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Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en specifik ramme eller et bestemt område. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide billedet med en spejlet eller ensfarvet kant. En digital mockup vil blive sendt til din godkendelse, før produktionen påbegyndes.
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Kunstnerens biografi
Coles Phillips: The Poet of Negative Space
Coles Phillips (1880-1927) stands as a singular figure in American illustration, remembered not merely for his prolific output but for an artistic philosophy that profoundly shaped the visual landscape of the early 20th century. Born in Springfield, Ohio, to Anna Seys and Jacob Phillips, he possessed a quiet determination to forge a career dedicated to his craft—a path illuminated by serendipitous encounters and nurtured by a singular approach to artistic expression. His formative years were marked by enrollment at Kenyon College (1902-1904), where he joined Alpha Delta Phi fraternity and contributed to the college’s yearbook, “The Reveille,” showcasing early visual sensibilities. Following graduation, Phillips relocated to Manhattan, driven by ambition and a conviction that artistic success demanded disciplined effort. He pursued supplementary instruction at Chase School of Art—his sole formal training—before establishing his own advertising agency, fostering collaborations with fellow artists like Edward Hopper, cementing their connection as students alongside each other. This partnership would prove influential, shaping Phillips’ aesthetic sensibilities and contributing to the burgeoning modernist movement. Phillips' career ascended rapidly when he secured a position at Life Magazine in 1907, thanks to an introduction by J.A. Mitchell—a pivotal moment that established him as a cornerstone of the publication’s artistic identity. He remained associated with Life throughout his life, becoming synonymous with its distinctive visual style. It was here that Phillips truly blossomed creatively, developing his signature technique: the “fadeaway girl.” This innovative approach involved depicting women whose clothing seamlessly blended into the background—a masterful manipulation of negative space—reducing printing costs while simultaneously captivating audiences. As Michael Schau eloquently described, "he refused to work from photographs or to use the pantograph," prioritizing direct observation and capturing fleeting moments with unparalleled sensitivity. Phillips’ artistic vision was deeply rooted in Art Nouveau and Art Deco influences, reflecting the stylistic currents of his time. He favored watercolor as his medium, meticulously crafting each piece from life—a testament to his unwavering commitment to authenticity. His distinctive style resonated powerfully with Life Magazine's readership, establishing him as a beloved artist and cementing his legacy as one of the era’s most celebrated illustrators. The magazine recognized Phillips’ genius by commissioning him for numerous covers, showcasing his ability to distill complex emotions into striking visual compositions.- Notable Works: “Untitled (647),” “Untitled (517),” “Untitled (945)”
- Influences: Art Nouveau and Art Deco movements
- Technique: Watercolor painting from life; masterful use of negative space
Coles Phillips
1880 - 1927 , United States of America
Kort om kunstneren
- Artistic Movement Or Style: Art Nouveau & Art Deco Illustration
- Artists Or Movements Influenced By This Artist: ['Art Deco']
- Artists Who Influenced This Artist: ['Georges Dufay']
- Date Of Birth: 1880 Springfield Ohio USA
- Date Of Death: 1927
- Full Name: Clarence Coles Phillips
- Nationality: American
- Notable Artworks:
- Untitled (647)
- Untitled (517)
- Untitled (945)
- Place Of Birth: Springfield Ohio USA
