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StatistikReservoir
- 155.0 x 166.0 cm
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Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Beställ handmålad reproduktion Byt till digital bild)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver för att passa din ram eller vägg. Ett tryck kan endast beskäras, aldrig göras större än originalbilden, vilket innebär att ett format med en annan proportion leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi påbörjar tryckningen. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
Reservoir
Giclée / Konsttryck
Storlek på reproduktion
-
Slutgiltigt pris
Skr 629
Liknande konstverk
Konstnärsbiografi
The Convergence of Form and Conscience
Irving Petlin was far more than a mere practitioner of fine art; he was a profound witness to the turbulent shifts of the twentieth century, a painter whose brush was moved by both aesthetic innovation and an unwavering political pulse. Born in Chicago in 1934, his early years were steeped in the energetic and often surreal currents of Chicago Imagism, a movement that would later inform his deep engagement with the complexities of reality. His formal journey through the Art Institute of China and eventually to Yale University, where he studied under the legendary Josef Albers, provided him with a rigorous foundation in abstraction and perceptual exploration. Yet, for Petlin, these academic disciplines were never ends in themselves; they were tools used to navigate the profound tensions between the seen and the felt, the abstract and the human.The Alchemy of the Series Form
At the heart of Petlin’s practice lay a revolutionary approach known as the series form, a method that allowed him to move beyond the singular, static image to create a rhythmic, unfolding dialogue across multiple works. He became a master of the delicate and the raw, manipulating materials such as pastel, oil paint, and unprimed linen to evoke textures that felt both ancient and immediate. His canvases were not merely surfaces for pigment but landscapes of memory and intellect, heavily influenced by the haunting voices of literature. The shadows of Primo Levi, the surrealist echoes of Bruno Schulz, and the stark, poetic weight of Paul Celan permeated his brushstrokes, weaving a tapestry where the boundaries between word and image dissolved into a singular, emotive experience. This mastery of the pastel medium allowed him to capture a sense of ephemeral light and profound sorrow, making his work a bridge between the tactile world and the literary imagination.A Legacy of Artistic Resistance
Petlin’s career was inextricably linked to his commitment to social justice, as he emerged as a pivotal figure in the Artist’s Protest Movement during the height of the Vietnam War era. He possessed a rare ability to transform the gallery space into a forum for political urgency, organizing public gatherings at the Dwan Gallery and establishing the Artists’ Protest Committee to confront the injustices of his time. His collaborative spirit was perhaps most vividly realized in ambitious, large-scale projects like The Artist's Tower, a monumental undertaking conceived alongside luminaries such as Mark di Suvero, Judy Chicago, and Leon Golub. Through these endeavors, Petlin demonstrated that art could serve as a powerful catalyst for societal change, cementing his legacy not only as a master of the Nouvelle Figuration movement but as a painter whose soul was forever entwined with the struggle for peace, dignity, and the preservation of human truth.
Irving Petlin
1934 - , United States of America
Kortfakta
- Full Name: Irving Petlin
- Nationality: American
- Date Of Birth: 1934
- Date Of Death: September 1, 2018
- Place Of Birth: Chicago, United States of America
- Notable Artworks:
- Reservoir
- Rubbings from the Calcium Garden
- Artistic Movement Or Style: Pastel painting; Series form
- Artists Who Influenced This Artist:
- Josep Albers
- Mark di Suvero
- Artists Or Movements Influenced By This Artist:
- Chicago Imagism
- Nouvelle Figuration