Reason
Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.
常见问题与解答
在“Reason”中,对比与和谐是如何交织融合的?
在“Reason”中,Bold的对比与Discordant Palette的和谐交相辉映。
“Reason”整体色调是偏明亮还是偏暗?
Kader Attia 的《Reason》 的亮度记录为 deep_shadow,亮度值为 Dark。
Kader Attia 的《Reason》 的图像可以自由转载吗?
Kader Attia 的《Reason》 属于 仍受版权保护。此版权状态决定了该作品图像的复制方式。
Kader Attia(1970 –)
Kader Attia: Algerian-French artist renowned for sculptures & installations exploring postcolonialism, repair, and cultural identity. Winner of the Marcel Duchamp Prize.
EVA International (利默里克, 爱尔兰共和国)
作为爱尔兰首屈一指的当代艺术双年展,EVA International 通过在金约翰城堡等历史地标举办开创性展览,重塑利默里克市。诚邀您前来探索全球创意。
关于此作品
- 作品名称: Reason
- 艺术家: Kader Attia
- 年份: 2015
- 规格: Landscape
- 版权状态: 版权保护中
- 所在地: EVA International
- 主色调: Rosy Brown
- 色彩饱和度: Monochromatic