les alyscamps, arles - -
Acrylic On Canvas
WallArt
Post-Impressionism
1888
91.0 x 72.0 cm
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les alyscamps, arles - -
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Opis umetničkog dela
Les Alyscamps - Paul Gauguin
Paul Gauguin’s Les Alyscamps, Arles, created in 1888, is a captivating oil painting that showcases the artist’s unique style and interpretation of the natural world. This piece is one of the first canvases Gauguin made during his stay in Arles, where he was invited by his friend Vincent van Gogh to work together.The Painting and Its Significance
The painting depicts the Roman necropolis in Arles, which was consecrated in the 3rd century by Saint Trophime as a burial ground for Christians. By the 19th century, only avenues of cypresses and empty sarcophagi remained, giving the site a profoundly melancholic air. Gauguin chose to exclude historical references almost entirely, focusing instead on the fields, woods, and a canal along which three people are walking: two women dressed as Arlesiennes and a man. Gauguin's style in this painting is characteristic of his Synthetism, with juxtaposed masses and hatching. The brushstrokes, inspired by Cézanne, allowed him to transcribe the motif without imitating reality. The highly saturated hues are also a subjective and decorative interpretation of the landscape. This serene view of Les Alyscamps contrasts sharply with the tormented contemporary compositions that Van Gogh painted of the same place—a testament to Gauguin’s deliberate rejection of academic conventions in favor of emotional expression.Artistic Influences and Techniques
Gauguin's work was profoundly impacted by his correspondence with Vincent van Gogh, who shared his own artistic endeavors and ideas about non-naturalist landscapes. Their discussions fueled Gauguin’s ambition to produce a landscape that transcended mere representation, aiming instead for an evocative portrayal of mood and feeling. The painting exemplifies Synthetism—a technique championed by Cézanne—where forms are simplified and blended together using hatching and bold color palettes. Gauguin deliberately avoided meticulous detail, prioritizing expressive brushwork over photographic accuracy. This stylistic choice reflects a broader trend toward abstraction within the Impressionist movement, signaling a decisive break from traditional artistic practices.Provenance and Exhibitions
Les Alyscamps, Arles was donated by Comtesse Vitali in 1923 and is currently housed within the Musée d'Orsay. Its inclusion in prominent exhibitions throughout its history solidified Gauguin’s position as a pivotal figure in the development of modern art—a celebration of color and emotion that continues to inspire audiences today. Notably, it was showcased during the Salon des Beaux-Arts in Paris in 1890, garnering considerable acclaim from critics and collectors alike.Conclusion
Paul Gauguin’s Les Alyscamps, Arles stands as a landmark achievement in Post-Impressionist painting—a masterful distillation of observation and imagination. Its luminous colors and dynamic brushstrokes convey a palpable sense of melancholy and contemplation, inviting viewers to immerse themselves in the beauty of the natural world while pondering themes of mortality and spirituality. For those seeking to experience the grandeur of Gauguin’s vision firsthand, ArtsDot.com offers exceptional reproductions—including Paul Gauguin: les alyscamps, arles - - (1888) and Paul Gauguin: Les Alyscamps, Musée d'Orsay—allowing you to bring this iconic artwork into your home.Srodna umetnička dela
Biografija umetnika
Eugène Henri Paul Gauguin: A Life Painted in Bold Strokes
Eugène Henri Paul Gauguin, a name that resonates with vibrant color and rebellious spirit, stands as a pivotal figure in the transition from Impressionism to modern art. Born in Paris in 1848, his life was anything but conventional. His early years were shaped by an unusual upbringing; his father a journalist, and his mother descended from Peruvian aristocracy—her grandmother, Flora Tristan, a pioneering feminist and socialist writer whose ideals undoubtedly resonated within the family. This heritage would profoundly shape Gauguin’s artistic vision, instilling in him a fascination with cultures beyond Europe. A formative period spent in Peru as a child, following his family's relocation in 1850, immersed him in a world vastly different from Parisian society, an experience that lingered and ultimately fueled his quest for authenticity in art. Returning to France after his father’s death, Gauguin received a formal education but found himself drawn not to academia, but to the burgeoning financial world, embarking on a career as a stockbroker—a path seemingly at odds with the artistic destiny that awaited him. ### Early Influences and Artistic Beginnings Gauguin's initial exposure to art came through his father’s collection, which included works by Impressionists like Camille Corot and Eugène Delacroix – artists who championed capturing fleeting moments of light and color. However, Gauguin quickly recognized the limitations of Impressionism’s focus on optical perception, perceiving it as too superficial to convey deeper emotional truths. He experimented with Impressionistic techniques in his early paintings, notably landscapes bathed in sunlight, demonstrating a commendable grasp of tonal gradation and atmospheric perspective. Yet, he soon felt compelled to break free from these conventions, yearning for a more expressive style that would allow him to communicate his inner world—a desire that would propel him toward the revolutionary Symbolist movement. This dissatisfaction stemmed partly from his belief that Impressionism lacked spiritual depth, prioritizing visual beauty over moral or philosophical contemplation. ### The Stockbroker’s Double Life and Artistic Exploration For years, Gauguin pursued a respectable profession as a stockbroker alongside his artistic endeavors—a duality that provided him with both financial stability and the freedom to indulge in his creative passions. This dual existence allowed him to cultivate his skills independently of commercial pressures, fostering an environment conducive to experimentation and innovation. However, it was also a source of inner conflict, as Gauguin wrestled with reconciling his desire for artistic fulfillment with societal expectations. The financial crisis of 1882 served as a catalyst for this transformation, forcing him to abandon his lucrative career and wholeheartedly embrace painting—a decision that would irrevocably alter the trajectory of his life and work. ### Brittany and Symbolist Style: Seeking Authenticity Inspired by the rugged landscapes and traditions of Brittany, Gauguin embarked on a series of paintings exploring themes of rural life and spirituality. He deliberately simplified forms, flattened perspectives, and employed bold outlines—techniques that departed significantly from Impressionistic realism. These stylistic choices reflected his conviction that art should strive for “primitive” expression, capturing the essence of human experience without resorting to elaborate illusionism. Gauguin’s use of color became increasingly vibrant and symbolic, rejecting naturalistic hues in favor of hues that conveyed emotion and spiritual significance—a hallmark of Symbolist aesthetics. His paintings from this period, such as “The Breton Woman” and “Portrait of Père Tanguy” exemplify his commitment to conveying inner states rather than merely depicting external appearances. ### Tahiti: Exile and Artistic Revelation Gauguin’s most transformative experience occurred during his voyage to Tahiti in 1891—a journey that marked the beginning of his self-imposed exile from European society. Seeking refuge from what he perceived as its moral corruption and intellectual stagnation, Gauguin sought inspiration in Polynesian culture, believing it offered a path toward spiritual liberation. He immersed himself in local customs and traditions, documenting them through his distinctive artistic style—a style characterized by bold colors, simplified forms, and symbolic imagery heavily influenced by Japanese prints (Japonisme). This period yielded masterpieces such as “Vision After the Sermon” and “Where Do We Come From? Where Are We Going?” – paintings that encapsulate his profound engagement with religious symbolism and his exploration of primal emotions. Gauguin’s artistic vision reached its zenith in Tahiti, where he created a body of work that stands apart from anything produced by his contemporaries—a testament to his unwavering dedication to pursuing artistic truth beyond the confines of conventional art practice. His bold use of color, combined with flattened perspectives and stylized figures, cemented his place as one of the most influential artists of the late nineteenth century. ### Legacy and Influence Paul Gauguin’s impact on subsequent generations of artists is undeniable. He challenged prevailing aesthetic conventions, advocating for a style rooted in subjective experience rather than objective observation—a stance that resonated deeply with movements like Fauvism and Expressionism. His exploration of primal themes and his masterful manipulation of color profoundly influenced painters such as Pablo Picasso, Henri Matisse, and Edvard Munch. Gauguin’s unwavering commitment to artistic freedom and his rejection of societal norms continue to inspire artists today—serving as a reminder that true creativity requires courage, conviction, and a willingness to transcend established boundaries. He remains an enduring symbol of the artist as wanderer, seeking inspiration in distant lands and embracing unconventional paths—a legacy that secures his place among the titans of modern art.Евгејн Жорж Паул Гаугин
1848 - 1903 , Француска
Osnovne informacije
- Artistic Movement Or Style: Постимпрезионизам и Симболизам
- Artists Or Movements Influenced By This Artist: ['Пабло Пикасо']
- Artists Who Influenced This Artist: ['Камил Писаро']
- Date Of Birth: 7. јун 1848.
- Date Of Death: 8. мај 1903.
- Full Name: Eugène Henri Paul Gauguin
- Nationality: Француски
- Notable Artworks:
- Вахине но те мити
- Манао Тупапу
- Једног од Божјих дана
- Place Of Birth: Париз, Француска
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