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StatistikaLandscape
- 50.0 x 145.0 cm
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Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.
Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. (
Kupite ručno oslikano delo Pređi na digitalnu sliku)
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Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.
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Landscape
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
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Ukupna cena
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Srodna umetnička dela
Biografija umetnika
The Silent Resonance of Ink
In the turbulent dawn of the twentieth century, as Korea grappled with the heavy shadows of colonial rule and a desperate search for national identity, Lee Sang-beom emerged as a master of quiet resistance and profound beauty. His life, spanning from 1897 to 1972, was not merely a chronicle of personal achievement but a mirror to a nation in flux. Through the delicate medium of sumukhwa, or traditional ink wash painting, he bridged the gap between the ancient echoes of the Joseon era and the burgeoning whispers of modern expression. His landscapes are far more than mere topographical records; they are spiritual meditations, where every stroke of black ink against paper serves as a testament to the resilience of the Korean spirit.To look upon his work is to witness a soul navigating the tension between the old world and the new. He captured the essence of a landscape that was simultaneously being lost to history and being rediscovered through a modern lens, creating an oeuvre characterized by serene vistas imbued with a subtle, haunting emotional depth.
Foundations of Light and Philosophy
The artistic DNA of Lee Sang-beom was woven from threads of deep-seated tradition and transformative global influences. His early training under the legendary masters An Jung-sik and Jo Seok-jin provided him with a rigorous foundation in classical techniques, yet his vision was never confined by the boundaries of the past. He breathed in the stoic principles of Confucian philosophy, which instilled in his work an unwavering commitment to balance, harmony, and contemplative stillness.Yet, there was a luminous quality to his evolution, sparked by an encounter with the light-drenched aesthetics of Japanese Impressionism. The evocative use of color and atmosphere found in the works of Hiroshi Yoshida offered him a new vocabulary for capturing the ephemeral nature of the world. This synthesis allowed him to move beyond simple replication, infusing his landscapes with a sense of atmospheric movement that resonated with the changing tides of his era. Even during more experimental chapters of his life, such as the poignant explorations found within his prison paintings, the core of his artistry remained anchored in this profound connection to the natural and the spiritual.
A Legacy Carved in Nature
To gaze upon a Lee Sang-beom landscape is to enter a realm where the physical and the metaphysical converge. His mastery of the brush allowed him to manipulate the weight of ink to evoke the rugged strength of mountains and the fluid grace of flowing water. He frequently returned to motifs that held deep symbolic resonance within Korean culture, using them to communicate themes of endurance and purity:- Pine Trees: Representing unyielding strength and longevity amidst the storms of history.
- Mountains and Mist: Evoking a sense of eternal stability and the sublime mystery of the natural world.
- Flowing Water: A symbol of purity and the relentless, life-giving passage of time.
Lee Sang-beom
1897 - 1972 , South Korea
Osnovne informacije
- Full Name: Lee Sang-beom
- Nationality: Korean
- Date Of Birth: 1897
- Date Of Death: 1972
- Place Of Birth: South Korea
- Notable Artworks:
- Landscape
- Landscape of the Seasons
- Artistic Movement Or Style: Ink wash painting
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