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Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Köp handmålat konstverk Byt till digital bildförsäljning)
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver, för att passa din ram eller din vägg. Ett tryck kan endast beskäras, aldrig göras större än bilden, vilket innebär att ett format med en annan formform leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi trycker något. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
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Glasalternativet är endast tillgängligt i storlekar under 110 cm.
Giallo
Giclée / Konsttryck
Reproduktionsstorlek
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Totalpris
Skr 614
Liknande konstverk
Om konstnären
Carla Accardi: Pioneer of Italian Arte Informale
Carla Accardi (October 9, 1924 – February 23, 2014) stands as a monumental figure in the history of Italian art, particularly recognized for her contribution to Arte Informale and Arte Povera movements. Born in Trapani, Sicily, Accardi’s artistic journey began with formal training at Palermo and Florence academies before establishing herself in Rome in 1946—a pivotal moment that propelled her into the heart of Italy's avant-garde landscape. Her formative years were marked by exposure to Futurism, an influence that would permeate her early explorations of abstraction and materiality.- Early Artistic Development: Accardi’s initial self-portraits served as a crucial stepping stone toward her groundbreaking embrace of abstract expressionism. These introspective works foreshadowed the bold experimentation that characterized her subsequent artistic endeavors.
- Forma Group & Concrete Art: Accardi cofounded Forma in 1947 alongside Pietro Consagra, Ugo Attardi, Antonio Sanfilippo, Giulio Turcato, Piero Dorazio, Achille Perilli and Mino Guerrini—a collective dedicated to exploring concrete art principles. Forma’s inaugural exhibition in Rome solidified its position as a vanguard of Italian artistic innovation.
- Influence of Surrealism & Expressionism: Accardi's artistic vision was profoundly shaped by the works of Alberto Magnelli and Hans Hartung during her Parisian sojourns, inspiring her to delve into black and white painting and experimenting with Sicofoil—a translucent plastic material that she utilized to create “tendas,” or tents of clear plastic adorned with painted forms.
The Rise of Monochrome & Color Exploration
During the 1960s, Accardi embarked on a significant stylistic shift, prioritizing monochromy and color palettes—a deliberate reaction to the dynamism of her contemporaries. Her black and white “Integrazione series” reflected a contemplative engagement with artistic tradition while simultaneously pushing boundaries. Simultaneously, she embraced vibrant hues like Stella and II Stella (Star I & II), capturing luminous energy and embodying the spirit of the era. Accardi’s use of Sicofoil was revolutionary; she described it as "like something luminous, a mixing and a fluidity with the surrounding environment: perhaps in order to take away the totemic value of the painting."- Sicofoil Sculpture: Accardi's innovative application of Sicofoil resulted in sculptural installations that challenged conventional notions of artistic form and materiality.
- Feminist Engagement & Rivolta Femminile: Accardi’s commitment to feminist ideals extended beyond her art practice, culminating in the founding of Rivolta Femminile (Feminine Revolt) alongside Carla Lonzi—one of Italy's earliest feminist collectives and publishing houses.
Arte Povera & Legacy
Accardi’s artistic contributions cemented her place within Arte Povera, a movement that championed humble materials and processes as vehicles for conveying profound emotional resonance. Her work resonated deeply with critics like Michel Tapie who recognized the significance of Accardi's exploration of materiality and its connection to the environment. Accardi’s solo exhibition at MoMA PS1 in 2001 marked a triumphant return to the United States stage, showcasing her enduring influence on contemporary art. Carla Accardi remains an indelible symbol of Italian avant-garde artistry—a testament to creativity, innovation, and unwavering dedication to artistic expression.Notable Works
- Bianco Nero Su Tu
- Untitled (918)
- Carla Accardi Grigo Bruno Peinture Sur Toile CPA
Carla Accardi
1924 - 2014 , Italy
Snabbfakta
- Full Name: Carla Accardi
- Nationality: Italian
- Date Of Birth: 1924
- Date Of Death: 2014
- Place Of Birth: Trapani, Italy
- Notable Artworks:
- Archer on white
- Untitled (918)
- Artistic Movement Or Style: Arte Informale & Arte Povera
- Artists Who Influenced This Artist:
- Alberto Magnelli
- Hans Hartung
- Artists Or Movements Influenced By This Artist: ['Forma Group']