Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 201 verk av Émile Bernard i vår katalog
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Émile Bernards mest kända verk är Iron Bridges at Asnières (1887). Du hittar det på MoMA - Museum of Modern Art i New York. Nästa på listan är Portrait of Marie Lemasson (1892) och Self-Portrait 1918 (1919). Vi har 201 verk av Émile Bernard i vår katalog; denna guide lyfter fram de 100 mest kända, med årtal, museum och historien bakom varje verk.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
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Self-Portrait as a Troubadour1892 · Nationalmuseum för västerländsk konst
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Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · Van Gogh-museet
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Woman Walking on the Banks of the Aven1890 · Museum of Fine Arts, Houston
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De fyra motiv som förekommer oftast i dessa verk, var och ett med sitt mest kända exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Émile Bernard | Målningar från denna lista |
|---|---|---|---|
 Van Gogh-museet |
Amsterdam | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Hastenparck | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Thyssen-Bornemisza-museet |
Madrid | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz-Museum |
Köln | 3 | Loving Couple, Houses in Pont-Aven |
 Dallas Museum of Art |
Dallas | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
Reims | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
Välj ett decennium för att se dess mest framstående verk.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Högst upp på listan står Iron Bridges at Asnières (1887), MoMA - Museum of Modern Art, New York. Direkt efter följer Portrait of Marie Lemasson (1892) och Self-Portrait 1918 (1919).
19 år gammal. Émile Bernard föddes 1868 och Iron Bridges at Asnières är från 1887.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple och The Harvest at Saint-Briac. Du hittar årtal och museum för varje verk i listan ovan.
Vi har 201 verk av Émile Bernard i vår katalog, daterade från 1885 till 1940.
Du hittar de flesta av dem i Van Gogh-museet (Amsterdam), Musée de Pont-Aven (Hastenparck) och Thyssen-Bornemisza-museet (Madrid). Listan över museer ovan ger en fullständig sammanställning.
Under 1880s, mer än någon annan tid: 29 av de 100 verk som finns på denna sida är från den tiden, varav Iron Bridges at Asnières.
Det äldsta verket här är Funeral palls 1 (1885); det senaste är Breton Women (1940).
Women (12), People (6) och Woman (4) av 100 verk på denna sida.
Oil On Canvas, som används i 8 av de 100 verk som finns på denna sida.
Post-impressionist synthetism, som du kan se i verken på denna sida.
Du kan se 10 av verken på denna sida på Van Gogh-museet, Amsterdam, inklusive Self-Portrait 1918, Woman Sitting in a Field: Brittany och Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941).
Ja. Varje målning på denna sida finns tillgänglig som en handmålad oljereproduktion eller som ett tryck, i den storlek som passar dig. Gå bara in på målningens sida för att beställa.
