Strips

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藏品详情

Experience 'Strips' by Gordon Bennett AO – a powerful quilt reflecting Gee’s Bend heritage & resilience. Explore vibrant colors, geometric patterns, & Indigenous artistry. Hand-painted reproduction.

艺术家简介

探索戈登·贝内特 Ao 震撼人心的艺术作品——这位澳大利亚艺术家融合了原住民传承与盎格鲁-凯尔特根源。其发人深省的作品挑战着身份与历史的认知。

手工油画复制品

由我们的艺术家按需定制,为您提供您所选尺寸及画框的布面手工油画。 ( 切换至版画销售渠道 切换至数字图像销售渠道)

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1 四步中的第一步

您想要哪种尺寸?

这些尺寸均保持了原画的比例。示意图展示了您所选尺寸在墙面上的效果,其位置位于一张两米宽的沙发上方。

您的画作: () — 含框尺寸.

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请输入您需要的宽度和高度,以适配您的画框或墙面。由于作品为手工绘制,若选择不同比例的尺寸,艺术家可能会在画面边缘多画一些或稍作裁剪 —— 由您决定。在开始绘画之前,我们会为您发送一份数字效果图供您确认。本页面上展示的图片并非最终实物 —— 只有效果图才能反映真实结果。

2 四步中的第二步

您希望如何装裱:卷轴装、绷框装还是带框装?

以下价格对应您在第一步中所选的尺寸。

选择绷边画布的边缘样式

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Corner sample of the WhiteWrap canvas edge finish, stretched on 实木 bars
白色边缘 ¥1
Corner sample of the BlurSideWrap canvas edge finish, stretched on 实木 bars
边缘晕染效果 ¥1
Corner sample of the ExtendedWrap canvas edge finish, stretched on 实木 bars
延展式 ¥1
Corner sample of the P118B picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 模压聚苯乙烯, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 模压聚苯乙烯, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 模压聚苯乙烯, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 模压聚苯乙烯, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 实木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 实木, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 实木, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 实木, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 实木, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 实木, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 实木, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 实木, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 实木, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 实木, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 实木, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 实木, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 实木, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 实木, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 实木, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 实木, 6 cm wide and 3.5 cm thick
W953PJ ¥8
Corner sample of the H24-GOLD picture frame: 木雕贴金石膏底, 10 cm wide and 6 cm thick
H24-GOLD ¥30
Corner sample of the H24-SILVER picture frame: 木雕贴金石膏底, 10 cm wide and 6 cm thick
H24-SILVER ¥30
Corner sample of the H36-GOLD picture frame: 木雕贴金石膏底, 15 cm wide and 6.5 cm thick
H36-GOLD ¥45
Corner sample of the H36-SILVER picture frame: 木雕贴金石膏底, 15 cm wide and 6.5 cm thick
H36-SILVER ¥45

边框材质: . 含框总尺寸: .

3 四步中的第三步

您想对画作进行任何修改吗?

大多数人的回答是否定的。由于每一幅画作都是手工绘制,我们的艺术家也可以为您进行定制。

可定制内容示例:将面部替换为客户照片;添加宠物(例如,将猫替换为狗);在背景中加入隐藏信息;更改背景风景或元素。
下单后,ArtsDot.com 团队将通过电子邮件联系客户获取具体指令,并提供效果预览图

4 第四步(共四步)

几种饰面选项

所有选项均为可选。已选择的答案不会产生额外费用。

出自哪位艺术家之手?

全球配送()仅需 3-4 周即可送达,无需等待标准时效的 5 周。(7 November)。品质绝不妥协。

像博物馆里的那样,配上一块铭牌?

青铜铭牌雕刻详情

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

透明亚克力铭牌详情

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

黑色亚克力铭牌详情

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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您的画作,正如您所订购的那样

Strips

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对于任何边长超过 105 厘米(约 41 英寸)的艺术品或复制品,画框将以拆解后的组件形式发货。此方法可确保安全送达并防止运输过程中的损坏。

需由专业人员组装 —— 本产品不适用于 DIY 操作。
该组件必须由经验丰富的专业装裱师进行组装及画布绷装,过程中需使用木工胶(不随附)、画布绷边钳以及夹具,以确保在胶水干燥期间保持内框方正。组装不当或画布张力不均可能会对艺术品造成永久性损坏,且此类情况不在我们的保修范围之内。

  • 包含所有实木条,尺寸精确,便于组装。

  • 使用随附的螺丝进行组装,另需准备用于角部连接的木工胶(本品不含木工胶),请由您的装裱师自行准备。

  • 需另备专业工具(本套件不含):画布绷紧钳以及用于在胶水干燥过程中保持木条方正的夹具。

重要提示:
角部连接处需要使用木工胶,边框条必须使用夹具固定直至胶水完全干透,且在组装好的框架上绷紧画布需要用到画布拉伸钳。以上工具均不包含在套装内。请在订购此尺寸前,预先联系经验丰富的专业装裱师。

展品铭牌

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保护性清漆

光泽清漆(提亮色彩,防光防潮)

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定制我的艺术品

定制化示例:替换面部为客户照片;添加宠物(例如,将猫替换为狗);在背景中加入隐藏信息;更改背景风景或元素。

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加急

全球配送()仅需 3-4 周即可送达,无需等待标准时效的 5 周。(7 November)。品质始终如一,绝不妥协。

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极速达

全球配送(),预计 5 周送达。(14 November)。

已包含

最终结算价

¥ 1764

总计金额 ¥ 1764

玻璃选项仅适用于110厘米以下的尺寸。

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I was born December 29, 1960, in Gee’s Bend, Alabama. As a young child living in Gee’s Bend, I grew up on a farm and had to work in the fields. Because of my young age, I was only allowed to carry water to those who were big enough to chop cotton and the other things that we grew in our fields. Our field was located in an area called Carson, although my grandfather had two fields, one in Carson and the other one located in a place called Hotel (some people called it Long Bottom). Hotel was the area where the old cemetery was located. There, my family grew cotton, corn, peanuts, and sweet potatoes, just to name a few of our crops.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.Roman Pettway, the community entrepreneur, introduced Gee’s Bend to a new mode of farming. Cucumbers were the “new cotton,” but thank God, the season for cucumber picking was very short, from late May to the first week in July. We knew when the month of July came it would not be long before we could finally have a summer break. Growing cucumbers lasted for nearly a decade, and many families planted a second crop because this was a quicker and faster way to earn income. My family and others planted their own gardens and grew almost all the vegetables needed to survive the winter months. I learned to can vegetables and to make plum and blackberry jelly and jams. My mother Qunnie Pettway’s first paying job was working at the Freedom Quilting Bee. Her paycheck was not a whole lot, and sometimes she would have to work several weeks before getting any pay. During her absence, my oldest brother and I had to do most of the household chores. We didn’t have a water pump of our own, so we carried water from my aunt Lucy T. Pettway’s house. We also carried water from a natural spring, a spring called Cross Spring. Some of the men in the community tailored the spring into a well by damming it up with barrels; this made it much easier to obtain the water. The water was used to cook and wash our clothes. We also heated our bathwater in the same wash pot we used to wash our clothes. By the time I turned about fifteen, we got running water and paved roads. Now that the roads were paved and we had running water, washing, cleaning, riding the school bus, and walking got a lot better. I can recall that I was about five or six years old when I was first introduced to sewing. At that age we were only allowed to thread the needles for the quilters in my grandmother’s and my mother’s quilting group. The leftover scraps are what we got to sew and piece together, practicing on how to make a real quilt. We never actually made a quilt, because the leftover pieces were so small in size, so I looked for something else more interesting to do than sticking my fingers with a needle. During grade school the bulk of my school clothes were homemade by my mother, Qunnie Pettway; she has always had a passion for sewing. Since quilting and making quilts were such a big part of my grandmother’s, my mother’s, and my aunt’s life, I believe the seed of quiltmaking was planted into my genes. Whenever we would go to either aunt Lucy T. Pettway’s or aunt Ruth Mosely’s houses to play during the summer months, t../..

常见问题与解答

"Strips" 的艺术风格与其创作时代有何关联?

戈登·贝内特 Ao 的《Strips》 属于 Contemporary Folk Art 流派,创作于其作者的 当代 时期。

"Strips" 创作于哪一年?

戈登·贝内特 Ao 的《Strips》创作于2005年。

“Strips”这一Contemporary Folk Art背后蕴含着怎样的国族渊源?

《Strips》由出生于 澳大利亚 的 戈登·贝内特 Ao 在 Contemporary Folk Art 运动背景下创作而成。艺术家的原籍地使这部作品与 澳大利亚 艺术家所实践的 Contemporary Folk Art 风格紧密相连。

戈登·贝内特 Ao

戈登·贝内特 Ao

1955 - 2014, 澳大利亚