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StatistikaReservoir
- 155.0 x 166.0 cm
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Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.
Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. (
Kupite ručno oslikano delo Pređi na digitalnu sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.
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Reservoir
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
-
Ukupna cena
дин 6599
Srodna umetnička dela
Biografija umetnika
The Convergence of Form and Conscience
Irving Petlin was far more than a mere practitioner of fine art; he was a profound witness to the turbulent shifts of the twentieth century, a painter whose brush was moved by both aesthetic innovation and an unwavering political pulse. Born in Chicago in 1934, his early years were steeped in the energetic and often surreal currents of Chicago Imagism, a movement that would later inform his deep engagement with the complexities of reality. His formal journey through the Art Institute of China and eventually to Yale University, where he studied under the legendary Josef Albers, provided him with a rigorous foundation in abstraction and perceptual exploration. Yet, for Petlin, these academic disciplines were never ends in themselves; they were tools used to navigate the profound tensions between the seen and the felt, the abstract and the human.The Alchemy of the Series Form
At the heart of Petlin’s practice lay a revolutionary approach known as the series form, a method that allowed him to move beyond the singular, static image to create a rhythmic, unfolding dialogue across multiple works. He became a master of the delicate and the raw, manipulating materials such as pastel, oil paint, and unprimed linen to evoke textures that felt both ancient and immediate. His canvases were not merely surfaces for pigment but landscapes of memory and intellect, heavily influenced by the haunting voices of literature. The shadows of Primo Levi, the surrealist echoes of Bruno Schulz, and the stark, poetic weight of Paul Celan permeated his brushstrokes, weaving a tapestry where the boundaries between word and image dissolved into a singular, emotive experience. This mastery of the pastel medium allowed him to capture a sense of ephemeral light and profound sorrow, making his work a bridge between the tactile world and the literary imagination.A Legacy of Artistic Resistance
Petlin’s career was inextricably linked to his commitment to social justice, as he emerged as a pivotal figure in the Artist’s Protest Movement during the height of the Vietnam War era. He possessed a rare ability to transform the gallery space into a forum for political urgency, organizing public gatherings at the Dwan Gallery and establishing the Artists’ Protest Committee to confront the injustices of his time. His collaborative spirit was perhaps most vividly realized in ambitious, large-scale projects like The Artist's Tower, a monumental undertaking conceived alongside luminaries such as Mark di Suvero, Judy Chicago, and Leon Golub. Through these endeavors, Petlin demonstrated that art could serve as a powerful catalyst for societal change, cementing his legacy not only as a master of the Nouvelle Figuration movement but as a painter whose soul was forever entwined with the struggle for peace, dignity, and the preservation of human truth.
Irving Petlin
1934 - , United States of America
Osnovne informacije
- Full Name: Irving Petlin
- Nationality: American
- Date Of Birth: 1934
- Date Of Death: September 1, 2018
- Place Of Birth: Chicago, United States of America
- Notable Artworks:
- Reservoir
- Rubbings from the Calcium Garden
- Artistic Movement Or Style: Pastel painting; Series form
- Artists Who Influenced This Artist:
- Josep Albers
- Mark di Suvero
- Artists Or Movements Influenced By This Artist:
- Chicago Imagism
- Nouvelle Figuration
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