Pendolo

- 100.0 x 28.0 cm
艺术微喷/版画
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切换至数字图像销售渠道)
您可以从与原作比例一致的预设尺寸中进行选择。
请输入您所需的宽度和高度,以适配您的画框或墙面。由于印刷品只能进行裁剪,无法超出原图尺寸,因此若比例不一致,画面的一部分将会被裁切。在正式印刷之前,我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。
Pendolo
艺术微喷/版画
复刻品尺寸
-
最终结算价
¥ 423
常见问题与解答
如何描述 Giancarlo Sciannella 的《Pendolo》 的配色方案?
Giancarlo Sciannella 的《Pendolo》 采用了 Earthy 色调,这一色调概括了作品整体的色彩特征。
馆藏于 Ministero degli Affari Esteri e della Cooperazione Internazionale. Collezione Farnesina 的 Giancarlo Sciannella 的《Pendolo》 是否可以进行合法复制?
《Pendolo》的原作收藏于Ministero degli Affari Esteri e della Cooperazione Internazionale. Collezione Farnesina,该作品属于仍受版权保护。
Giancarlo Sciannella 的《Pendolo》 中哪些颜色占据主导地位?
"Pendolo" 的色彩基调由以 Putty (#dfe1e1) 为主的 Earthy 色系构成。
相似作品
艺术家简介
A Sculptor of Myth and Matter: The Life and Work of Giancarlo Sciannella
Giancarlo Sciannella, born in Castelli, Italy, in 1943 and passing away in Rome in 2016, stands as a pivotal figure in contemporary Italian sculpture. His life’s work wasn't merely the creation of objects but an ongoing dialogue with history, mythology, and the very essence of earthly materials – particularly terracotta. Sciannella didn’t simply *work* with clay; he coaxed stories from it, imbuing his sculptures with a weight that transcends their physical form. His early artistic development was deeply rooted in the traditions of his birthplace, Castelli, a town renowned for its centuries-old ceramic heritage. He initially apprenticed at the “Giacomini, Mancini & Pardi” manufactory, absorbing the technical skills passed down through generations of artisans. However, Sciannella’s ambition extended beyond traditional craftsmanship; he sought to transform terracotta from a decorative medium into a powerful vehicle for artistic expression. This pursuit led him to Rome in 1972, where he balanced his studio practice with teaching, further refining his vision and establishing himself within the vibrant Roman art scene.The Language of Mythology and Abstraction
Sciannella’s artistic journey is characterized by a profound engagement with classical mythology, especially the narratives of ancient Greece and Rome. These weren't literal interpretations but rather evocative allusions—fragments of stories re-imagined in clay. His sculptures often hint at archetypal figures and scenes, inviting viewers to participate in their own act of interpretation. The influence of artists like Martini, Fontana, Melotti, and Leoncillo is palpable in his work, representing a lineage of Italian sculptors who pushed the boundaries of form and material. He moved from initial informal explorations into increasingly abstract compositions during the 1970s, establishing a strong sculptural presence. This evolution culminated in works that incorporated diverse materials alongside terracotta, creating complex assemblages that challenged conventional notions of sculpture. The artist’s fascination with mythology wasn't simply aesthetic; it was a means of exploring universal themes of human existence—love, loss, power, and mortality.Installation Art and Retrospective Recognition
Sciannella’s impact extended beyond individual sculptures to encompass ambitious installation work. His presentation at the exhibition ‘Rome exposes Italian ceramics’ demonstrated his ability to create immersive environments that engaged with space and perception. This marked a turning point in his career, solidifying his reputation as an innovator within the field of contemporary art. The retrospective mounted at the Mercati di Traiano in Rome was a testament to his enduring legacy—a comprehensive survey of his artistic evolution spanning decades. It offered a rare opportunity to trace the development of his unique visual language and appreciate the depth and complexity of his work. The exhibition highlighted not only his technical mastery but also his conceptual rigor, revealing an artist deeply committed to exploring the possibilities of sculpture as a means of philosophical inquiry.Terracotta Transformed: A Unique Artistic Process
What truly sets Sciannella apart is his masterful manipulation of terracotta. He didn’t treat it as merely a pliable substance but rather as a living material with its own inherent qualities and limitations. His process involved an intimate understanding of the clay's behavior—its plasticity, its fragility, its capacity for transformation. He often employed unconventional techniques, pushing the boundaries of traditional ceramic methods to achieve his desired effects. The surfaces of his sculptures are rarely smooth or polished; instead, they bear the marks of the artist’s hand—the fingerprints, the tool marks, the subtle imperfections that reveal the process of creation. This emphasis on materiality lends his work a sense of authenticity and immediacy, grounding it in the physical world while simultaneously evoking a timeless quality. His sculptures are not simply representations; they *are* – tangible embodiments of artistic vision.A Lasting Legacy: Sciannella’s Place in Contemporary Art
Giancarlo Sciannella's contribution to contemporary Italian sculpture is undeniable. He elevated terracotta from a craft tradition to a sophisticated art form, demonstrating its potential for expressing complex ideas and emotions. His work continues to resonate with audiences today, inspiring artists and scholars alike. His sculptures are held in numerous public and private collections, serving as enduring reminders of his artistic vision. The Premio Faenza, an important Italian ceramics competition, showcases his participation over several editions, highlighting the consistent quality and innovation of his work throughout his career. Sciannella’s legacy lies not only in the beauty and power of his individual sculptures but also in his unwavering commitment to exploring the fundamental questions of human existence through the transformative medium of clay. He remains a vital voice in the ongoing dialogue between art, mythology, and the enduring allure of earthly materials.Giancarlo Sciannella
1943 - 2016 , Italy
艺术家简介
- Artistic Movement Or Style: Contemporary sculpture
- Artists Who Influenced This Artist:
- Martini
- Fontana
- Melotti
- Date Of Birth: 1943
- Date Of Death: 2016
- Full Name: Giancarlo Sciannella
- Nationality: Italian
- Notable Artworks: ['Pendolo']
- Place Of Birth: Castelnuovo, Italy

玻璃选项仅适用于110厘米以下的尺寸。
