Self-Portrait with a Hat

尺寸
913.0 x 1260.0 cm

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藏品详情

Experience Koide Narashige's monumental 1924 self-portrait blending Japanese tradition with Western modernism; discover this masterpiece of early 20th-century art.

艺术家简介

Discover Narashige Koide (1887-1931), a pioneer of Hanshinkan Modernism in Japanese yōga painting. Explore evocative portraits, striking nudes & his innovative approach bridging Nihonga tradition and Western styles.

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1 四步中的第一步

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2 四步中的第二步

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Corner sample of the WhiteWrap canvas edge finish, stretched on 实木 bars
白色边缘 ¥1
Corner sample of the BlurSideWrap canvas edge finish, stretched on 实木 bars
边缘晕染效果 ¥1
Corner sample of the ExtendedWrap canvas edge finish, stretched on 实木 bars
延展式 ¥1
Corner sample of the P118B picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: 模压聚苯乙烯, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: 模压聚苯乙烯, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: 模压聚苯乙烯, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 模压聚苯乙烯, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: 实木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 实木, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 实木, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: 实木, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: 实木, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: 实木, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: 实木, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: 实木, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: 实木, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: 实木, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: 实木, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: 实木, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: 实木, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: 实木, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: 实木, 6 cm wide and 3.5 cm thick
W953PJ ¥8
Corner sample of the H24-GOLD picture frame: 木雕贴金石膏底, 10 cm wide and 6 cm thick
H24-GOLD ¥30
Corner sample of the H24-SILVER picture frame: 木雕贴金石膏底, 10 cm wide and 6 cm thick
H24-SILVER ¥30
Corner sample of the H36-GOLD picture frame: 木雕贴金石膏底, 15 cm wide and 6.5 cm thick
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Corner sample of the H36-SILVER picture frame: 木雕贴金石膏底, 15 cm wide and 6.5 cm thick
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3 四步中的第三步

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4 第四步(共四步)

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青铜铭牌雕刻详情

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

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The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

黑色亚克力铭牌详情

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Self-Portrait with a Hat

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角部连接处需要使用木工胶,边框条必须使用夹具固定直至胶水完全干透,且在组装好的框架上绷紧画布需要用到画布拉伸钳。以上工具均不包含在套装内。请在订购此尺寸前,预先联系经验丰富的专业装裱师。

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¥ 1764

总计金额 ¥ 1764

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A Moment of Transformation: Narashige Koide's Self-Portrait with a Hat

To stand before Narashige Koide’s Self-Portrait with a Hat is to encounter not merely an image, but a profound turning point in the trajectory of modern Japanese art. Painted in 1924, this monumental work captures the artist at a critical juncture—a man shedding old habits and embracing a Westernized modernity while simultaneously grappling with the seismic shock of personal and societal upheaval. The very air around the figure seems charged with intellectual striving; he is presented in his suit, holding a hat as if it were an emblem of a role just adopted or one about to be discarded. It speaks volumes about the restless spirit of an artist determined to redefine Japanese aesthetics for a new century.

The Crucible of Change: Historical Context and Symbolism

Koide’s life leading up to this canvas was marked by intense cultural collision. His sojourn in France, followed by his return to Osaka, signaled a conscious adoption of Western routines—the bread and coffee replacing older customs. This painting is steeped in that tension between heritage and the foreign influence. More dramatically, the shadow of the Great Kanto Earthquake looms large; surviving such a catastrophic collapse must have been an overwhelming experience, forcing a sudden, brutal clarity upon his artistic vision. The meticulous arrangement within the portrait—the carefully placed chairs, the scattered potted plants, the visible bottles—suggests an attempt to impose order and structure onto a world that had violently dissolved around him. The hat itself becomes a potent symbol: is it protection from the elements, or perhaps the covering of an old self?

Mastery in Composition and Technique

The sheer scale of this piece, measuring 913 x 1260 cm, commands attention, demanding that any viewer approach it with reverence. Koide’s technique here showcases a remarkable synthesis. While rooted in the discipline of Japanese painting traditions, his handling of form, light, and shadow clearly absorbs Western academic influences, particularly visible in the rendering of the suit and the architectural elements. The composition is rich, almost encyclopedic, filled with carefully curated details—the book held near his hand, the placement of the various botanical specimens—that anchor the central figure. These decorative elements are not mere filler; they function as visual anchors that ground the narrative weight of the self-portrait.

An Invitation to Contemplation for the Modern Collector

For the discerning collector or designer seeking a piece with deep intellectual resonance, Self-Portrait with a Hat offers more than just decorative grandeur. It is an artifact of resilience. Reproducing this work allows one to bring into a contemporary space not only Koide’s masterful brushwork but also the enduring narrative of reinvention. Imagine this monumental presence in a grand hall or library; it becomes a focal point that sparks conversation, inviting viewers to contemplate their own personal turning points and the delicate balance between tradition and necessary evolution.

常见问题与解答

哪里可以买到 Narashige Koide 的《Self-Portrait with a Hat》 的版画?

您可以在Narashige Koide 的《Self-Portrait with a Hat》的艺术版画页面直接订购其版画:采用棉质帆布或档案级画布纸制作的艺术版画。

在家的哪个空间摆放 "Self-Portrait with a Hat" 的复制品最为合适?

Narashige Koide 的《Self-Portrait with a Hat》 的推荐陈列空间为 Living Room。当然,该建议也可根据您的室内装饰进行灵活调整。

"Self-Portrait with a Hat" 的作者及创作年份是?

"Self-Portrait with a Hat" 由 Narashige Koide 创作于 1924 年。

Narashige Koide

Narashige Koide

1887 - 1931, Japan

艺术家简介

A Pioneer of Modern Japanese Painting: The Life and Art of Narashige Koide

Narashige Koide, born in Osaka in 1887, emerged as a pivotal figure in the evolution of early 20th-century Japanese art. His brief but intensely productive career bridged the traditions of Nihonga – traditional Japanese painting – with the burgeoning influence of Western artistic styles, particularly in portraiture and the daring exploration of the nude form. Koide’s story is one of a restless innovator, constantly seeking to define a uniquely Japanese modernism, grappling with both aesthetic heritage and the allure of European avant-garde movements.

From his youth, an inclination towards art was evident, leading him to study Nihonga during his elementary and middle school years. However, Koide harbored a deep fascination with Western painting techniques, a desire that initially led to rejection from the Western Arts department of the Tokyo School of Fine Art in 1907. Accepted into the Nihonga program instead, he continued to pursue oil painting independently, recognizing its potential for expressing modern sensibilities. This duality – a grounding in Japanese artistic principles coupled with an ambition to master Western methods – would become a defining characteristic of his oeuvre.

The Rise of Hanshinkan Modernism and Early Success

After graduating from the Tokyo School of Fine Art in 1914, Koide returned to Osaka, immersing himself in the artistic ferment of the Kansai region. This period saw the emergence of what would become known as Hanshinkan Modernism – a movement characterized by its embrace of Western styles while retaining a distinctly Japanese aesthetic sensibility. Koide quickly became a leading voice within this burgeoning scene. His breakthrough came with “N’s Family” (1919), a yōga-style portrait that garnered significant attention and ultimately won the prestigious Chōgyū Prize at the Sixth Nikakai Exhibition. This work, now recognized as an Important Cultural Property of Japan, showcased Koide's ability to synthesize Western compositional techniques with Japanese themes and emotional depth.

The success of “N’s Family” propelled Koide into the spotlight, securing commissions and allowing him further artistic exploration. His subsequent works, such as "Boy with a Lamp" (1923), displayed a growing mastery of light and shadow, influenced by Impressionism and Post-Impressionism, yet imbued with a uniquely Japanese sensitivity to form and atmosphere. He wasn’t merely imitating Western styles; he was adapting them, filtering them through his own cultural lens.

Experimentation and the Pursuit of Form

Koide's artistic curiosity extended beyond traditional painting mediums. He experimented with various techniques, including painting on glass, demonstrating a willingness to push boundaries and challenge conventional norms. A trip to France from 1921-1922 further broadened his horizons, exposing him to the latest developments in European art. Upon his return, he established an atelier in Osaka in 1924, fostering a creative environment that attracted other artists and contributed to the vibrant artistic community of the region.

However, it was in his later years, particularly after moving to Ashiya in 1926, that Koide truly distinguished himself. He became renowned for his depictions of the female nude – a subject considered daringly modern for its time in Japan. Paintings like “Nude with White Cloth” (1929) and “Nude on a Bed” (1930) were not simply exercises in anatomical study; they were explorations of form, light, and emotion, imbued with a subtle sensuality that set them apart from their Western counterparts. He earned the nickname "Rafu no Narashige" – Narashige of the Nudes – reflecting his prominence in this genre.

Legacy and Lasting Influence

Tragically, Narashige Koide’s life was cut short by illness in 1931 at the age of just 43. Despite his relatively brief career, he left an indelible mark on Japanese art history. He played a crucial role in establishing Hanshinkan Modernism as a significant force and paved the way for future generations of artists to explore Western styles while remaining rooted in their own cultural heritage.

Koide’s work continues to resonate today, captivating viewers with its blend of technical skill, emotional depth, and innovative spirit. His paintings are held in prestigious collections such as the National Museum of Modern Art, Tokyo, and the Ohara Museum of Art, ensuring that his legacy will endure for years to come. He remains a testament to the power of artistic vision and the enduring quest to forge a uniquely modern Japanese aesthetic.

Notable Works

  • N’s Family (1919), Ohara Art Museum, National Important Cultural Property
  • Boy with a Lamp (1923), National Museum of Modern Art, Tokyo, Japan
  • Nude with White Cloth (1929), National Museum of Modern Art, Tokyo, Japan
  • Nude on a Bed (1930), Ohara Museum of Art, Tokyo, Japan