Behind Me

尺寸
230.0 x 318.0 cm

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藏品详情

Discover 'Behind Me' by Xu Beihong – a poignant oil painting depicting Chinese laborers during the Mukden Incident, reflecting social injustice and yearning for liberation. Explore its history & artistry.

艺术家简介

探索徐悲鸿(1895-1953)的艺术世界。这位先驱性的中国画家以其充满动感的马与鸟类绘画而闻名。深入了解他如何将传统水墨技法与西方风格完美融合,从而塑造了现代中国艺术。

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1 四步中的第一步

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2 四步中的第二步

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Corner sample of the WhiteWrap canvas edge finish, stretched on 实木 bars
白色边缘 ¥1
Corner sample of the BlurSideWrap canvas edge finish, stretched on 实木 bars
边缘晕染效果 ¥1
Corner sample of the ExtendedWrap canvas edge finish, stretched on 实木 bars
延展式 ¥1
Corner sample of the P118B picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: 模压聚苯乙烯, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 模压聚苯乙烯, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 模压聚苯乙烯, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 模压聚苯乙烯, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 实木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 实木, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 实木, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 实木, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 实木, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 实木, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 实木, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 实木, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 实木, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 实木, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 实木, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 实木, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 实木, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 实木, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 实木, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 实木, 6 cm wide and 3.5 cm thick
W953PJ ¥8
Corner sample of the H24-GOLD picture frame: 木雕贴金石膏底, 10 cm wide and 6 cm thick
H24-GOLD ¥30
Corner sample of the H24-SILVER picture frame: 木雕贴金石膏底, 10 cm wide and 6 cm thick
H24-SILVER ¥30
Corner sample of the H36-GOLD picture frame: 木雕贴金石膏底, 15 cm wide and 6.5 cm thick
H36-GOLD ¥45
Corner sample of the H36-SILVER picture frame: 木雕贴金石膏底, 15 cm wide and 6.5 cm thick
H36-SILVER ¥45

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3 四步中的第三步

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可定制内容示例:将面部替换为客户照片;添加宠物(例如,将猫替换为狗);在背景中加入隐藏信息;更改背景风景或元素。
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4 第四步(共四步)

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全球配送()仅需 3-4 周即可送达,无需等待标准时效的 5 周。(3 November)。品质绝不妥协。

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青铜铭牌雕刻详情

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

透明亚克力铭牌详情

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

黑色亚克力铭牌详情

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Behind Me

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需由专业人员组装 —— 本产品不适用于 DIY 操作。
该组件必须由经验丰富的专业装裱师进行组装及画布绷装,过程中需使用木工胶(不随附)、画布绷边钳以及夹具,以确保在胶水干燥期间保持内框方正。组装不当或画布张力不均可能会对艺术品造成永久性损坏,且此类情况不在我们的保修范围之内。

  • 包含所有实木条,尺寸精确,便于组装。

  • 使用随附的螺丝进行组装,另需准备用于角部连接的木工胶(本品不含木工胶),请由您的装裱师自行准备。

  • 需另备专业工具(本套件不含):画布绷紧钳以及用于在胶水干燥过程中保持木条方正的夹具。

重要提示:
角部连接处需要使用木工胶,边框条必须使用夹具固定直至胶水完全干透,且在组装好的框架上绷紧画布需要用到画布拉伸钳。以上工具均不包含在套装内。请在订购此尺寸前,预先联系经验丰富的专业装裱师。

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总计金额 ¥ 1766

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A Chronicle of Suffering and Hope – The Genesis of “Behind Me”

Xu Beihong's "Behind Me," a monumental oil on canvas measuring 230 x 318 cm, isn’t merely a depiction of a scene; it’s a visceral embodiment of historical turmoil and the enduring spirit of resistance. Painted in 1933 during a period of profound upheaval – the Mukden Incident and the looming shadow of Japanese aggression over China – the artwork transcends its immediate context to resonate with universal themes of oppression, resilience, and the yearning for liberation. The painting’s genesis is deeply intertwined with Xu's own personal experiences; he deliberately chose this subject matter as a response to the injustices faced by his people, drawing inspiration from historical accounts detailing the brutal reign of Emperor Jie of Xia, a figure synonymous with tyranny and suffering.

The narrative itself, gleaned from ancient Chinese texts, centers on King Tang’s righteous intervention against Jie. Tang's unwavering declaration – “Succor will follow me” – becomes the painting’s central motif, representing not just military strength but a profound commitment to alleviating the plight of the oppressed. Xu Beihong masterfully translates this historical drama into a visual language that speaks volumes about the desperation and hope intertwined within the scene. The composition is deliberately stark; a collection of figures, rendered with a remarkable blend of realism and emotional intensity, stand amidst a desolate landscape – a deliberate choice mirroring the bleakness of their circumstances.

The Language of Form: Technique and Composition

Xu Beihong’s technical prowess is immediately evident in “Behind Me.” He skillfully employs a technique that bridges Eastern and Western influences. While rooted in traditional Chinese ink wash painting, he seamlessly integrates oil painting techniques – particularly in the rendering of textures and the use of light and shadow – demonstrating his commitment to innovation. The figures are not idealized; they possess an earthy quality, reflecting their humble origins and the hardships they endure. Notice the deliberate use of muted tones, punctuated by flashes of color that draw attention to key elements within the composition. The arrangement of the figures is carefully considered, creating a dynamic flow that guides the viewer’s eye through the scene, emphasizing the collective weight of their suffering.

  • Brushwork: A masterful blend of Chinese and Western styles – loose washes for background elements combined with more controlled strokes for figure details.
  • Color Palette: Dominated by earthy browns, grays, and ochres, punctuated by strategic use of red to highlight key figures and symbols.
  • Composition: A pyramid-like structure draws the eye towards the central figures, reinforcing their importance within the narrative.

Symbolism and Emotional Resonance

Beyond its historical context, “Behind Me” is rich in symbolic meaning. The bowl and spoon held by several individuals represent a desperate plea for sustenance – a poignant reminder of the basic necessities denied to the oppressed. The animal present in the scene—often interpreted as a dog—further amplifies this theme of vulnerability and loyalty. More profoundly, the painting embodies the spirit of resistance against injustice. It’s not simply a depiction of suffering; it's an assertion of hope – a belief that even in the darkest of times, the desire for liberation will ultimately prevail. The phrase “Succor will follow me” isn’t just a historical quote; it becomes a powerful visual mantra within the artwork itself.

A Legacy of Social Commentary and Artistic Innovation

“Behind Me” stands as a testament to Xu Beihong's artistic vision and his commitment to using art as a vehicle for social commentary. Created during a turbulent period in Chinese history, it reflects the anxieties and aspirations of a nation grappling with foreign invasion and internal strife. Xu’s decision to embrace both traditional Chinese techniques and Western influences marked a pivotal moment in the development of modern Chinese painting, paving the way for future generations of artists to explore new forms of expression while retaining their cultural heritage. Reproductions of this powerful work continue to resonate today, serving as a potent reminder of the enduring struggle for justice and the unwavering spirit of humanity.

常见问题与解答

"Behind Me" 的作者是谁?属于哪种艺术流派?

徐悲鸿 在 Contemporary Realism 运动时期创作了《Behind Me》。

"Behind Me" 的色彩饱和度如何?

"Behind Me" 的色彩饱和度为 Muted。

徐悲鸿 的《Behind Me》 是运用了强烈的对比,还是呈现出柔和的和谐?

在“Behind Me”中,Gentle的对比与Strong Color Unity的和谐交相辉映。

徐悲鸿

徐悲鸿

1895 - 1953, 中国

艺术家简介

跨越世界的先驱:徐悲鸿的生命与艺术

1895年,徐悲鸿出生于江苏宜兴那座宁静的小镇。作为20世纪中国艺术史上的丰碑式人物,他的生命本身就是一部引人入胜的艺术演进史。他毕生致力于为中国画开辟一条全新的道路——一种将故土深厚的传统底蕴与西方艺术的创新精神和谐融合的新径。早年的徐悲鸿在父亲徐达章的教导下,沉浸于古典学问与传统笔墨之中;由于其父也是一位生活清贫的艺术家,少年的悲鸿在展现艺术天赋的同时,也经历了经济上的艰辛。这段成长岁月不仅赋予了他精湛的技术,更在他心中植入了对中国文化的深切热爱以及一种足以定义其职业生涯的坚韧精神。随家族四处奔波、通过绘制肖像与山水画来维持生计的经历,让他直面了中国农村的真实面貌,并激发了他提升艺术与艺术家地位的早期抱负。当他取名“悲鸿”——意为“忧伤的野雁”时,这一关键时刻或许正映射出他少年时代的焦虑与远大志向。

欧洲觉醒:锻造全新的艺术视野

出于对知识的渴求以及推动中国艺术现代化的渴望,徐悲鸿于1917年踏上了改变命运的欧洲之旅。在东京初步学习后,他很快凭借奖学金前往巴黎享誉盛名的国立高等美术学院深造。这段时期对于塑造他的艺术哲学与技法至关重要。置身于欧洲艺术的核心地带,他潜心钻研油画与素描,掌握了西方透视、构图及写实主义的精髓。尽管接纳了这些新技术,徐悲鸿对当时盛行的某些现代主义潮流仍保持着批判性的思考,转而青睐于他所遇到的古典传统。在留法期间,他采用了法文名“Ju Péon”,这见证了他与欧洲文化的深度融合。然而,他追求的不仅仅是技艺的磨炼,更在于理解西方艺术的底层逻辑并将其转化为振兴中国画的动力——这一愿景在他后来的著作与教学中得到了清晰的阐述。这段时期为他独特的艺术风格奠定了基石,形成了东方美学与西方技法强力交织的独特面貌。

经典意象与艺术风格:东西方的交响

1927年回到中国后,徐悲鸿开启了创作丰产的时期,其作品捕捉了一个正经历深刻变革的国家精神。他因对马与鸟类的动态描绘而迅速闻名——这些题材超越了单纯的物象表现,成为了力量、自由与民族自豪感的强大象征。尤其是他的画马,以肌肉感、生命力与表现力著显赫一时,常被描绘为在广袤天地间奔腾,散发着一种不羁的灵魂。《奔马》或许是他最负盛名的杰作,完美地体现了这种精神——它是中华民族生命力与韧性的有力见证。除了这些标志性题材,徐悲鸿在肖像画与历史画领域亦有卓越成就,展现了他对油画与传统水墨技法的双重驾驭能力。他的风格以大胆的笔触、精准的轮廓以及对光影的精妙掌控为特征。他将西方的透视与构图无缝融入中国画笔的流动感中,创造出一种既具创新性又深植于传统的视觉语言。受中国传统寓言启发而创作的愚公移山,便是他能够赋予古典主题以现代能量与社会评论能力的典范。

传承与影响:塑造现代中国美术教育

徐悲鸿的影响力远超其艺术创作本身;他更是一位开创性的美术教育家,深刻地塑造了中国现代美术教育的发展进程。归国后,他在包括国立中央大学和北京大学在内的多所顶尖学府任教,并孜孜不倦地倡导课程改革。他极力主张将西方的素描与油画技法引入传统的中国艺术教学体系,深信这种融合是振兴中国艺术表现力的关键。1949年中华人民共和国成立后,他出任中央美术学院院长及中国美术家协会主席,进一步巩固了他在国家艺术版图中的影响力。他培养了一代又一代的艺术家,这些人后来成为了中国美术界的领军人物,承袭了他那既具现代感又根植于文化的审美愿景。徐悲鸿对意境的强调、对生活经验的重视以及东西方传统的融合,在中国美术史上留下了不可磨灭的印记,确立了他作为最伟大影响力人物之一的地位。他的作品至今仍在激励着全球艺术家并吸引着世界观众,时刻提醒着人们:艺术拥有跨越文化与边界、连接心灵的永恒力量。
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