The Visit
1916
76.0 x 76.0 cm
Handgjord oljereproduktion
Handmålad olja på duk i din valda storlek och ram, tillverkad efter beställning av våra konstnärer. ( Köp tryck
Köp bild)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Du kan ange egna mått för att passa en specifik ram eller yta. Om den valda storleken inte matchar originalbildens proportioner kommer vi antingen att beskära konstverket eller utöka målningen med ytterligare handmålade element. En digital skiss skickas till dig för godkännande innan produktionen påbörjas.
Observera att förhandsvisningen på skärmen inte återspeglar den faktiska beskärningen eller utökningen. Endast skissen visar den slutgiltiga kompositionen korrekt.
Även om anpassade storlekar är möjliga, rekommenderar vi att du väljer en dimension från den fördefinierade listan för att bevara originalproportionerna.
Efter beställning kommer ArtsDot.com team att mejla kunden för instruktioner och tillhandahålla en skissförhandsvisning
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The Visit
Tryckteknik
Reproduktionsstorlek
-
Totalpris
$ 338
Liknande konstverk
Om konstnären
Marie Laurencin (1883–1956): A Parisian Muse
- Early Life and Education
- Embracing Modernity: Cubism and the Section d’Or
- A Feminine Vision: Style and Themes
- Later Years and Legacy
Early Life and Education
Marie Laurencin was born in Paris, France, on October 31, 1883. Her upbringing was marked by a singular circumstance: her father died early in his life, leaving her mother to raise her alone—a formative experience that instilled in Laurencin a profound appreciation for independence and resilience. Pauline-Mélanie Laurencin, a domestic servant, diligently ensured Marie received a foundational education in technique at Sèvres porcelain manufactory before gravitating towards oil painting and enrolling at the Académie Humbert. This formal training provided her with invaluable skills but it was her immersion into the vibrant artistic landscape of Montmartre that truly ignited her creative spirit—a milieu teeming with revolutionary ideas and daring experimentation. Laurencin’s maternal heritage, though debated, contributed to a sense of identity she carried throughout her life, reflecting the broader cultural currents of the era.Embracing Modernity: Cubism and the Section d’Or
Laurencin swiftly found herself drawn to the groundbreaking concepts circulating within the circles of Pablo Picasso and Guillaume Apollinaire—artists who would profoundly shape her artistic trajectory. She became an integral part of the *Section d’Or*, a collective dedicated to exploring the principles of Cubism, alongside luminaries like Jean Metzinger, Albert Gleizes, Robert Delaunay, and Henri Le Fauconnier. Exhibiting at the Salon des Indépendents and the Salon d’Automne between 1910 and 1912, Laurencin demonstrated a clear engagement with the fragmented forms and geometric explorations characteristic of the movement—a stylistic choice that would define her early work. Simultaneously, she cultivated kinship within Natalie Clifford Barney’s salon—a haven for American expatriates and members of the lesbian community—participating in an artistic and intellectual exchange that fostered her perspective on gender roles and societal expectations. Her fascination with Cubism wasn't merely aesthetic; it represented a conscious rejection of traditional conventions and a embrace of radical innovation.A Feminine Vision: Style and Themes
Laurencin transcended the rigid structures of Cubism, developing a style distinctly her own—one imbued with grace, delicacy, and an unwavering focus on portraying women. She softened the harsh angles and stark geometries favored by Picasso and Braque, opting instead for curvilinear forms and a pastel palette that evoked ethereal beauty. Her canvases were populated primarily by female figures—often depicted in groups or intimate portraits—radiating an aura of serenity and quiet contemplation. Laurencin’s artistic vision deliberately challenged prevailing stereotypes about femininity, presenting women as subjects of profound sensitivity and emotional nuance—a courageous assertion of the female gaze within a predominantly male-dominated art world. Her stylistic choices reflected influences from Rococo painting and Impressionism, blending tradition with modernity to create a singular aesthetic expression.Later Years and Legacy
The outbreak of World War I disrupted Laurencin’s life and career, prompting her to seek refuge in Spain with her husband, Baron Otto von Waetjen—a circumstance that underscored the societal constraints faced by women during this period. Following their divorce in 1920, she returned to Paris and enjoyed a period of considerable success throughout the 1920s and 30s, continuing to refine her signature style and exploring new avenues of artistic exploration. Despite facing economic hardships, Laurencin persevered, teaching art and maintaining her passion for painting—a testament to her unwavering dedication to her craft. Today, Marie Laurencin is recognized as a pivotal figure in early 20th-century art—one of the few female Cubist painters who defied gender norms and expanded the boundaries of modernism. Her enduring legacy resides not only in her stunning paintings but also in her pioneering role as a woman artist challenging societal expectations and advocating for artistic freedom. Laurencin’s museum in Tokyo houses over 500 of her works, ensuring that her unique vision continues to inspire generations of artists.Marie Laurencin
1883 - 1956 , Frankrike
Snabbfakta
- Artistic Movement Or Style: Kubism och Section d’Or
- Artists Who Influenced This Artist:
- Pablo Picasso
- Guillaume Apollinaire
- Date Of Birth: 31 oktober 1883
- Full Name: Marie Laurencin
- Nationality: Fransk
- Notable Artworks:
- Les Biches
- Mädschenbildnis
- Place Of Birth: Paris, Frankrike

Glasalternativet är endast tillgängligt i storlekar under 110 cm.