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统计数据The Avenger
- 92.0 x 73.0cm
展开全文
艺术微喷/版画
博物馆级艺术微喷或帆布版画，制作高效，并提供多种饰面选择。 (
订购纯手工绘制画作 切换至数字图像销售渠道)
您可以从与原作比例一致的预设尺寸中进行选择。
请输入您所需的宽度和高度，以适配您的画框或墙面。由于印刷品只能进行裁剪，无法超出原图尺寸，因此若比例不一致，画面的一部分将会被裁切。在正式印刷之前，我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。
玻璃选项仅适用于110厘米以下的尺寸。
The Avenger
艺术微喷/版画
复刻品尺寸
-
最终结算价
¥ 422
相似作品
艺术家简介
The Life and Training of François Debon
Born in Paris, France, on 2 December 1807, François Debon grew up in a city that was rapidly changing. He developed a dual interest in the fine arts and the sharp, observational world of caricature. This combination of skills allowed him to move between the serious demands of formal painting and the more biting, social commentary found in his caricatures.
His formal education in art was shaped by the guidance of established masters. He spent his formative years studying under Antoine-Jean Gros and Abel de Pujol. These mentors provided the technical foundation he needed to navigate the competitive art circles of mid-19th century France. Through their instruction, he learned the discipline required to handle large-scale compositions and the nuances of light and form.
François Debon lived much of his life within the heart of the French capital. He remained in Paris until his death in February 1872. His life was deeply connected to the institutional life of the city, moving through the various salons and studios that defined the era. He was a man of his time, shaped by the rigorous training of the French school and the evolving social landscape of Paris.
Notable Works and Artistic Achievements
Debon’s career was marked by a striking ability to capture intense energy on canvas. One of his most discussed pieces was the 1845 painting The Battle of Hastings. It was a work that drew significant praise for its talent and vigor, leaving a lasting impression on those who viewed it. Tragically, this specific canvas was lost forever during a fire at the musée des Beaux-Arts de Caen in 1905, leaving only written accounts of its impact.
His talent extended to more personal and historical subjects. In 1835, he produced Un justicier (Self-portrait), a work that offers a glimpse into his own identity through the lens of a painter. He also turned his attention to historical drama with Défaite d'Attila dans les plaines de Châlons, created in 1848. These works demonstrate a range that moved from the intimate study of the self to the grand scale of historical conflict.
- Un justicier (Self-portrait), 1835
- The Battle of Hastings, 1845
- Défaite d'Attila dans les plaines de Châlons, 1848
Works Held in French Museums
Many of the pieces Debon left behind can still be found within the quiet halls of French institutions. At the Musée de la Vie Romantique, one can find his 1835 self-portrait, Un justicier. This oil on canvas offers a direct look at the artist himself during a formative period of his career.
The Maison de Balzac holds several other works that reflect his range. Among these are Réponse de Nicolas à l’intervention de la france from 1831, alongside a series of pieces from that same year. These include Les Grenouilles qui demandent un roi. / De celui-ci contentons nous, / De peur d’en rencontrer un pire and Sautez grenouilles sautez dans la fange. These works provide a glimpse into the specific subjects that occupied his mind during the early 1830s.
François Debon
1807 - 1872 , France
艺术家简介
- Artists Who Influenced This Artist:
- Antoine-Jean Gros
- Abel de Pujol
- Full Name: François Hyppolite Debon
- Nationality: France
- Notable Artworks:
- Un justicier (Self-portrait)
- La Bataille d'Hastings
- Défaite d'Attila dans les plaines de Châlons
- Réponse de Nicolas à l’intervention de la france
- Les Grenouilles qui demandent un roi
- Place Of Birth: Paris, France
- Date Of Birth: 1807
- Date Of Death: 1872