Construcción

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Eser Açıklaması

Explore Alfredo Hlito’s ‘Construcción’ (1945) – a striking geometric abstract painting in warm hues. Discover this early 20th-century Argentine Concrete artwork's layered composition & Cubist influence.

Sanatçı Biyografisi

Discover Alfredo Hlito (1923-1993), a pioneering Argentine Concrete artist & AACI co-founder. Explore his geometric abstraction, impactful legacy & unique artistic vision!

El Yapımı Yağlı Boya Reproduksiyon

Sanatçılarımız tarafından sipariş üzerine hazırlanan; istediğiniz boyut ve çerçevede, tuval üzerine el boyaması yağlı boya. ( Baskı Satışına Geç Dijital Görsele Geç)

More about this painting

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1 Step one of four

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These sizes keep the proportions of the original painting. The drawing shows your choice on a wall, above a two-metre sofa.

Your painting: () — with its frame.

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Standart
özel boyutlu
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Eserin orijinal oranlarıyla uyumlu, önceden belirlenmiş boyutlarımız arasından seçim yapın.

genişlik
yükseklik

Çerçevenize veya duvarınıza uygun olması için ihtiyacınız olan genişlik ve yüksekliği yazın. Bu eser el boyamasıdır; bu nedenle farklı bir formdaki boyutlar için sanatçı, resmin etrafına biraz daha fazla boya ekleyebilir veya kenarlardan biraz kırpabilir — seçim sizin. Boyama işlemi başlamadan önce onaylamanız için size bir dijital taslak gönderiyoruz. Bu sayfada gösterilen resim gerçek sonucu yansıtmamaktadır; gerçek sonucu yalnızca taslak göstermektedir.

2 Step two of four

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Corner sample of the WhiteWrap canvas edge finish, stretched on masif ahşap bars
White ₺1
Corner sample of the BlurSideWrap canvas edge finish, stretched on masif ahşap bars
Blurside ₺1
Corner sample of the ExtendedWrap canvas edge finish, stretched on masif ahşap bars
Extended ₺1
Corner sample of the P118B picture frame: kalıplanmış polistiren, 5 cm wide and 3 cm thick
P118B ₺10
Corner sample of the P118H picture frame: kalıplanmış polistiren, 5 cm wide and 3 cm thick
P118H ₺10
Corner sample of the P118W picture frame: kalıplanmış polistiren, 5 cm wide and 3 cm thick
P118W ₺10
Corner sample of the P438Z picture frame: kalıplanmış polistiren, 5.5 cm wide and 3.5 cm thick
P438Z ₺10
Corner sample of the P508JH picture frame: kalıplanmış polistiren, 7 cm wide and 3.5 cm thick
P508JH ₺12
Corner sample of the P508YH picture frame: kalıplanmış polistiren, 7 cm wide and 3.5 cm thick
P508YH ₺12
Corner sample of the P805H picture frame: kalıplanmış polistiren, 5 cm wide and 3.5 cm thick
P805H ₺10
Corner sample of the P805Z picture frame: kalıplanmış polistiren, 5 cm wide and 3.5 cm thick
P805Z ₺10
Corner sample of the P919BZ picture frame: kalıplanmış polistiren, 7 cm wide and 3.5 cm thick
P919BZ ₺10
Corner sample of the P919G picture frame: kalıplanmış polistiren, 7 cm wide and 3.5 cm thick
P919G ₺10
Corner sample of the P919XJ picture frame: kalıplanmış polistiren, 7 cm wide and 3.5 cm thick
P919XJ ₺10
Corner sample of the P959ZH picture frame: kalıplanmış polistiren, 5 cm wide and 3 cm thick
P959ZH ₺10
Corner sample of the P968JZ picture frame: kalıplanmış polistiren, 6 cm wide and 4 cm thick
P968JZ ₺12
Corner sample of the W106C picture frame: masif ahşap, 5 cm wide and 3 cm thick
W106C ₺8
Corner sample of the W218G picture frame: masif ahşap, 5 cm wide and 3 cm thick
W218G ₺10
Corner sample of the W218JH picture frame: masif ahşap, 5 cm wide and 3 cm thick
W218JH ₺8
Corner sample of the W218Y picture frame: masif ahşap, 5 cm wide and 3 cm thick
W218Y ₺10
Corner sample of the W307PJ picture frame: masif ahşap, 6 cm wide and 3 cm thick
W307PJ ₺10
Corner sample of the W316G picture frame: masif ahşap, 6 cm wide and 3 cm thick
W316G ₺10
Corner sample of the W316PJ picture frame: masif ahşap, 6 cm wide and 3 cm thick
W316PJ ₺8
Corner sample of the W316Y picture frame: masif ahşap, 6 cm wide and 3 cm thick
W316Y ₺10
Corner sample of the W398PJ picture frame: masif ahşap, 5 cm wide and 3 cm thick
W398PJ ₺8
Corner sample of the W4111J picture frame: masif ahşap, 6.5 cm wide and 3.5 cm thick
W4111J ₺10
Corner sample of the W500HY picture frame: masif ahşap, 7 cm wide and 5 cm thick
W500HY ₺15
Corner sample of the W500JH picture frame: masif ahşap, 7 cm wide and 5 cm thick
W500JH ₺15
Corner sample of the W692G picture frame: masif ahşap, 8 cm wide and 4 cm thick
W692G ₺12
Corner sample of the W849H picture frame: masif ahşap, 5 cm wide and 3 cm thick
W849H ₺8
Corner sample of the W940BG picture frame: masif ahşap, 7.5 cm wide and 4.5 cm thick
W940BG ₺15
Corner sample of the W953PJ picture frame: masif ahşap, 6 cm wide and 3.5 cm thick
W953PJ ₺8
Corner sample of the H24-GOLD picture frame: alçıyla işlenmiş oyma ahşap, 10 cm wide and 6 cm thick
H24-GOLD ₺30
Corner sample of the H24-SILVER picture frame: alçıyla işlenmiş oyma ahşap, 10 cm wide and 6 cm thick
H24-SILVER ₺30
Corner sample of the H36-GOLD picture frame: alçıyla işlenmiş oyma ahşap, 15 cm wide and 6.5 cm thick
H36-GOLD ₺45
Corner sample of the H36-SILVER picture frame: alçıyla işlenmiş oyma ahşap, 15 cm wide and 6.5 cm thick
H36-SILVER ₺45

Moulding: . Overall size with the frame: .

3 Step three of four

Would you like anything changed in the painting?

Most people answer no. Because each painting is made by hand, our artist can also adapt it for you.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
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Who paints it?

Dünya Çapında Teslimat (); standart 5 hafta yerine 3/4 haftada. (2 Kasım). Kaliteden ödün verilmez.

A nameplate, as in a museum?

İşlemeli Bronz Plaka Detayları

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Şeffaf Akrilik Plaka Detayları

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Siyah Akrilik Plaka Detayları

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

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Your painting, as you ordered it

Construcción

Reproduksiyon Tekniği

Reproduksiyon Boyutu

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Seçkin Kıdemli Sanatçı

Daha fazla detay, incelik ve ek üretim süresi

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Reproduksiyon Çerçevesi

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Herhangi bir kenarı 105 cm'den (yaklaşık 41 inç) büyük olan sanat eserleri veya reprodüksiyonlar için çerçeve, demonte edilmiş bir kit halinde gönderilecektir. Bu yöntem, güvenli teslimat sağlar ve taşıma sırasında oluşabilecek hasarları önler.

Profesyonel montaj gereklidir; bu ürün kendin yap (DIY) tarzı bir ürün değildir.
Kit; ahşap tutkalı (pakete dahil değildir), kanvas germe pensi ve tutkal kururken çıtaların dik durmasını sağlayacak işkenceler kullanılarak, deneyimli bir profesyonel çerçeveci tarafından monte edilmeli ve kanvas gerilmelidir. Hatalı montaj veya dengesiz kanvas gerginliği sanat eserine kalıcı zarar verebilir ve bu durum garantimiz kapsamında değildir.

  • Tüm masif ahşap çıtalar dahildir, montaj için hassas bir şekilde ölçülmüştür.

  • Paket içeriğinde bulunan vidalar ve köşe birleşimleri için ustanız tarafından temin edilmesi gereken, ancak pakete dahil olmayan ahşap tutkalı ile monte edilir.

  • Profesyonel araçlar gereklidir ve pakete dahil değildir: bir tuval germe aparatı (gerdirici) ve yapıştırıcı kururken çıtaların dik durmasını sağlayacak kıskaçlar.

Önemli:
Köşe bağlantıları için ahşap tutkalı gereklidir; tutkal tamamen kuruyana kadar çıtalar işkenceler ile sabitlenmelidir ve monte edilmiş çerçeve üzerindeki kanvasın gerilmesi için bir kanvas germe pensine ihtiyaç duyulur. Bunların hiçbiri kit içerisinde yer almamaktadır. Lütfen bu boyutu sipariş etmeden önce deneyimli bir profesyonel çerçeve ustası ile anlaşın.

Eser Etiketi

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Koruyucu Vernik Katmanı

Parlak Vernik (renkleri canlandırır; ışığa ve neme karşı koruma sağlar)

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Eserimi Özelleştir

Değiştirilebilecek örneklere göz atın: Yüzü müşteri fotoğrafıyla değiştirin; Evcil hayvan ekleyin (örneğin, kediyi köpek ile değiştirin); Arka plana gizli bir mesaj dahil edin; Arka plan manzarasını veya öğelerini değiştirin.

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Hızlı Teslimat

Dünya Çapında Teslimat (); standart 5 hafta yerine 3/4 hafta içinde. (2 Kasım). Kaliteden ödün verilmez.

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Hızlı Gönderim

için dünya çapında 5 haftalık teslimat süresi. (9 Kasım).

Dahil

Toplam Tutar

₺ 12930

Toplam Tutar ₺ 12930

Cam seçeneği yalnızca 110 cm altındaki boyutlar için mevcuttur.

Included with every order

  • Dünya Çapında Ücretsiz Ekspres Kargo
  • Yüksek Kaliteli Keten Kanvas
  • Tam Nakliye Sigortası
  • Gümrük Vergisi İadesi Garantisi
  • Gerçek Renk Uyumu Garantisi
  • 100 Günlük İade Politikası (Sadece Kusurlu Ürünler İçin)
  • %100 Para İade Garantisi
  • Toplu Alım İndirimi

Alfredo Hlito’s “Construcción”: A Concrete Vision of Form and Space

Emerging from the vibrant crucible of Argentine concrete art in the mid-1940s, Alfredo Hlito's "Construcción" (1945) stands as a pivotal example of this revolutionary movement. More than simply an abstract composition, it’s a carefully orchestrated exploration of geometric relationships and spatial dynamics—a testament to Hlito’s profound understanding of form’s inherent power. The painting immediately commands attention with its bold palette: a rich tapestry woven from deep reds, oranges, yellows, blues, and subtle greys, all arranged within a rigorously structured framework of rectangular and semi-circular shapes. These aren't haphazard arrangements; rather, they are meticulously layered, creating an illusion of depth and volume that defies the limitations of a two-dimensional surface.

Hlito’s work is deeply rooted in the principles of concrete art—a movement that deliberately rejected representational imagery, advocating instead for the pure expression of form and material. Influenced initially by the pioneering Uruguayan artist Joaquín Torres-García, Hlito quickly forged his own distinctive style, one characterized by a relentless pursuit of geometric clarity and an unwavering commitment to reducing visual elements to their essential components. “Construcción” embodies this philosophy perfectly; it’s a distillation of form, stripped bare of any superfluous detail, leaving only the fundamental building blocks of space and shape.

Cubist Echoes and Argentine Identity

While firmly rooted in concrete art's tenets, "Construcción" also reveals subtle echoes of Cubism. The fragmented forms and multiple perspectives presented simultaneously—though far more controlled than those found in Picasso or Braque—suggest a deliberate engagement with the principles of deconstruction and reassembly that defined the early 20th-century movement. However, Hlito’s approach transcends mere imitation; he adapts these influences to create a distinctly Argentine vision. The earthy tones and geometric precision resonate with the country's rich architectural heritage, while the overall composition evokes a sense of ordered strength—a reflection of Argentina’s national identity.

The painting’s creation coincided with a period of intense artistic experimentation in Buenos Aires. Hlito was a key figure in the Asociación Arte Concreto-Invención (AACI), alongside artists like Jorge Brito and Claudio Girola, who together sought to establish a new visual language—one that prioritized abstraction over representation and celebrated the inherent qualities of materials. “Construcción” is not just an individual work; it’s a product of this collective effort, reflecting the shared ambition and intellectual ferment of the Argentine concrete art movement.

Decoding the Layers: Symbolism and Spatial Dynamics

Beyond its formal elements, "Construcción" invites contemplation on its underlying symbolism. The stacked, layered forms can be interpreted as representing a complex system—a building, perhaps, or even a metaphorical landscape. The precise geometric shapes suggest order and control, while the interplay of warm colors imbues the composition with a sense of energy and dynamism. The deliberate flatness of the image, devoid of traditional perspective, forces the viewer to actively engage with the spatial relationships presented on the canvas.

Furthermore, the painting’s title—"Construcción"—itself carries significant weight. It speaks not only to the act of building but also to the process of creation and interpretation. Hlito invites us to become active participants in constructing meaning from the visual elements before us. The work's impact is one of quiet intensity, a testament to the power of simple forms to evoke complex emotions and ideas.

A Legacy of Geometric Abstraction

Alfredo Hlito’s “Construcción” remains a cornerstone of Argentine concrete art and a significant example of early 20th-century abstraction. Its influence can be seen in the work of subsequent generations of artists, who continued to explore the possibilities of geometric form and spatial dynamics. Today, it stands as a powerful reminder of the transformative potential of abstract art—its ability to challenge our perceptions, stimulate our imaginations, and offer new ways of seeing the world.

Soru ve Cevaplar

Cubism akımına ait olan "Construcción" adlı eser hangi ülkeye aittir?

"Construcción", yaratıcısının doğum yeri üzerinden Cubism akımını Argentina ile ilişkilendiriyor.

"Construcción" hangi yıl yapıldı?

"Construcción", 1945 yılına tarihlenmektedir. Bu tarih, eseri Alfredo Hlito kariyerinin ve dönemin içerisine yerleştirmektedir.

Alfredo Hlito imzalı "Construcción" hangi oda için öneriliyor?

Alfredo Hlito imzalı "Construcción" için önerilen alan bir Living Room'dur. Bu öneri, elbette iç mekanınıza göre uyarlanabilir.

Alfredo Hlito

Alfredo Hlito

1923 - 1991, Argentina

Sanatçı Özgeçmişi

Alfredo Hlito: A Pioneer of Argentine Concrete Art

  • Born: Rosario, Argentina (1923)
  • Died: 1991

Early Life and Artistic Development

Alfredo Hlito Oliveri was born on May 4, 1923, in Buenos Aires to Syrian immigrant parents. His early artistic journey began at the Prilidiano Pueyrredón National Fine Arts School in 1938. He later studied at the National University of the Arts. Initially, his work showed strong influence from Uruguayan artist Joaquín Torres-García. However, Hlito soon developed a distinct style characterized by geometric abstraction and a focus on form and space.

The Rise of Concrete Art in Argentina

Hlito played a pivotal role in the development of concrete art in Argentina. In 1945, he co-founded the Asociación Arte Concreto-Invención (AACI), alongside other prominent artists like Jorge Brito, Claudio Girola, and Tomás Maldonado. This association was instrumental in promoting concrete art principles, emphasizing non-representational forms and a focus on the inherent qualities of materials.

  • Manifiesto de Cuatro Jóvenes: In 1942, Hlito co-authored this manifesto which critiqued traditional Argentine art.
  • Concrete Art-Invention Association (AACI): Co-founded in 1945, it became a central force in the concrete art movement.

Artistic Style and Key Contributions

Hlito's artistic style is defined by its geometric abstraction, rigorous exploration of form and space, and rejection of representational elements. His work often features simple shapes and lines arranged to create dynamic compositions. He was deeply interested in exploring the possibilities of concrete art, which emphasized the use of everyday materials and objects to create art.

  • Geometric Abstraction: A series of paintings showcasing his mastery of geometric shapes and lines.
  • Mandala II in Red: While created by Eduardo Mac Entyre, it exemplifies the bold colors and geometric forms characteristic of Hlito's influences.

Legacy and Influence

Alfredo Hlito’s legacy extends beyond his own body of work. He significantly contributed to establishing concrete art as a vital movement in Argentina. His influence can be seen in subsequent generations of artists, including Silvana Lacarra (known for mixed media) and Victor Magariños D. (recognized for innovative oil on canvas paintings). Museum collections such as those at the MACBA - Museum of Contemporary Art in Buenos Aires (including "Monochromes over cities (Berlin)") and the Buenos Aires Museum of Modern Art, which holds works by Magariños, attest to his lasting impact.

  • Influence on Silvana Lacarra: Her mixed media work reflects Hlito's abstract principles.
  • Influence on Victor Magariños D.: His innovative oil paintings demonstrate a continuation of concrete art ideals.

Key Concepts and Related Movements

  • Concrete Art: An art movement emphasizing non-representational forms, geometric abstraction, and the inherent qualities of materials.
  • Geometric Abstraction: A style characterized by the use of geometric shapes and lines to create abstract compositions.