34 Famous Gothic Художници You Should Know

11of 34

Бернардо Дади 1290–1348

Италиански From Флоренция Ранен Ренесанс On Wikipedia in 17 of 32 languages

Loggia del Bigallo, Флоренция: Разгледайте изкуството от XIV век и исторически артефакти от Compagnia del Bigallo, включително творби на Arnoldi и Daddi. Уникална флорентинска перла! Бернардо Дади - Музей Getty: Разгледайте колекцията на Музея J. Paul Getty в Центъра на Getty и Вилата на Getty. Бернардо Дади - Wikipedia: Научете повече за неговия живот, творби и влияния във Wikipedia.

12of 34

Андреа Пизано 1290–1348

Италиански From Понтекорво Готика

13of 34

Майстор Матео 1161–1217

Испанска Романска скулптура

14of 34

Жан Малуел 1370–1415

Нидерландски (Dutch) From Неймеген Международен готика On Wikipedia in 16 of 32 languages

15of 34

Тилман Рименшнайдер 1460–1531

Германец From Хайлигенщафт Късна готическа и Ренесансова

His early years were marked by displacement; his father’s involvement in the conflict between Mainz and the Teutonic Order forced the family to relocate to Osterode, an event that likely instilled within young Tilman a resilience and adaptability – qualities that would become hallmarks of both his life and his art.

16of 34

Майстор Франке (Фратер Франке) 1380–1435

Нидерландски From Lower Rhine Готически Ренесанс On Wikipedia in 14 of 32 languages

Johannes Francke, known as Frater Francke, stands as a pivotal figure in the burgeoning artistic landscape of 15th-century Germany – specifically within the vibrant Gothic tradition of Hamburg. Early Life and Training: Precise information regarding Francke's formative years is scarce.

17of 34

Клаус Слютер 1355–1406

Нидерландски From Харлем Северен реализъм

18of 34

Jacopo di Cione 1325–1399

Italian From Florence Gothic On Wikipedia in 7 of 32 languages

Born in Florence sometime between 1320 and 1330, he emerged from a family deeply rooted in artistic tradition—his three elder brothers, Andrea di Cione (Orcagna), Nardo di Cione, and Matteo di Cione—were themselves accomplished painters, establishing a lineage of creative excellence.

19of 34

Жоме Уге 1445–1492

Catalan From Валс Late Gothic, Flemish influence On Wikipedia in 10 of 32 languages

Between 1440 and 1445, his hand reached into the workshops of Zaragoza and Tarragona, where he encountered the influential Flemish style brought by Luis Dalmau. His ability to command both scale and detail is evident in his diverse body of work: The Archangel St Michael: A celestial sentinel rendered with heroic posture, framed by stylized foliage and a radiant, textured gold leaf that seems to emanate an inner light.

20of 34

Lucas Moser 1390–1443

German From Weil der Stadt Late Gothic Art On Wikipedia in 10 of 32 languages

Lukas Moser, a name perhaps unfamiliar to many outside the circles of art history, represents a pivotal figure in the transition from the International Gothic style to the burgeoning realism that would characterize early Renaissance painting.

21of 34

Master Bertram 1345–1415

German From Minden International Gothic On Wikipedia in 13 of 32 languages

Born in Minden, Germany, around 1345 and passing away in Hamburg circa 1415, Master Bertram remains a captivating figure within the history of European art. Often referred to as Meister Bertram or Master of Minden, he stands as a pivotal artist bridging the International Gothic style with the nascent trends of the early Renaissance in Northern Europe.

22of 34

Pere Serra 1357–1406

Spanish Gothic-Italian

Pere Serra, also known as Jaume Serra, stands as a compelling figure in the transition from the International Gothic style to the burgeoning Renaissance aesthetic within Catalonia. Born around 1357 and passing away in 1406, his life coincided with a period of significant artistic and cultural change across Europe, yet he maintained a distinctly Catalan sensibility throughout his career.

23of 34

Паоло Ди Джовани Феи 1345–1411

Италиански From Сан Куирико д'Орча Натурализъм, Проторенесанс On Wikipedia in 10 of 32 languages

24of 34

Giovannino De' Grassi 1350–1398

Italian From Milan Gothic Illuminations

Giovannino de’ Grassi remains one of the most captivating enigmas of the late medieval period, a figure whose brushstrokes breathed life into the prestigious Visconti court of Milan. He operated in an era where the transition from the rigid structures of the Middle Ages to the burgeoning naturalism of the early Renaissance was beginning to stir, and de’ Grassim stood at the very heart of this aesthetic evolution.

25of 34

Lluís Borrassà 1360–1425

Catalan From Girona International Gothic On Wikipedia in 8 of 32 languages

A pioneer who fundamentally reshaped the visual language of Catalonia, Borrassà emerged from the historic streets of Girona to become a master of the International Gothic style. The foundations of Borrassá’s mastery were laid in his youth, likely under the guidance of his father, Honorat Borrassà, a fellow painter.

26of 34

Michele Giambono 1400–1462

Italian From Venice International Gothic On Wikipedia in 10 of 32 languages

In the heart of fifteenth-century Venice, a city defined by its shimmering lagoons and unparalleled maritime wealth, the artistry of Michele Giambono emerged as a luminous bridge between the medieval past and the dawning Renaissance. As a follower of luminaries such as Jacobello del Fiore and Gentile da Fabriano, Giambono inherited a fascination with delicate line work and the use of precious materials to evoke the celestial realm.

27of 34

Йованни дал Понте 1385–1438

Италианец From Флоренция Късна готическа/Ранна Ренесансова On Wikipedia in 7 of 32 languages

28of 34

Теодорик Пражки

Чешка From Италия Готика On Wikipedia in 16 of 32 languages

29of 34

Николо Ди Пьетро Джерини 1368–1415

Италиански From Флоренция Късна готика On Wikipedia in 6 of 32 languages

30of 34

Пачино Ди Бонагуида 1280–1340

Италианска From Флоренция Готика On Wikipedia in 4 of 32 languages

31of 34

Master Of The Life Of The Virgin

German Late Gothic On Wikipedia in 11 of 32 languages

The earliest evidence of his workshop dates back to around 1463, with the completion of a series of eight panels for the Ursulakirche (Ursuline Church) in Cologne. These scenes – including the Annunciation, Visitation, Nativity, Presentation in the Temple, Flight into Egypt, and various episodes from Mary’s childhood and later life – quickly established his reputation.

32of 34

Jan Baegert 1465–1535

From Wesel Late Gothic On Wikipedia in 3 of 32 languages

By 1492, Jan Baegert was recognized as a master in Kalkar, a significant milestone that confirmed his ability to manage large-scale commissions independently. Following the death of his father in 1502, Jan Baegert took over the family business in Wesel.

See them at Tracing the physical remains of Jan Baegert’s output requires looking toward the Westphalian and Lower Rhine regions.

33of 34

Master Of The Osservanza

Italian Late Gothic On Wikipedia in 8 of 32 languages

He was born around 1405 in Siena, likely into a family involved in the production of dyes—a profession reflected in his surname, “ di Pietro ” (of Peter).

34of 34

Master of Heiligenkreuz Abbey

Austrian International Gothic On Wikipedia in 5 of 32 languages

The earliest known works attributed to the Master are diptychs – two-panel paintings – discovered at the Cistercian Abbey of Heiligenkreuz in southeastern Austria. The left panel depicts the Annunciation, showcasing the Virgin Mary receiving the news of her divine conception, while the reverse portrays the Madonna and Child – a tender scene brimming with serenity.