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统计数据Landscape 02
- 176.0 x 393.0 cm
展开全文
艺术微喷/版画
博物馆级艺术微喷或帆布版画，制作高效，并提供多种饰面选择。 (
订购纯手工绘制画作 切换至数字图像销售渠道)
您可以从与原作比例一致的预设尺寸中进行选择。
请输入您所需的宽度和高度，以适配您的画框或墙面。由于印刷品只能进行裁剪，无法超出原图尺寸，因此若比例不一致，画面的一部分将会被裁切。在正式印刷之前，我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。
玻璃选项仅适用于110厘米以下的尺寸。
Landscape 02
艺术微喷/版画
复刻品尺寸
-
最终结算价
¥ 423
相似作品
艺术家简介
A Life Rooted in Kyoto
Born in Kyoto, Japan, Suzuki Shōnen grew up within the walls of a long-standing artistic lineage. His father, Suzuki Hyakunen, had established a studio that carried the weight of tradition from the late Edo period. Shōnen did not merely inherit a name; he inherited a way of seeing. In 1880, he began his official work at the Kyoto Prefecture Painting School, and by the following year, he took over his father's position as an instructor. He later opened his own school, the Matsunen-juku, to pass these methods to others.
His early years were marked by a different name, Hyakusen, before he became known as Shōnen. This period of his life was defined by steady movement through the Kyoto art circles, eventually succeeding Kono Bairei as an instructor at the Kyoto Art Academy. He also served as a professor at the Kyoto Prefecture Painting School in 1881. His connections were deep; he was the brother of Suzuki Hyakusui and Suzuki Mannen, and he acted as the first teacher for Uemura Shoen.
The Brush and the Spirit
The way Shōnen applied ink to paper suggests a man who moved with sudden, decisive intent. He worked without preliminary sketches, allowing his brush to find its path through spontaneous and bold strokes. This method earned him comparisons to Soga Shohaku, with some noting he seemed like a reincarnation of the artist. His focus often rested on figures and the delicate details of flowers and birds.
His technique drew from the Maruyama Shijo school and felt the influence of the Rinpa school. When he painted, there was an impetuous quality to the work, a lack of hesitation that mirrored his temperament. Some of his most noted works include:
- Aged Pines: A pair of six-panel folding screens using ink on gold-leaf.
- Immortals: Ink and color applied to paper and wood.
- Tenryu-ji Hodo Dragon Painting: A work executed in ink.
- Celebrating Victory: A hanging scroll from 1904, featuring men in both Western and Japanese dress.
Recognition and Legacy
Shōnen's reach extended beyond the borders of Kyoto. In 1900, he traveled to the Paris World Exposition, where he was awarded a bronze medal. This moment brought his specific brand of Japanese painting to an international audience. His ability to blend the realism of the Maruyama Shijo style with decorative elements allowed his work to remain grounded in tradition while acknowledging a changing era.
Even as the Meiji period progressed, his hand remained visible in the development of the Suzuki school. He left behind a collection of works that can be found in places such as the British Museum, the Metropolitan Museum of Art, and the Kyoto National Museum. His paintings, often executed on silk or paper, continue to show the weight of his ink and the directness of his hand.
Suzuki Shōnen
1849 - 1918 , Japan
艺术家简介
- Artistic Movement Or Style: Maruyama Shijo school; Rinpa influence
- Artists Or Movements Influenced By This Artist: ['Uemura Shoen']
- Artists Who Influenced This Artist: ['Suzuki Hyakunen']
- Full Name: Suzuki Shōnen
- Nationality: Japanese
- Notable Artworks:
- Aged Pines
- Immortals
- Celebrating Victory
- Tenryu-ji Hodo Dragon Painting
- Place Of Birth: Kyoto, Japan
- Date Of Birth: 1849
- Date Of Death: 1918