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Bildspel
BesökstatistikLandscape
1958
122.0 x 183.0 cm
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Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Köp handmålat konstverk Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver, för att passa din ram eller din vägg. Ett tryck kan endast beskäras, aldrig göras större än bilden, vilket innebär att ett format med en annan formform leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi trycker något. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
Landscape
Giclée / Konsttryck
Reproduktionsstorlek
-
Totalpris
Skr 610
Liknande konstverk
Om konstnären
Joseph Glasco: Pioneer of Textured Abstraction
Joseph Glasco (1925 – 1996) stands as a singular figure in American Abstract Expressionism, an artist whose distinctive approach to painting—characterized by layered textures and monumental scale—earned him recognition within the vanguard of postwar art. Born in Pauls Valley, Oklahoma, Glasco’s formative years were spent amidst the sprawling landscapes of Texas, shaping his artistic sensibility from an early age. His family comprised Lowell and Pauline Glasco, alongside three brothers and two sisters, fostering a rich familial environment that nurtured his creative pursuits. He pursued higher education at the University of Texas at Austin before enlisting in the United States Army during World War II, serving bravely in the Battle of the Bulge—a testament to his commitment to duty and resilience. Following the war, Glasco embarked on an artistic journey fueled by intellectual curiosity and exploration. He enrolled at Portsmouth Art School in Bristol, England, immersing himself in European artistic traditions and honing his technical skills. Simultaneously, he studied at the École Supérieure des Beaux-Arts in San Miguel de Allende, Mexico, absorbing influences from Mexican muralism and engaging with diverse cultural perspectives. Further refining his craft at the Art Students League of New York solidified his position within the burgeoning New York art scene of the 1950s and 60s. Glasco’s artistic vision was profoundly impacted by collaborations with luminaries like Jackson Pollock and Alfonso Ossorio, as well as by the groundbreaking theories of Hans Hofmann—a teacher who championed spontaneous gesture and color exploration. Hofmann's emphasis on “psychological abstraction” resonated deeply with Glasco, guiding him toward a style that prioritized emotional expression over representational accuracy. Glasco’s canvases became monumental explorations of texture and pigment, often incorporating burlap or other materials to create palpable surfaces that conveyed depth and dynamism. He drew inspiration from the work of Jean Dubuffet, whose “primitive art” championed unfiltered emotion and challenged conventional artistic standards—a conviction that permeated Glasco's oeuvre. Glasco’s prolific output spanned decades, producing canvases ranging in size from modest portraits to colossal works measuring over eight feet wide. His paintings are housed in prestigious institutions worldwide, including the Metropolitan Museum of Art, MoMA, Guggenheim Museum, Whitney Museum of American Art, Hirshhorn Museum and Smithsonian American Art Museum—a testament to his enduring legacy as a master of abstract expressionism. Beyond his artistic achievements, Glasco established the Joseph Glasco Charitable Foundation, demonstrating his dedication to supporting artistic endeavors and fostering creativity within younger generations. Notably, he had a significant relationship with William Goyen, documented in Clark Davis’ biography “It Starts With Trouble,” offering insight into his personal life alongside his professional accomplishments. He retired to Galveston, Texas in 1972, maintaining a studio on the Strand near the Strand Emporium and retreating from public life—leaving behind an indelible mark on the art world. Glasco passed away peacefully in Galveston on May 31, 1996.
Joseph Glasco
1925 - 1996
Snabbfakta
- Artistic Movement Or Style: Abstract Expressionism
- Artists Or Movements Influenced By This Artist: ['Dubuffet']
- Artists Who Influenced This Artist:
- Jackson Pollock
- Jean Dubuffet
- Hans Hofmann
- Date Of Birth: 1925
- Date Of Death: 1996
- Full Name: Joseph Glasco
- Nationality: American
- Notable Artworks:
- Standing Man
- Erwinna
- Head
- Place Of Birth: Paulsville, Oklahoma