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Rai San’Yō

Letter

Dimenzije
16.0 x 31.0 cm

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Istražite dela Rai San’yō (1780–1832), slavnog umetnika Nanga škole. Otkrijte njegove slike, kaligrafiju i poeziju pune kulturnog značaja.
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Giclee štampa / Umetnički otisak

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Standardne dimenzije
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CM
INCH

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Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (11 новембар)

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Ukupna cena

дин 6609

Letter

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Ukupna cena

дин 6609

This letter was brushed by the celebrated Confucian scholar Rai San’yō, who also established a reputation as a poet of Chinese verse, calligrapher par excellence, and Nanga painter. In 1811 he left the Hiroshima Domain, where his father had a prominent post, to become an itinerant scholar, and eventually settled in Kyoto, where he established an academy devoted to the study of Chinese classics. He also devoted himself to composing Chinese poetry and to writing the manuscript of Unofficial History of Japan (Nihon gaishi 日本外史), a revisionist history of Japan that reasserted the importance of the prerogatives or the imperial family. Throughout his career, San’yō built an extensive network of noted intellectuals, poets and painters of the day, and many collaborative inscribed paintings survive. His calligraphies, including letters such as this one, have always been cherished by collectors and widely published.This letter, addressed to San’yō’s son, Rai Itsuan 頼聿庵 (1801–1856), requests funds to cover the cost of carving woodblocks needed to publish a book of the collected writings of San’yō’s father, Rai Shunsui 頼春水 (1746–1816). Shunsui served as a Confucian scholar-official in the Hiroshima domain until his death in 1816. After Shunsui’s death, San’yō immersed himself in collating and editing his father’s poems and essays. He sought to publish them so they might be preserved for posterity. Because San’yō had left the domain, his son Itsuan succeeded to Shunsui’s position as a Confucian scholar-official in Hiroshima. The letter mentions “the cost of carving woodblocks.” Although San’yo does not specify what book he wanted to publish, the timing suggests that it was for his father’s collected writings, which were published in 1828 under the title Shunsui’s Posthumous Writings (Shunsui ikō 春水遺稿).

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U kom je položenu (vertikalnom ili horizontalnom) prikazano delo „Letter”, autor Rai San’Yō?

„Letter”, autor Rai San’Yō je u Landscape formatu. Format opisuje proporcije kompozicije.

Gde se mogu kupiti ručno oslikane kopije dela „Letter”, autor Rai San’Yō?

Ručno oslikanu reprodukciju dela „Letter”, autor Rai San’Yō možete naručiti direktno na njegovoj stranici Ručno oslikana reprodukcija ulja na platnu: ručno oslikana uljana reprodukcija na lanenom platnu, izrađenu po porudžbini.

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Preuzimanje je dostupno za "Letter": na stranici Preuzimanje digitalnog prikaza ovog umetničkog dela možete preuzimanje digitalne slike visoke rezolucije.

Srodna umetnička dela

Woman Holding A Balance — Јоханес Вермеер, Dutch Golden Age Painting
Јоханес Вермеер Woman Holding a Balance
Žena Sa Vagom — Јоханес Вермеер, Barokni Povratak
Јоханес Вермеер Žena sa vagom
Žena Sa Balansom — Јоханес Вермеер, Dutch Golden Age
Јоханес Вермеер Žena sa balansom
Woman Holding A Balance Ngw — Јоханес Вермеер, Dutch Golden Age
Јоханес Вермеер Woman holding a balance ngw
Woman Holding A Balance Detalj 4 Ngw — Јоханес Вермеер, Dutch Golden Age
Јоханес Вермеер Woman holding a balance detalj 4 ngw
Woman Holding A Balance Detalj 5 Ngw — Јоханес Вермеер, Northern Renaissance
Јоханес Вермеер Woman holding a balance detalj 5 ngw
Portrait Of A Woman With A Balance — Tomas De Kejzer, Dutch Golden Age Portraiture
Tomas De Kejzer Portrait of a Woman with a Balance
American Neutrality Obverse — Karl Otto Götz, German Art Informel
Karl Otto Götz American Neutrality Obverse
Woman Holding A Balance Detalj 1 Ngw — Јоханес Вермеер, Dutch Golden Age Painting
Јоханес Вермеер Woman holding a balance detalj 1 ngw
Bararsingha - The Balance Of Life — Pradyumna Kumar Mahanandia, Mithila Painting
Pradyumna Kumar Mahanandia Bararsingha - The balance of Life

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