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40.0 x 56.0 cm
The Moving Museum
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Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Köp handmålat konstverk Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver, för att passa din ram eller din vägg. Ett tryck kan endast beskäras, aldrig göras större än bilden, vilket innebär att ett format med en annan formform leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi trycker något. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
Dump
Giclée / Konsttryck
Reproduktionsstorlek
-
Totalpris
Skr 615
Liknande konstverk
Om konstnären
Gabriel Hartley: Sculptural Painting and the Language of Texture
Gabriel Hartley’s artistic practice is rooted in a fascination with materiality—specifically, how surface alters perception and invites contemplation. Born in London in 1981, Hartley honed his craft at Chelsea College of Art and Design before furthering his studies at The Royal Academy Schools, establishing him as a significant voice within the contemporary British art scene. His work distinguishes itself from conventional representational painting through an uncompromising commitment to textural exploration and sculptural manipulation—a deliberate rejection of illusionistic depth in favor of confronting viewers with palpable physicality.- Early Influences: Hartley cites Dante Gabriel Rossetti’s Pre-Raphaelite aesthetic as a formative influence, recognizing the importance of symbolism and meticulous detail in conveying emotional resonance. This fascination extends beyond visual imagery; he seeks to capture the very essence of experience—the sensation of looking itself—as articulated by philosopher Edmund Husserl.
- Technique: Hartley’s process begins with layering pigment onto a substrate, often plywood or canvas, creating an initial surface that is subsequently subjected to aggressive scraping and erasing. This technique isn't merely about removing paint; it’s a deliberate act of excavation—revealing underlying colors and forms while simultaneously generating striking textural marks.
- Sculptural Intervention: A crucial element of Hartley’s methodology involves incorporating sculptural forms into his paintings. He presses pieces of ripped foam against wet pigment, transferring the form onto the canvas surface and depositing paint residue onto the foam itself. This process yields sculptures that are then encased in resin, resulting in freestanding objects that amplify the spatial effects inherent in his paintings.
Landscapes and Texture: Exploring Spatial Perception
Hartley’s artistic vision centers on capturing the complexities of perception—how our eyes adjust to light and how we actively engage with visual information. He draws inspiration from phenomenological thought, particularly Husserl's concept of “intentionality,” which posits that consciousness is always directed toward something external. This perspective informs his compositional choices, prioritizing surface texture and color modulation to create immersive environments that challenge viewers’ assumptions about depth and space.- Color Palette: Hartley favors muted palettes—often dominated by earthy tones—reflecting a desire to evoke mood and atmosphere rather than literal representation. He meticulously considers how colors interact with each other, creating subtle gradations and contrasts that contribute to the overall textural richness of his canvases.
- Linear Marks: Bold, linear brushstrokes are characteristic of Hartley’s paintings, serving as both compositional anchors and expressive gestures. These marks aren't simply decorative; they actively sculpt the surface of the canvas, generating rhythmic patterns that guide the viewer’s gaze and reinforce the spatial illusion.
Recognition and Exhibitions
Hartley’s artistic achievements have garnered considerable acclaim within the contemporary art world. He was selected as one of the Bloomberg New Contemporaries in 2007, showcasing his early work alongside emerging artists from across Europe. Subsequent exhibitions include solo shows at Saatchi Gallery, Josh Lilley Gallery, and The Royal Academy, cementing his reputation as a compelling innovator in sculptural painting.- Notable Exhibitions: His work has been featured prominently in institutions such as Walker Art Gallery and Kinman Gallery, demonstrating the breadth of Hartley’s artistic engagement.
Contemporary Relevance
Gabriel Hartley's approach to painting—his embrace of textural materiality and his exploration of perceptual experience—resonates powerfully with current debates in art theory and criticism. By rejecting illusionistic depth and prioritizing surface engagement, Hartley compels viewers to reconsider the fundamental relationship between artist and observer—a dialogue that underscores the transformative potential of visual art.
Gabriel Hartley
1981 - , United Kingdom
Snabbfakta
- Full Name: Gabriel Hartley
- Nationality: British
- Date Of Birth: 1981
- Place Of Birth: United Kingdom
- Notable Artworks:
- Oranges
- Handful
- Artistic Movement Or Style: Contemporary Painting
- Artists Who Influenced This Artist:
- Dante Gabriel Rossetti
- Paul Gabriël
- Artists Or Movements Influenced By This Artist: ['Early Modernism']