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SlajdoviOutside the Gate
Contemporary Realism
1978
37.0 x 49.0 cm
Pročitaj više
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade. (
Kupi ručno naslikanu sliku Kupi digitalnu sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (14 август)
Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Kompletno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povrata u roku od 60 dana (samo u slučaju nedostataka)
Garancija povrata novca od 100%
Popust pri grupnoj kupovini
Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
Outside the Gate
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
-
Konačna cena
$ 62
Srodna umetnička dela
Biografija umetnika
Rosalind Fox Solomon: A Quiet Observer of Ritual and Change
Rosalind Fox Solomon (born 1930) stands apart as an American photographer whose work transcends mere documentation, delving into the heart of human experience—particularly ritual and social transformation. Born in Highland Park, Illinois, her formative years instilled a deep appreciation for observation and storytelling that would define her artistic trajectory. Graduating from Goucher College with honors in Political Science in 1951, Solomon embarked on a journey fueled by intellectual curiosity and a desire to engage with the world beyond academia. Her marriage to Joel W. Solomon brought companionship and two children into her life, though their relationship ultimately ended in divorce. Solomon’s artistic exploration began unexpectedly during her time abroad with the Experiment in International Living, where she immersed herself in cultures across Belgium and France. This experience profoundly impacted her worldview and solidified her commitment to capturing authentic human narratives. Studying intermittently with Lisette Model honed her photographic skills and fostered a sensitivity to visual composition—a characteristic that would become synonymous with her distinctive style. Her role as Southern Regional Director for Experiment in International Living involved traveling extensively throughout the American South, facilitating meaningful exchanges between host families and international guests. Notably, she participated in the March on Washington for Jobs and Freedom alongside Martin Luther King Jr., witnessing firsthand the pivotal moment of the Civil Rights Movement. USAID subsequently entrusted her with documenting educational initiatives in historically black colleges across Alabama, Georgia, Mississippi, and Tennessee—a project that underscored her dedication to social justice and visual storytelling. A pivotal turning point arrived in 1968 when Solomon ventured to Japan, where she began experimenting with an Instamatic camera – a seemingly simple tool that would become the catalyst for a lifelong artistic practice. Driven by a desire to express her inner world through images, she combined photography with prose, crafting narratives that resonated with personal reflection and emotional depth. Returning to the United States, Solomon continued her photographic endeavors, capturing scenes of everyday life with meticulous attention to detail and subtle nuance. Her work is characterized by its striking black-and-white aesthetic—a deliberate choice that prioritizes tonal range and textural contrast—reflecting a fascination with geometric forms and an unwavering commitment to conveying emotion through visual language. Solomon’s artistic output includes celebrated pieces like “Plastic Wreath,” capturing Guatemalan ritual and vulnerability, and “Outside the Gate,” portraying solitude amidst stark beauty. Her photographs are recognized for their ability to evoke profound contemplation and illuminate the complexities of human relationships—a testament to her enduring legacy as a photographer who sought not just to record but to interpret the world around her. Her contribution to documenting social change through visual media remains significant, cementing her place among influential artists of the latter half of the 20th century.
Rosalind Fox Solomon
1930 -
Osnovne informacije
- Artistic Movement Or Style: Black & White Photography
- Artists Or Movements Influenced By This Artist: ['Minimalism']
- Artists Who Influenced This Artist: ['Lisette Model']
- Date Of Birth: 1930
- Date Of Death: Living
- Full Name: Rosalind Fox Solomon
- Nationality: American
- Notable Artworks:
- Plastic Wreath
- Outside the Gate
- Christine Sander and Her Mother
- Place Of Birth: Highland Park, Illinois
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