Le Pardon
The inversion of the relationship between the subject and the object brings the reunion of Golgotha and Corrida: the toreros and the bulls change places, are crucified or are united in a deadly embrace. Their fight is defined by their total, devouring appropriation of each other. Corrida and Golgotha do not only invoke death celebrated as an orgy, but also rebirth. Christian heroes are transformed into heathen gods of seasonal recurrence. Mexico became a mystery in Eisenstein’s epic: a cosmogony of life and death. Here he understood art as a “transition from biological mortality to social immortality.”
谢尔盖·爱森斯坦(1898 – 1979)
谢尔盖·爱森斯坦 (1898-1948):革命性的苏联电影导演与理论家。蒙太奇剪辑的先驱,创作了《战舰波坦金号》和《伊凡雷帝》等经典电影作品。
关于此作品
- 作品名称: Le Pardon
- 艺术家: 谢尔盖·爱森斯坦
- 规格: Landscape
- 版权状态: 版权保护中
- 动态感: Expressionism
- 语料上下文: cosmological symbolism , death as rebirth cycle
- 关键词: symbolic sketches , golgotha corrida , tan paper art
- 色彩色调: Ochre to Sepia
- 感知亮度: brilliant