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Surface 213

Writing, alphabet, glyphs, the teeth of a comb, forks, segmented tears, locks, chains, claws: the graphic figures of Capogrossi’s signic language express themselves on the canvas in ever-changing modulations. The sign is never repeated as an end unto itself, but is developed in a series of variations, which, as Argan noted in 1967, find a literary parallel in Raymond Queneau’s Exercises in Style, published in 1947, in that, using the same words, the French writer stages narrative situations whose content changes each time it is told. Surface 213 and its counterpart Surface 231 (1957, Simeoni Collection, Florence) are an example of this modulation, in that the variable consists in the positive-negative effect of the colour and the partitioning of the canvas like a card index.

Pitanja i odgovori

Mogu li da koristim proširenu stvarnost kako bih video/la „Surface 213”, Giuseppe Capogrossi u svojoj prostoriji?

Delo „Surface 213”, Giuseppe Capogrossi možete isprobati na svom zidu putem stranice AR pregled, koristeći proširenu stvarnost na kompatibilnom uređaju.

Kako "Surface 213" balansira svetlo i tamno?

„Surface 213“ ima ukupnu osvetljenost od bright, dok je luminansa Bright Balance.

Koja je dominantna nijansa dela „Surface 213”, Giuseppe Capogrossi?

Dominantna nijansa dela „Surface 213”, Giuseppe Capogrossi je Ochre to Sepia. Ova nijansa predstavlja osnovni ton palete.

Giuseppe Capogrossi (1900 – 1972)

Discover Giuseppe Capogrossi: Italian painter blending Renaissance & modernism. Bold brushstrokes, abstract art, & key figure in Venetian & Roman art scenes.

Galleria Civica di Arte Moderna e Contemporanea Torino (Turin, Italija)

GAM Torino: Otkrijte bogatstvo moderne i savremene umetnosti u srcu Turina. Od futurizma do arte povera, istražite vrhunska dela koja čuvaju istoriju i inovaciju italijanske kulture.

O ovom umetničkom delu