The Annunciation

Dimenzije
197.0 x 165.0 cm

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Opis predmeta

Mariotto Albertinelli’s ‘Annunciation,’ painted in 1510, showcases masterful perspective architecture and chiaroscuro techniques. Featuring an angel presenting lilies to Mary before a courtyard scene with two figures—one reading and the other contemplating—the painting embodies Renaissance ideals of harmony and knowledge.

Biografija umetnika

Explore Mariotto Albertinelli (1474-1515), a Florentine Renaissance painter known for his collaboration with Fra Bartolomeo & harmonious compositions blending Perugino's grace, Flemish detail, and Leonardo’s sfumato. Discover masterpieces like the Visitation!

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Corner sample of the WhiteWrap canvas edge finish, stretched on masivno drvo bars
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Corner sample of the BlurSideWrap canvas edge finish, stretched on masivno drvo bars
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Corner sample of the ExtendedWrap canvas edge finish, stretched on masivno drvo bars
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Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Corner sample of the H24-GOLD picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
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Corner sample of the H24-SILVER picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
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Corner sample of the H36-GOLD picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
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Corner sample of the H36-SILVER picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
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Plakica, kao u muzeju?

Detalji gravirane bronze ploče

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detalji prozirne akrilne pločice

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detalji crne akrilne pločice

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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The Annunciation

Tehnika reprodukcije

Dimenzije reprodukcije

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Vrhunski maestri umetnosti

Više detalja, prefinjenosti i dodatnog vremena za izradu

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Okvir za reprodukciju

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Za umetnička dela ili reprodukcije čija je bilo koja strana veća od 105 cm (približno 41 inč), okvir će biti isporučen u obliku rastavljenog seta za sklapanje. Ovaj metod osigurava bezbednu dostavu i sprečava oštećenja tokom transporta.

Potrebna je profesionalna montaža – ovo nije proizvod namenjen samostalnoj izradi.
Set mora sastaviti i platno zategnuti iskusni profesionalni ramitelj, koristeći drveni lepak (nije uključen u set), hvataljku za zatezanje platna i stege kako bi se održao prav ugao okvira dok se lepak suši. Nepravilno sklapanje ili neravnomerno zategnuto platno mogu trajno oštetiti umetničko delo, što nije pokriveno našom garancijom.

  • Sve šipke od masivnog drveta su uključene, precizno isečene po veličini.

  • Montira se pomoću priloženih šrafova, uz dodatno korišćenje lepka za drvo za spojeve u uglovima, koji nije uključen u set i koji vaš čuvar okvira mora obezbediti.

  • Potreban je profesionalni alat koji nije uključen u set: klešta za zatezanje platna (zatezač) i stege za održavanje pravih uglova letvica tokom sušenja lepka.

Važno:
Za spojeve u uglovima neophodan je lepak za drvo, šipke se moraju pričvrstiti stezgama dok lepak potpuno ne osuši, a za zatezanje platna na sklopljenom ramu potrebne su hvataljke za zatezanje platna. Nijedan od ovih alata nije uključen u komplet. Pre naručivanja ove veličine, molimo Vas da unapred obezbedite iskusnog profesionalca za ramačenje.

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Personalizujte svoje umetničko delo

Primeri mogućnosti izmene: Zamena lica fotografijom kupca; Dodavanje ljubimca (npr. zamena mačke psom); Uključivanje skrivene poruke u pozadini; Promena pejzaža ili elemenata pozadine.

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Hitna dostava

Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (10 новембар). Bez kompromisa po pitanju kvaliteta.

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Brza dostava

Dostava širom sveta () u roku od 5 nedelja. (17 новембар).

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Ukupna cena

дин 27598

Ukupna cena дин 27598

Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm

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A Divine Encounter in Florentine Gold

In the heart of the High Renaissance, a period defined by the harmonious marriage of human emotion and divine grace, Mariotto Albertinelli captured a moment of eternal significance. His masterpiece, The Annunciation, is not merely a depiction of a biblical event but a profound window into the spiritual zenith of Florence around 1503. As the viewer approaches this luminous work, they are immediately enveloped by a sense of serene intimacy. The painting brings to life the pivotal instant when the Archangel Gabriel descends to deliver a celestial message to the Virgin Mary, an encounter that forever altered the course of Christian narrative. Albertinelli, a contemporary and close collaborator of Fra Bartolomeo, utilizes the very essence of Florentine light to bridge the gap between the earthly and the divine.

The composition is a masterclass in Renaissance equilibrium, employing a sophisticated pyramidal structure that guides the eye with effortless grace. At the center of this sacred drama sits Mary, perched upon a bench with a quiet dignity that reflects the humanist ideals of her era. Her presence is grounded and contemplative, yet the upward movement of the composition—leading toward the radiant figure of God the Father encircled by angels—creates an ascending spiritual energy. This architectural approach to painting ensures that while the scene feels deeply personal and human, it simultaneously evokes a sense of cosmic grandeur and celestial order.

The Language of Symbolism and Light

Every brushstroke in Albertinelli’s work serves a higher purpose, weaving a complex tapestry of meaning through subtle visual cues. The angel, wings spread in a gesture of arrival, holds aloft a lily, the quintessential emblem of purity and the immaculate nature of Mary. This delicate floral element acts as a focal point of innocence amidst the weight of the divine decree. Beyond the central figures, the artist invites us to explore a world rich with intellectual depth; the presence of a figure reading a book and another contemplating a scroll suggests that this divine moment is one of profound knowledge and the fulfillment of ancient prophecy. Even the small bird in flight adds a dynamic, living pulse to the stillness of the scene.

The technique employed—tempera on wood panel—is essential to the painting's enduring emotional impact. The inherent luminosity of tempera allows for a remarkable clarity of detail and a subtle gradation of tones that breathe life into the heavy folds of Mary’s blue robes. This method enables Albertinelli to manipulate light and shadow with surgical precision, creating a soft chiaroscuro that lends volume to the figures and a palpable sense of atmosphere to the courtyard beyond. For the collector or the designer, this piece offers more than just aesthetic beauty; it provides a profound sense of tranquility and a timeless connection to the classical ideals of balance and harmony.

An Eternal Inspiration for the Modern Space

To possess a reproduction of The Annunciation is to invite a piece of history into one's personal sanctuary. The painting’s ability to command attention through its quiet strength makes it an extraordinary choice for sophisticated interiors, whether placed in a sunlit gallery or a contemplative study. It serves as a conversation piece that transcends eras, offering a sense of stability and grace to any environment. For those who appreciate the meticulous craftsmanship of the High Renaissance, Albertinelli’s work stands as a testament to the power of art to capture the intangible—the moment where the breath of heaven meets the earth.

Pitanja i odgovori

Koji emocionalni ton prati stil High Renaissance u delu "The Annunciation"?

„The Annunciation“ odiše Calm emocijom u okviru pokreta High Renaissance.

Preporučena veličina i orijentacija štampe za "The Annunciation"?

Preporučuje se štampa dela „The Annunciation”, autor Mariotto Albertinelli u veličini Large i Landscape orijentaciji.

Šta "The Annunciation" deli sa ostatkom stvaralaštva umetnika Mariotto Albertinelli?

„The Annunciation“ pripada High Renaissance periodu stvaralaštka umetnika Mariotto Albertinelli, čije su upečatljive teme obuhvatale rosselli’s style, byzantine tradition, divine revelation, patronage influence, renaissance idealism.

Mariotto Albertinelli

Mariotto Albertinelli

1474 - 1515, Italy

Biografija umetnika

Mariotto Albertinelli: A Florentine Renaissance Painter

  • Born: Florence, Italy (1474)
  • Died: 1515

Early Life and Training

Mariotto di Bigio di Bindo Albertinelli was born in Florence as the son of a gold beater. He was an only child, and his mother died when he was just five years old. Initially trained as a gold beater until the age of 12, he then became a pupil of Cosimo Rosselli, sharing studies with Fra Bartolomeo. The close friendship between Albertinelli and Fra Bartolomeo led them to establish a joint studio in Florence by 1494.

Artistic Development and Influences

Albertinelli’s style demonstrates the influence of several prominent artists including Perugino, Piero di Cosimo, Lorenzo di Credi, and Flemish painters. His early works, produced independently of Fra Bartolomeo, are stylistically distinct and reveal a sophisticated taste for detail. Piero di Cosimo introduced him to Flemish techniques, enriching his artistic palette. A period of independence followed Fra Bartolomeo’s entry into the Dominican order in 1500, allowing Albertinelli to develop his own voice while still maintaining a connection to his former mentor's style.

Major Works and Collaborations

  • The Visitation (1503): Housed in the Uffizi Gallery, this is considered Albertinelli’s masterpiece. It depicts the biblical story of Elizabeth visiting Mary, showcasing his skill in composition, narrative depiction, and blending influences from Fra Bartolomeo and Perugino.
  • Altarpiece for the Chapel of Congregazione di San Martino: This altarpiece includes panels depicting the Visitation, Annunciation, Nativity, and Circumcision. It demonstrates Albertinelli's ability to create a cohesive narrative across multiple panels.
  • Kress Tondo: Initially attributed solely to Fra Bartolomeo, it is now believed that Albertinelli used his partner’s cartoon in its creation, highlighting their collaborative relationship.
  • Annunciation (1511): A joint work with Fra Bartolomeo, showcasing a period of stylistic convergence and collaboration.

Historical Significance and Legacy

Albertinelli's artistic career reflects the dynamic shifts within Florentine painting during the High Renaissance. His ability to synthesize diverse influences—Perugino’s grace, Flemish detail, and Leonardo’s sfumato technique—created a unique style that contributed to the richness of Florentine art. He trained notable artists such as Jacopo da Pontormo, Innocenzo di Pietro Francucci da Imola, and Giuliano Bugiardini, ensuring his influence extended beyond his own works. Despite facing financial difficulties later in life, Albertinelli left behind a body of work that demonstrates his skill and artistic versatility, solidifying his place within the Florentine Renaissance.