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FAREWELL AT SPRING RIVERSIDE

Dimenzije
27.0 x 245.0 cm

Admire "Farewell at Spring Riverside" by Yang Jin – a stunning Qing Dynasty landscape painting. Explore intricate details & serene beauty of this iconic artwork.

Discover Yang Jin, a Qing Dynasty painter known for meticulous landscapes & exquisite style mirroring Wang Hui’s work. Explore his 'zi he' artistry & iconic pieces.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Ukupna cena

дин 6599

FAREWELL AT SPRING RIVERSIDE

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Ukupna cena

дин 6599


Biografija umetnika

Yang Jin: A Master of Tranquil Landscapes in the Qing Dynasty

The world of Chinese art offers a profound journey through centuries of cultural expression, and within that vast landscape, Yang Jin (1644-1728) stands as a particularly revered figure. Born during the tumultuous years of the Qing Dynasty’s establishment, Yang Jin emerged as a master of landscape painting, skillfully blending traditional techniques with a uniquely serene aesthetic. His work, deeply rooted in the philosophies of Daoism and Confucianism, reflects a profound appreciation for nature's harmony and a quiet contemplation of existence – qualities that resonated powerfully within the cultural context of his time.

Yang Jin’s artistic journey began under the tutelage of Wang Hui, a prominent painter known for his meticulous depictions of mountains and rivers. This formative influence profoundly shaped Yang Jin’s style, imbuing it with an extraordinary level of detail and realism. However, unlike Wang Hui's often grand and dramatic compositions, Yang Jin favored a more restrained approach, prioritizing subtle nuances of light, shadow, and texture. He was particularly celebrated for his ability to capture the ephemeral beauty of fleeting moments – the mist rising over distant peaks, the dappled sunlight filtering through bamboo groves, or the quiet stillness of a mountain stream.

A key element in Yang Jin’s artistic philosophy was his adoption of the ‘zi he’ (子鶴) style name, translating roughly to “Crane Child.” This moniker reflected his aspiration to emulate the grace and serenity of the crane – an animal often associated with longevity, wisdom, and spiritual enlightenment. He also utilized the pseudonym ‘xi ting’ (西停), meaning "West Pause," further emphasizing his desire for a contemplative and introspective artistic practice. These stylistic choices weren't merely decorative; they represented a deep commitment to embodying the values he sought to express through his art.

The Influence of Wang Hui and the Jin Dynasty Style

Yang Jin’s artistic development was inextricably linked to the legacy of Wang Hui, whose meticulous attention to detail and realistic rendering profoundly influenced generations of Chinese painters. However, Yang Jin subtly diverged from Wang Hui's approach, injecting a greater sense of tranquility and emotional resonance into his landscapes. While Wang Hui often depicted scenes of heroic encounters with nature or grand historical events, Yang Jin focused on capturing the quiet beauty of the natural world – inviting viewers to contemplate their own place within it.

The late Ming and early Qing dynasties witnessed a flourishing of landscape painting, fueled by the rise of Daoist philosophy and a growing appreciation for the restorative power of nature. Yang Jin’s work exemplifies this trend, reflecting a shift away from overtly political or religious themes towards a celebration of the natural world. His paintings often incorporate elements of traditional Chinese symbolism – such as pine trees (representing longevity), bamboo (symbolizing resilience), and water (representing fluidity and change) – creating layered meanings that resonate with viewers on multiple levels.

Iconic Works: “Farewell at Spring Riverside” and Beyond

Among Yang Jin’s most celebrated works is "Farewell at Spring Riverside" (春江晚景), a breathtaking depiction of a solitary figure standing before a flowing river, contemplating the setting sun. This painting exemplifies Yang Jin's signature style – characterized by its meticulous detail, subtle color palette, and profound sense of tranquility. The composition draws upon traditional Chinese landscape motifs, yet it possesses a unique emotional depth that transcends mere representation.

Other notable works include “Pavilion for Listening to the Sound of Banana Leaves in the Wind” (听竹风亭), which captures the delicate beauty of a bamboo grove bathed in sunlight, and "Landscapes After Li Zhaodao" (李杂道山水), a series of paintings inspired by the renowned landscape painter Li Zhaodao. These works demonstrate Yang Jin’s mastery of technique and his ability to evoke a wide range of emotions – from serenity and contemplation to awe and wonder.

Legacy and Historical Significance

Yang Jin's influence on subsequent generations of Chinese landscape painters is undeniable. His meticulous attention to detail, coupled with his profound appreciation for nature’s beauty, established a new standard for realism and emotional resonance in the genre. He remains one of the most revered figures in Qing Dynasty art, celebrated for his ability to capture the essence of the natural world and invite viewers to contemplate their own relationship with it.

His work is now housed in prestigious museums around the world, including the Museum of Fine Arts Boston and Google Arts & Culture. Yang Jin’s legacy extends beyond the realm of art; he embodies a timeless philosophy – one that celebrates the beauty of simplicity, the importance of contemplation, and the profound connection between humanity and nature.

Yang Jin

Yang Jin

1644 - 1728

Osnovne informacije

  • Full Name: Yang Jin
  • Nationality: Chinese
  • Date Of Birth: 1644
  • Date Of Death: 1728
  • Place Of Birth: Changshu, Jiangsu
  • Notable Artworks:
    • Farewell at Spring Riverside
    • Pavilion for Listening
    • Landscapes After Li Zhaodao
  • Artistic Movement Or Style: Qing Dynasty Landscape
  • Artists Who Influenced This Artist: ['Wang Hui']