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      Dagobert Peche

      Brooch

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      Dagobert Peche (1887-1923) was an Austrian artist & designer of the Wiener Werkstätte known for his 'Spiky Baroque' style. Explore his intricate metalwork, textiles, and folk-art inspired designs featuring flowers, animals & figures.
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      请输入您需要的宽度和高度，以适配您的画框或墙面。由于作品为手工绘制，若您选择不同的尺寸比例，艺术家可能会在画面边缘多画一些或稍作裁剪 —— 由您决定。在开始绘画之前，我们会为您发送一份数字效果图供您确认。本页面上展示的图片并非最终实物 —— 只有效果图才能反映真实结果。

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      可定制示例：将面部替换为客户照片；添加宠物（例如，将猫替换为狗）；在背景中加入隐藏信息；更改背景风景或元素。
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      全球配送（），仅需 3-4 周即可送达，无需等待标准时效的 5 周。（28 October）。品质绝不妥协。

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      总计金额

      ¥ 1767

      Brooch

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      总计金额

      ¥ 1767

      Despite being created by different artists, the jewelry of the Wiener Werkstätte was defined by an individual style which distinguished it from the rest of the international production. This jewelry is characterized by a border which surrounds the inner motif and is composed of basic geometric shapes such as squares, rectangles, circles, ovals, or octagons. This is also the case in the here presented brooch, in which a square surrounds a stylized tree with narrow, drawn-out leaves in front of a mother-of-pearl background. Dagobert Peche, one of the most creative and most sensitive designers of the Wiener Werkstätte, was head of the Zurich branch of the Wiener Werkstätte from 1917 to 1919. This is also where his drawings of jewelry and metal objects were implemented.

      问答详情

      创作《Brooch》时，Dagobert Peche 的年龄是多少？

      当"Brooch"于1919创作时，出生于1887的Dagobert Peche正值32岁。

      Dagobert Peche 的《Brooch》 的版权情况是如何界定的？

      "Brooch" 的版权状态 —— 属于公有领域 —— 其版权已过期 —— 取决于艺术家于 1923 年逝世这一事实。

      我能否更详细地查看“Brooch”？

      Dagobert Peche 的《Brooch》 的 X射线检测 页面是一个交互式查看器，您可以通过它逐层滑动浏览作品图像的十一层光学图层，其中还包含 X 光风格的视图。

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      艺术家简介

      The Ornamental Rebel

      To look at the work of Dagobert Peche is to witness a deliberate disruption of the geometric order that defined early twentieth-century Vienna. While his contemporaries in the Wiener Werkstätte were busy refining the clean, rational lines of modernism, Peche was busy complicating them. He did not seek the quiet efficiency of a well-constructed square; he sought the exuberant, often unsettling, energy of the organic. His presence in the movement changed its very DNA, shifting the focus from structural austerity to a restless, decorative complexity that many at the time found difficult to digest.

      His approach was rooted in what became known as his 'spiky baroque' style. This was not a mere imitation of the past, but a reconstruction of it through a lens of folk art and natural metamorphosis. He utilized motifs of flowers, animals, and human figures—often rendered with a sharp, sinuous edge—to create objects that felt alive and unpredictable. In his hands, a silver box or a textile pattern became a site of transformation, much like the myth of Daphne, a theme he frequently revisited to explore the concept of evolving forms.

      A Career of Material Versatility

      Peche was far more than a painter; he was a multi-disciplined designer whose reach extended into almost every corner of the decorative arts. His training in architecture provided him with a structural foundation, yet his true output lay in the tactile and the ornamental. He moved between mediums with a clinical precision, applying his botanical vocabulary to vastly different surfaces:

      • Metalwork: Intricate silver and gilt-brass pieces, including bird-shaped candy boxes and heavy, ornamented chandeliers.
      • Textiles and Paper: Sensational wallpaper designs like Daphne and printed fabrics featuring stylized floral patterns.
      • Ceramics and Glass: Objects that utilized the transparency and weight of glass alongside the earthy textures of clay.
      • Furniture: Sculptural pieces such as his black lacquer and gold side table or carved linden-wood mirror frames.

      This versatility allowed him to dominate the visual landscape of the Wiener Werkstätte during his tenure. He did not just design objects; he designed atmospheres. Even when forced by the economic constraints of World War I to use humble materials like cardboard or tole, he maintained a level of decorative intensity that refused to succumb to the limitations of the medium.

      The Weight of Influence

      The impact of Peche is often measured by how much he challenged the status quo. He was the 'enfant terrible' who pushed against the logic of utility. His philosophy, articulated in his writing, suggested an overcoming of mere usefulness to achieve a higher artistic expression. This stance placed him at odds with the strict functionalists but made him a precursor to later movements like Postmodernism, which would similarly embrace wit, narrative, and ornament.

      His life was brief, ending in 1923 at the age of 36, yet his influence remained embedded in the design language of the era. He took the geometric foundations laid by Josef Hoffmann and infused them with a sense of fantasy and movement. By introducing the 'spiky baroque' and drawing from the traditions of Rococo and folk art, he ensured that the Wiener Werkstätte would be remembered not just for its precision, but for its capacity for imagination and decorative excess.

      Dagobert Peche

      Dagobert Peche

      1887 - 1923 , Austria

      快速概览

      • Artistic Movement Or Style: Spiky Baroque, Wiener Werkstätte
      • Date Of Birth: 1887
      • Date Of Death: 1923
      • Full Name: Dagobert Peche
      • Nationality: Austrian
      • Place Of Birth: St. Michael im Lavanttal, Austria