Ecstatic Figure
Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.
Kao poštovana i legalna alternativa, nudimo prilagođene, ručno oslikane umetničke radove inspirisane originalom. Naši stručni i profesionalni umetnici pažljivo proučavaju stil, ambijent i umetničku suštinu originala kako bi kreirali novo, unikatno delo koje budi istu emociju – ostajući pritom potpuno autentično stvaranje.
Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Ručno rađena uljana reprodukcija
Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na prodaju štampanih primeraka
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Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite širinu i visinu koja vam je potrebna, kako bi se uklopili u vaš ram ili zid. Pošto je ovo ručno oslikano delo, umetnik može naslikati malo više prostora oko slike ili malo skratiti ivice za dimenzije drugačijeg oblika — izbor je na vama. Pre početka rada, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja konačan rezultat — samo digitalni prikaz pokazuje stvarnu sliku.
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Ecstatic Figure
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Srodna umetnička dela
Biografija umetnika
A Life Shaped by Change
Born in Bernstadt, Germany, in 1884, Ludwig Meidner began his adult life far from the canvas. He first followed his parents' wishes by taking up an apprenticeship as a stonemason, though he did not complete this training. His path eventually led him to the Royal School of Art in Breslau and later to Paris, where he studied at the Académie Julian and Cormon Academies. During these years in Paris, he met Amedeo Modigliani, a connection that placed him at the center of a changing artistic landscape. After returning to Berlin, he worked as a fashion illustrator and draftsman, finding his footing within the city's growing avant-garde circles.
The years leading up to the First World War brought a profound shift in his vision. In 1912, he began creating what are often called his apocalyptic landscapes. These works featured chaotic scenes of urban life, with comets crossing skies like shells and buildings appearing on the verge of collapse. While some saw these images as predictions of the coming war, they were also reflections of the intense energy and social unrest present in the modern metropolis. His involvement with the Die Pathetiker group further solidified his place in the German expressionist movement.
Faith and Displacement
The devastation of the First World War changed Meidner deeply. Having served in the German military as an infantry soldier and a French interpreter, he emerged from the conflict with a different perspective on life and art. He turned toward Orthodox Judaism, finding a new source of meaning through religious themes. His work began to include portraits of prophets and scenes of Jewish ritual, such as his 1937 drawing, Blowing the Shofar. This period saw him moving away from pure expressionist chaos toward more structured, religious imagery that explored the inner experience of faith.
The rise of the Nazi party forced another period of movement and hardship. In 1935, Meidner moved to Cologne to teach at a Jewish school, but the increasing pressure in Germany became impossible to ignore. His work was included in the 1937 Degenerate Art exhibition in Munich, an event that marked him as a target of the regime. In August 1939, he and his wife, Else Meidner, fled to England. Life in London was difficult; he was interned at Huyton Camp and later on the Isle of Man. During these years of exile, he lived in near poverty, often relying on the support of the local Jewish community while continuing to draw and paint from his observations of the world around him.
A Return to Germany
After many years in England, Meidner chose to return to Germany in 1953. He settled in Frankfurt, a city that offered him both a sense of stability and a connection to his heritage. This later period of his life was marked by a renewed recognition within the German art scene. In 1964, he received the Order of Merit of the Federal Republic of Germany and became a member of the Berlin Academy of Fine Arts. His late works continued to reflect his lifelong engagement with both the physical world and the spiritual realm.
Meidner passed away in Darmstadt in 1966. His legacy remains visible in major institutions such as the Jewish Museum Frankfurt, the Museum of Modern Art in New York, and the Metropolitan Museum of Art. Through his varied roles as a painter, printmaker, and writer, he left behind a body of work that documented the turbulent transitions of the twentieth century.
Ludwig Meidner
1884 - 1966
Brzi pregled
- Artistic Movement Or Style: Expressionism, Dada
- Artists Who Influenced This Artist:
- Amedeo Modigliani
- Rembrandt
- Full Name: Ludwig Meidner
- Nationality: German
- Notable Artworks:
- Blowing the Shofar
- Apocalyptic Landscapes
- The Bomb
- Street at Kreuzberg
- Place Of Birth: Bernstadt, Germany
- Date Of Birth: 1884
- Date Of Death: 1966

Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm