Pregledaj u prostoru
Pošalji
Podeli
Detalji o delu
Vodič
Preuzmi
Slični predmeti
Rendgenski snimak
Automatska prezentacija
Q&A
StatistikaDawn Cool Rectangle Dawn Warm Rectangle
- 123.0 x 92.0 cm
Pročitaj više
Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.
Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. (
Kupite ručno oslikano delo Pređi na digitalnu sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (2 новембар)
Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Potpuno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
Garancija povrata 100% novca
Popust na više proizvoda
Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
Dawn Cool Rectangle Dawn Warm Rectangle
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
-
Ukupna cena
дин 6459
Srodna umetnička dela
Biografija umetnika
The Science of Sight
To look at a Richard Anuszkiewicz painting is to witness a calculated manipulation of the retina. He did not merely paint shapes; he engineered optical events. While many associated with the Op Art movement focused on black-and-white patterns to create dizzying illusions, Anuszkiewicz utilized high-intensity color to force the eye into motion. His work functions through the precise application of complementary hues that appear to vibrate or hum against the canvas surface. This was not accidental decoration. It was a rigorous investigation into how light and pigment interact to produce depth and instability.
The mechanics of his method relied heavily on the concept of film color, a technique where a thin haze of one hue seems to float millimeters in front of the actual canvas. By placing intense blues against reds or greens against reds, he achieved a sense of structural volume. His compositions often utilized precisely striated bands of color that could suggest a receding plane or a rising structure. This approach turned flat, geometric configurations into architectonic forms that felt both heavy and weightless.
The Albers Lineage
Anuszkiewicz’s technical foundation was built upon the strict principles of color theory inherited from his mentor, Josef Albers. After studying at the Cleveland Institute of Art, he moved to Yale University School of Art and Architecture to work under Albers. This period established the intellectual framework for his entire career. He took the lessons of the Homage to the Square series and pushed them toward a more aggressive, luminous extreme. Where Albers explored the subtle shifts in tonal harmony, Anuszkiewicz sought the friction found in full-intensity contrasts.
This lineage connected him directly to the Bauhaus tradition of formal, cerebral abstraction. His work maintained a clear thread from early geometric abstraction into the mid-century explosion of optical art. He avoided the purely decorative, instead treating every square and line as a laboratory specimen. Even when his work suggested religious or classical architecture through symmetrical motifs, the underlying logic remained rooted in the mathematical behavior of light.
A Career of Optical Rigor
The recognition of his impact was immediate during the 1960s. His inclusion in major exhibitions like The Responsive Eye at the Museum of Modern Art placed him alongside figures such as Victor Vasarely and Bridget Riley. During this era, he was identified as a primary force in defining the Op Art movement in the United States. His ability to make rigid geometry feel romantic or even spiritual through color alone gave his work a distinct character that separated him from more purely mechanistic practitioners.
His professional trajectory included significant roles both in the gallery circuit and academia:
- Exhibited at major international venues including the Venice Biennale, Florence Biennale, and Documenta.
- Held works in permanent collections such as the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, and the Metropolitan Museum of Art.
- Taught at Kent State University, bringing his technical expertise to a new generation of artists.
- Maintained a consistent focus on the experimental nature of color throughout several decades of production.
Anuszkiewicz remained committed to his investigation of visual instability until the end of his life. He never abandoned the pursuit of making light appear to leak from behind geometric forms. His legacy is found in the way he transformed the canvas from a static surface into a dynamic, breathing environment of pure perception.
Richard Anuszkiewicz
1930 - 2020 , United States of America
Osnovne informacije
- Artistic Movement Or Style: Op Art
- Artists Who Influenced This Artist: ['Josef Albers']
- Full Name: Richard Anuszkiewicz
- Nationality: American
- Notable Artworks:
- Fluorescent Complement
- Knowledge and Disappearance
- Sol I
- Place Of Birth: Erie, United States of America
- Date Of Birth: 1930
- Date Of Death: 2020