.
  • Rondanini Faun: An early work demonstrating his skill in expanding upon antique torsos, though later criticized by neoclassicists. Now located at the British Museum.
  • Apollo and Cupid: A notable sculpture showcasing mythological themes.
  • Mercury: Another significant work displaying Duquesnoy's talent for depicting classical figures.

Historical Significance

  • Duquesnoy played a crucial role in the Roman Baroque art scene, offering an alternative to Bernini’s dramatic style with his more restrained and classicized approach.
  • Cardinal Richelieu offered him the position of royal sculptor in France, aiming to establish a royal academy of sculpture in Paris, though Duquesnoy died before he could take up the post.
  • His work influenced subsequent generations of sculptors and contributed to the development of Neoclassical art.
  • Bellori's high praise solidified his reputation as a restorer of classical ideals in sculpture.
François Duquesnoy

François Duquesnoy

1597 - 1643 , Italy

Hurtige fakta

  • Full Name: François Duquesnoy
  • Nationality: Flemish
  • Date Of Birth: 1597
  • Date Of Death: 1643
  • Place Of Birth: Nettuno, Italy
  • Notable Artworks:
    • Rondanini Faun
    • St Susanna
    • St Andrew
    • Victory of Sacred Love
    • Bacchanalia of Putti
  • Artistic Movement Or Style: Baroque sculpture
  • Artists Who Influenced This Artist: ['Nicolas Poussin']