Portrait of Pompejo Batoni

Meet the 100 Most Famous Paintings by Pompejo Batoni

Updated октобар 2026 · ranked by our popularity score (searches, visits and orders for each work) · 164 works by Pompejo Batoni in our catalogue

In short

If you know one Pompejo Batoni painting, it's probably Hercules at the Crossroads (detail) (1748), which hangs in the Liechtenstein Museum, Beč. A Knight in Rome: Charles Cecil Roberts (1778) and Gaetano II Sforza Cesarini, Duke of Segni (1768) round out the three pieces people recognise right away. Our catalogue has 164 works by Pompejo Batoni. Below are the 100 people know best, each with its year, where to find it and what makes it special.

1708 – 1787, Лука Neoclassicism Most works: Uppark

Start here: the top 10 Pompejo Batoni paintings

1
Hercules at the Crossroads (detail) (1748) by Pompejo Batoni

Hercules at the Crossroads (detail)

1748 · Oil On Canvas · Liechtenstein Museum, Beč

To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from 1748, transcends mere portraiture or mythological illustration; it captures the very essence of decision-making—that fraught, beautiful space where potential futures diverge. The central figure, Hercules, is rendered not in the throes of battle, but in deep, almost agonizing contemplation. His posture, with…

2
A Knight in Rome: Charles Cecil Roberts (1778) by Pompejo Batoni

A Knight in Rome: Charles Cecil Roberts

1778 · Oil On Canvas · Музеј Прадо, Мадрид

Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere of refined grandeur and intellectual contemplation. Painted in 1778, this monumental canvas—measuring 221 x 157 cm—currently resides within the hallowed halls of the Museo del Prado in Madrid, Spain, ensuring its legacy continues to inspire awe and admiration.

3
Gaetano II Sforza Cesarini, Duke of Segni (1768) by Pompejo Batoni

Gaetano II Sforza Cesarini, Duke of Segni

1768 · Oil On Canvas · Nacionalna galerija Viktorije, Melburn

The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant lineage, appearing as the second son to survive to adulthood of Giuseppe Sforza. His presence in the frame reflects the prominence he held as a Papal politician throughout the 1750s and 1760s. Every detail of his bearing suggests a man deeply embedded…

4
Time Unveiling Truth (1742) by Pompejo Batoni

Time Unveiling Truth

1742 · Oil · Art Institute of Chicago, Čikago

A Celestial Ascent of Allegory The air feels thick with the movement of a cosmic drama, a swirling ascent where the terrestrial and the divine collide. In this 1742 oil painting, figures rise through a luminous sky, their bodies caught in a rhythmic, upward surge that defies gravity. Drapery flows in heavy, silken waves, catching a light that seems to pour from the upper left, casting soft shadows across porcelain…

6
Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764) by Pompejo Batoni

Alexander Gordon, 4th Duke of Gordon (1743 - 1827)

1764 · Oil On Canvas · Scottish National Gallery, Edinburgh

Alexander Gordon, 4th Duke of Gordon, is presented in a formal grand manner portrait that emphasizes his status and connection to the natural world. He is positioned centrally within a landscape, his presence anchored by a large brown horse to his left and hunting dogs at his feet. The composition is vertical, drawing the eye from the upward gesture of his arm toward the sky. A saturated red frock coat…

7
John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761) by Pompejo Batoni

John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile

1761 · Oil On Canvas · Scottish National Portrait Gallery, Edinburg

The Duke of Roxburghe occupies the center of the frame, a figure of quiet authority amidst a setting of classical grandeur. He sits with an upright, stately posture, his presence commanding the space through a combination of velvet and light. A heavy crimson cloak, deep and saturated, drapes around him, its texture suggesting the weight of fine velvet. The ermine fur at his collar provides a sharp, creamy contrast to…

8
Portrait of John Woodyeare (1750) by Pompejo Batoni

Portrait of John Woodyeare

1750 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in the heavy, luxurious textures of the mid-eighteenth century, where deep forest green and crimson red collide against a dark, atmospheric background. Light falls across his features with a dramatic chiaroscuro effect, catching the soft sheen of his silk attire and the delicate,…

9
Peter Beckford (1740-1811), godsejer, Dorset. (1766) by Pompejo Batoni

Peter Beckford (1740-1811), godsejer, Dorset.

1766 · Oil On Canvas · Statens Museum For Kunst, Kopenhagen

A full-length figure of Peter Beckford occupies the center-right of this vertical composition. He is depicted standing in a landscape, wearing a red frock coat with silver applications, paired with breeches and stockings. His pose is elegant, with one hand holding a paper and the other a walking stick. At his feet sits a small dog. To the left, a large stone pedestal provides a vertical counterweight to the subject.…

10
The Rotterdam tobacco trader Pieter Caarten (1778) by Pompejo Batoni

The Rotterdam tobacco trader Pieter Caarten

1778 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

Pieter Caarten, a thirty-seven-year-old tobacco merchant from Rotterdam, sits for this formal portrait in Rome in 1778. Captured in a three-quarter view, the subject gazes directly at the viewer with a reserved, serious expression. He is presented from the chest up, a composition that emphasizes his dignified posture and the material markers of his success. A powdered white wig frames a face rendered with smooth, precise transitions, while a subtle…

More Pompejo Batoni favourites, 11 to 100

11Hercules at the Crossroads (1748) by Pompejo BatoniHercules at the Crossroads1748 · Liechtenstein Museum 12Hercules at the Crossroads (1742) by Pompejo BatoniHercules at the Crossroads1742 · Palazzo Pitti 13Hercules at the Crossroads (1765) by Pompejo BatoniHercules at the Crossroads1765 · Ermitaž 14Sir Sampson Gideon and an unidentified companion (1767) by Pompejo BatoniSir Sampson Gideon and an unidentified companion1767 · Nacionalna galerija Viktorije 15Peace and War (1776) by Pompejo BatoniPeace and War1776 · Art Institute of Chicago 16Portrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831) (1780) by Pompejo BatoniPortrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831)1780 · Nacionalni muzej u Krakovu 17James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) (1753) by Pompejo BatoniJames Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont)1753 · Yale Center for British Art 18Peace and Justice (1745) by Pompejo BatoniPeace and Justice1745 · Montreal Museum of Fine Arts 19The infant Hercules strangling serpents in his cradle (1743) by Pompejo BatoniThe infant Hercules strangling serpents in his cradle1743 · Palazzo Pitti 20Samson and Delilah (1766) by Pompejo BatoniSamson and Delilah1766 · Detroit Institute of Arts 21Atis and Galathea (1761) by Pompejo BatoniAtis and Galathea1761 · Nationalmuseum 22Philip Metcalfe (1766) by Pompejo BatoniPhilip Metcalfe1766 · National Portrait Gallery 23Portrait of John Rolle Walter, MP and landowner, Exeter (1753) by Pompejo BatoniPortrait of John Rolle Walter, MP and landowner, Exeter1753 · Statens Museum For Kunst 24Saint Andrew (1741) by Pompejo BatoniSaint Andrew1741 · Art Institute of Chicago 25Portrait of Duchess Sforza Cesarini  (d.1765) (1768) by Pompejo BatoniPortrait of Duchess Sforza Cesarini (d.1765)1768 · Birmingham Museum and Art Gallery 26Portrait of Prince B. Kurakin (1782) by Pompejo BatoniPortrait of Prince B. Kurakin1782 · Ermitaž 27Allegory of the Arts (1740) by Pompejo BatoniAllegory of the Arts1740 · Städel Museum 28Portrait of Cardinal Prospero Colonna di Sciarra (1750) by Pompejo BatoniPortrait of Cardinal Prospero Colonna di Sciarra1750 · Walters Art Museum 29Portrait of Cardinal Jean-François Joseph de Rochechouart (1762) by Pompejo BatoniPortrait of Cardinal Jean-François Joseph de Rochechouart1762 · Saint Louis Art Museum 30Portrait of Joseph Henry of Straffan (1750) by Pompejo BatoniPortrait of Joseph Henry of Straffan1750 · Walters Art Museum 31Venus Presenting Aeneas with Armour Forged by Vulcan (1748) by Pompejo BatoniVenus Presenting Aeneas with Armour Forged by Vulcan1748 · Liechtenstein Museum 32James Bruce of Kinnaird, 1730 - 1794. African explorer (1762) by Pompejo BatoniJames Bruce of Kinnaird, 1730 - 1794. African explorer1762 · Scottish National Portrait Gallery 33George Legge, Viscount Lewisham (1778) by Pompejo BatoniGeorge Legge, Viscount Lewisham1778 · Музеј Прадо 34Thomas William Coke (1773) by Pompejo BatoniThomas William Coke1773 · Holkham Hall 35Portrait of John Talbot, later 1st Earl Talbot (1773) by Pompejo BatoniPortrait of John Talbot, later 1st Earl Talbot1773 · J. Paul Getty Museum 36Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736) by Pompejo BatoniChrist in Glory with Saints Celsus, Julian, Marcionilla and Basilissa1736 · J. Paul Getty Museum 37Portrait of a man (1733) by Pompejo BatoniPortrait of a man1733 38Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783) (1744) by Pompejo BatoniPortrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783)1744 · National Gallery of Ireland 39Time Revealing Truth (1742) by Pompejo BatoniTime Revealing Truth1742 · Rhode Island School of Design Museum of Art 40Christ Appearing to St. Ampelius (1742) by Pompejo BatoniChrist Appearing to St. Ampelius1742 · Rhode Island School of Design Museum of Art 41Saint John the Evangelist (1741) by Pompejo BatoniSaint John the Evangelist1741 · Basildon Park 42Saint Paul (1741) by Pompejo BatoniSaint Paul1741 · Basildon Park 43God the Father and the Holy Spirit (1741) by Pompejo BatoniGod the Father and the Holy Spirit1741 · Basildon Park 44Saint James the Less (1741) by Pompejo BatoniSaint James the Less1741 · Basildon Park 45Saint Matthew (1741) by Pompejo BatoniSaint Matthew1741 · Basildon Park 46Saint Philip (1741) by Pompejo BatoniSaint Philip1741 · Basildon Park 47Saint Peter (1741) by Pompejo BatoniSaint Peter1741 · Basildon Park 48Saint Thomas (1741) by Pompejo BatoniSaint Thomas1741 · Basildon Park 49Maddalena penitente (1742) by Pompejo BatoniMaddalena penitente1742 · Staatliche Kunstsammlungen Dresden 50Apollo, Euterpe and Urania (1741) by Pompejo BatoniApollo, Euterpe and Urania1741 · Muzeum Palacu Króla Jana Iii w Wilanowie 51The Virgin of the Annunciation (1741) by Pompejo BatoniThe Virgin of the Annunciation1741 52Apollon, Euterpe and Urania (1741) by Pompejo BatoniApollon, Euterpe and Urania1741 53The Ecstasy of St Catherine of Siena (1743) by Pompejo BatoniThe Ecstasy of St Catherine of Siena1743 · Museo Nazionale di Villa Guinigi 54Elector Carl Theodor of the Palatinate (1747) by Pompejo BatoniElector Carl Theodor of the Palatinate1747 · Bavarske državne slikopisne kolekcije 55Pope Pius VI (1747) by Pompejo BatoniPope Pius VI1747 · Bavarske državne slikopisne kolekcije 56A Lady of the Leeson Family as a Shepherdess (1751) by Pompejo BatoniA Lady of the Leeson Family as a Shepherdess1751 · National Gallery of Ireland 57Presumed Portrait of the Marchesa Caterina Gabrielli as Diana (1751) by Pompejo BatoniPresumed Portrait of the Marchesa Caterina Gabrielli as Diana1751 · National Gallery of Ireland 58Joseph Leeson, later 2nd Earl of Milltown (1730-1801) (1751) by Pompejo BatoniJoseph Leeson, later 2nd Earl of Milltown (1730-1801)1751 · National Gallery of Ireland 59Study for "Antiochus and Stratonice" (1746) by Pompejo BatoniStudy for "Antiochus and Stratonice"1746 · Cleveland Museum of Art 60Vulcan at his Forge (1750) by Pompejo BatoniVulcan at his Forge1750 · Nacionalna galerija Kanade 61Purity of Heart (1752) by Pompejo BatoniPurity of Heart1752 · Uppark 62Meekness (1752) by Pompejo BatoniMeekness1752 · Uppark 63Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear (1751) by Pompejo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear1751 · Uppark 64Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn (1751) by Pompejo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn1751 · Uppark 65Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana (1751) by Pompejo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana1751 · Uppark 66Benjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears (1752) by Pompejo BatoniBenjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears1752 · Uppark 67Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear (1751) by Pompejo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear1751 · Uppark 68Katherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora (1751) by Pompejo BatoniKatherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora1751 · Uppark 69The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo (1751) by Pompejo BatoniThe Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo1751 · Uppark 70Lascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses (1751) by Pompejo BatoniLascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses1751 · Uppark 71Francis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall) (1747) by Pompejo BatoniFrancis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall)1747 · Hatchlands Park 72Portrait of Charles Eugene, Duke of Württemberg (1728-1793) (1755) by Pompejo BatoniPortrait of Charles Eugene, Duke of Württemberg (1728-1793)1755 · Landesmuseum Württemberg 73Hercules at the Crossroads (1753) by Pompejo BatoniHercules at the Crossroads1753 · Galleria Sabauda 74Vulcan in his Forge (1750) by Pompejo BatoniVulcan in his Forge1750 75Aeneas fleeing from Troy (1750) by Pompejo BatoniAeneas fleeing from Troy1750 · Galleria Sabauda 76Truth and Mercy (1745) by Pompejo BatoniTruth and Mercy1745 · Montreal Museum of Fine Arts 77Portrait of a Gentleman (1762) by Pompejo BatoniPortrait of a Gentleman1762 · Rhode Island School of Design Museum of Art 78Portrait of William Legge, Second Earl of Dartmouth (1756) by Pompejo BatoniPortrait of William Legge, Second Earl of Dartmouth1756 · Hood Museum of Art 79Sir Robert Davers, 5th Bt (1729-1763), aged 21 (1756) by Pompejo BatoniSir Robert Davers, 5th Bt (1729-1763), aged 211756 · Ickworth 80George Lucy (1714 – 1786) (1758) by Pompejo BatoniGeorge Lucy (1714 – 1786)1758 · Charlecote Park 81Self portrait (1765) by Pompejo BatoniSelf portrait1765 · Bavarske državne slikopisne kolekcije 82William Fermor (1758) by Pompejo BatoniWilliam Fermor1758 · Muzej fine umetnosti u Hjustonu 83Edward, Duke of York (1739-67) (1764) by Pompejo BatoniEdward, Duke of York (1739-67)1764 · Royal Collection 84Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul (1757) by Pompejo BatoniPope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul1757 · Minneapolis Institute of Art 85The Crucifixion (1762) by Pompejo BatoniThe Crucifixion1762 · Muzej finih umetnosti u Bostonu 86Luigi Boccherini (1764) by Pompejo BatoniLuigi Boccherini1764 · Nacionalna galerija Viktorije 87Portrait of Prince Abbondio Rezzonico as Senator of Rome (1765) by Pompejo BatoniPortrait of Prince Abbondio Rezzonico as Senator of Rome1765 · Walters Art Museum 88portrait of a cardinal (1758) by Pompejo Batoniportrait of a cardinal1758 89Academic Nude (1765) by Pompejo BatoniAcademic Nude1765 90Elector Karl Theodor of the Palatinate (1775) by Pompejo BatoniElector Karl Theodor of the Palatinate1775 · Bavarske državne slikopisne kolekcije 91Portrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799) (1775) by Pompejo BatoniPortrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799)1775 · National Gallery of Ireland 92Edward Howard (1744–1767) (1766) by Pompejo BatoniEdward Howard (1744–1767)1766 · Victoria and Albert Museum 93Bust-length portrait of Pope Clement XIII (1772) by Pompejo BatoniBust-length portrait of Pope Clement XIII1772 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 94Alexander Stewart of Ards (1746-1791) (1773) by Pompejo BatoniAlexander Stewart of Ards (1746-1791)1773 · Mount Stewart 95Self-portrait (1770) by Pompejo BatoniSelf-portrait1770 96Robert Throckmorton (1750-1779) (1772) by Pompejo BatoniRobert Throckmorton (1750-1779)1772 · Coughton Court 97The Right Hon. Sir John Parnell, 2nd Bt  (1744–1801) (1769) by Pompejo BatoniThe Right Hon. Sir John Parnell, 2nd Bt (1744–1801)1769 · Castle Ward 98Study for the Portrait of Emperor Joseph II. (1769) by Pompejo BatoniStudy for the Portrait of Emperor Joseph II.1769 · Slovak National Gallery 99Portrait of John Corbet of Sundorne Castle, Shrewsbury (1773) by Pompejo BatoniPortrait of John Corbet of Sundorne Castle, Shrewsbury1773 · Worcester Art Museum 100Portrait of Thomas Fortescue (1767) by Pompejo BatoniPortrait of Thomas Fortescue1767

Pompejo Batoni's paintings, period by period

What Pompejo Batoni painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Pompejo Batoni's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Pompejo Batoni Paintings from this list
UpparkUppark 11 Purity of Heart, Meekness, Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear
Basildon ParkBasildon Park 9 Saint John the Evangelist, Saint Paul, God the Father and the Holy Spirit
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 5 Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783), A Lady of the Leeson Family as a Shepherdess, Presumed Portrait of the Marchesa Caterina Gabrielli as Diana
Bavarske državne slikopisne kolekcije, MinhenBavarske državne slikopisne kolekcije Minhen 4 Elector Carl Theodor of the Palatinate, Pope Pius VI, Self portrait
Liechtenstein Museum, BečLiechtenstein Museum Beč 4 Hercules at the Crossroads (detail), Hercules at the Crossroads, Venus Presenting Aeneas with Armour Forged by Vulcan
Art Institute of Chicago, ČikagoArt Institute of Chicago Čikago 4 Time Unveiling Truth, Peace and War, Saint Andrew
Nacionalna galerija Viktorije, MelburnNacionalna galerija Viktorije Melburn 3 Gaetano II Sforza Cesarini, Duke of Segni, Sir Sampson Gideon and an unidentified companion, Luigi Boccherini
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 3 Portrait of Cardinal Prospero Colonna di Sciarra, Portrait of Joseph Henry of Straffan, Portrait of Prince Abbondio Rezzonico as Senator of Rome

Pompejo Batoni decade by decade: one standout piece each

Works per decade

Pick a decade to see its standout piece.

Your questions about Pompejo Batoni's paintings

Which Pompejo Batoni painting is the most famous?See the answer

Top of the list is Hercules at the Crossroads (detail) (1748), Liechtenstein Museum, Beč. Right behind it: A Knight in Rome: Charles Cecil Roberts (1778) and Gaetano II Sforza Cesarini, Duke of Segni (1768).

How old was Pompejo Batoni when Hercules at the Crossroads (detail) was made?See the answer

40 years old. Pompejo Batoni was born in 1708, and Hercules at the Crossroads (detail) dates from 1748.

What are the 10 best-known Pompejo Batoni paintings?See the answer

Hercules at the Crossroads (detail), A Knight in Rome: Charles Cecil Roberts, Gaetano II Sforza Cesarini, Duke of Segni, Time Unveiling Truth, Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Alexander Gordon, 4th Duke of Gordon (1743 - 1827), John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile, Portrait of John Woodyeare, Peter Beckford (1740-1811), godsejer, Dorset. and The Rotterdam tobacco trader Pieter Caarten. You'll find the year and the museum of each in the list above.

How many paintings did Pompejo Batoni create?See the answer

We have 164 works by Pompejo Batoni in our catalogue, dated 1733 to 1785.

Where can you see Pompejo Batoni's famous paintings?See the answer

You'll find most of them in Uppark, Basildon Park and National Gallery of Ireland (Dublin). The museum list above has the full breakdown.

When did Pompejo Batoni paint the best-known pieces?See the answer

In 1740s, more than any other time: 30 of the 100 pieces on this page date from then, Hercules at the Crossroads (detail) among them.

Which famous Pompejo Batoni paintings came first and last?See the answer

The earliest piece here is Portrait of a man (1733); the most recent is Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785).

What subjects show up most in Pompejo Batoni's paintings?See the answer

Man (26), Woman (12) and Landscape (6), out of the 100 pieces on this page.

What materials did Pompejo Batoni paint with most?See the answer

Oil On Canvas, used in 33 of the 100 pieces on this page.

What art movement was Pompejo Batoni part of?See the answer

Neoclassicism, as you can see in the pieces on this page.

Which Pompejo Batoni pieces can you see at the Uppark?See the answer

You can see 10 of the pieces on this page at the Uppark, including Purity of Heart, Meekness and Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear.

Can I get a reproduction of a Pompejo Batoni painting?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

Getting to know Pompejo Batoni

Rani život i obuka

  • Rođen: Luka, Italija (1708)
  • Preminuo: 1787
  • Pompeo Batoni se preselio u Rim 1727. godine.
  • Usavršavao je svoj talenat pod mentorstvom Agostina Masuccija, Sebastiana Conce i/ili Francesca Imperialija.
  • Njegova prva samostalna narudžbina proizašla je kao rezultat obilnih kiša koje su pogodile Rim u aprilu 1732. godine.
  • Slika „Ekstaza Svete Katarine Sijenske” ilustruje njegovo akademsko usavršavanje kasnobaroknog stila.

Umetnički stil i uticaji

  • Batonijev stil crpeo je inspiraciju iz klasične antike, francuskog rokokoa, bolonjskog klasicizma, kao i od umetnika poput Nikole Puzena, Kloda Lorena, a naročito od Rafaela.
  • On se smatra pretečom neoklasicizma.
  • Njegova dela se mogu pronaći u brojnim muzejima, uključujući Pinacoteku di Brera u Milanu, Italija.

Značajna dela i narudžbina

    Devica idete sa svetima
  • Vitez u Rimu: Čarls Sesil Roberts – Slavljeni portret britanskog putnika postavljen ispred rimskih ruševina.
  • Trijumf Venecije
  • Brojni oltari za crkve u Italiji, kao što je Duomo u Sijeni.
  • Bio je veoma tražen za portretiranje, naročito od strane britanskih putnika na Velikom putovanju (Grand Tour), koji su naručivali portrete u stajaćim pozama unutar antičkih okruženja.

Razvoj i istorijski značaj

  • Batoni je postao izuzetno modni slikar u Rimu nakon što je njegov rival, Anton Rafael Mengs, otputovao u Španiju 1761. godine.
  • Prijateljstvo je stekao sa Vinkelmanom, te je težio suzdržanosti klasicizma u svom slikarstvu.
  • Njegovi portreti su dočarali duh ere Velikog putovanja, odražavajući fascinaciju klasičnom antikom među evropskim elitama.
  • Batonijeva sposobnost da spoji barokne tehnike sa novonastalim neoklasičnim idealima pozicionirala ga je kao tranzicionu figuru u istoriji italijanske umetnosti.

Nasleđe

  • Pompeo Batoni preminuo je 4. februara 1787. godine u Rimu.
  • Za sobom je ostavio nasleđe jednog od najpoznatijih italijanskih slikara svog vremena.
  • Njegova dela i dalje uživaju divljenje zbog tehničke veštine, elegantnih kompozicija i prodornih prikaza pojedinaca unutar njihovog istorijskog konteksta.

All 164 works by Pompejo Batoni →