Rubber man

- 80.0 x 120.0 cm
艺术微喷/版画
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Rubber man
艺术微喷/版画
复刻品尺寸
-
最终结算价
¥ 422
常见问题与解答
"Rubber man" 的创作艺术家是谁?
《Rubber man》被归为Khvay Samnang的作品。
“Rubber man”背后的艺术家与艺术风格是哪些?
Khvay Samnang 在 Contemporary Art 运动时期创作了《Rubber man》。
“Rubber man”的创作者是谁?创作于哪一年?
"Rubber man" 由 Khvay Samnang 创作于 2014 年。
相似作品
艺术家简介
A Voice from the Cambodian Landscape
Born in Svay Rieng, Cambodia, Khvay Samnang has emerged as one of the most profound voices in the contemporary Cambodian art scene. His multidisciplinary practice—spanning photography, video, performance, and installation—serves as a visceral medium through which he explores the complex intersections of human identity, environmental degradation, and the encroaching forces of globalization. Educated at the Royal University of Fine Arts in Phnom Penh, where he graduated from the Painting Department, Samnang has developed a method of artistic inquiry that is deeply rooted in meticulous research and a physical connection to the lands and communities he documents.
His work often functions as a form of counter-mapping, challenging the official narratives of development and land acquisition. By embedding himself within local communities, such as the Indigenous Chong people in the Areng Valley, Samnang moves beyond mere observation to participate in the lived realities of those facing displacement. His practice is not merely about documenting loss but about creating poignant gestures that act as offerings for new interpretations of history and cultural continuity.
Symbolism and the Body as Canvas
In the works of Khvay Samnang, the human body becomes a site of political and social struggle. He frequently utilizes his own form to enact rituals that mirror the ecological and humanitarian crises facing Cambodia. One of his most hauntingly evocative series, Rubber Man, captures the artist pouring thick, white rubber sap over his naked body. This act serves as a powerful metaphor for how industrial interests can coat, smother, and ultimately overwrite local cultures and traditions. The liquid latex creates a mask that obscures his features, symbolizing the erasure of individual and collective identity in the face of vast, foreign-owned plantations in provinces like Ratanakiri.
Through these performances, Samnang explores several recurring themes:
- Environmental Transformation: The way industrial expansion alters the physical and spiritual landscape.
- Identity and Erasure: The use of masking and obscuration to represent the loss of indigenous ways of life.
- The Politics of Land: Investigating how land acquisition and private development impact low socio-economic areas and ancestral territories.
Legacy and Artistic Contribution
Beyond his individual practice, Samnang has been a pivotal figure in establishing the infrastructure for contemporary art in Cambodia. As a founding member of the Stiev Selapak / Art Rebels collective, he played a crucial role in creating dedicated exhibition spaces such as Sa Sa Art Projects and SA SA BASSAC. These platforms provided essential resources for experimental residencies and creative education, fostering a new generation of artists capable of exploring the continuities and disruptions caused by Cambodia's turbulent history.
His international recognition has brought global attention to the socio-political nuances of Southeast Asian ecology and human rights. Having participated in prestigious platforms such as documenta 14 and various international biennales, Samnang continues to use his art to expose the tensions between natural beauty and extractive reality, ensuring that the voices of the displaced and the stories of the land are heard on a global stage.
Khvay Samnang
1982 - , Cambodia
艺术家简介
- Artistic Movement Or Style: Contemporary art; Photography, Video, Performance
- Full Name: Khvay Samnang
- Nationality: Cambodian
- Notable Artworks:
- Rubber Man
- Untitled (2011 series)
- Place Of Birth: Svay Rieng, Cambodia
- Date Of Birth: 1982

玻璃选项仅适用于110厘米以下的尺寸。
